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The Nathaniel Hawthorne Audio Collection [Audiobook, Unabridged] [Audio CD]

Nathaniel Hawthorne (Author), Paul Auster (Reader), James Naughton (Reader)
3.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

April 29, 2003
On July 28, 1851, Nathaniel Hawthorne's wife left their house in Western Massachusetts to visit relatives. Hawthorne and his five-year-old son Julian stayed behind. How father and son got on together for the next three weeks is the subject of Twenty Days with Julian & Little Bunny, by Papa, a tender and funny extract from Hawthorne's notebooks, perhaps one of the earliest accounts in literature of a father caring for a young child.

Each day starts early and will be given over to swimming and skipping stones, berry picking and subduing armies of thistles. At one point Mr. Herman Melville comes over to enjoy a late night discussion of eternity over cigars.

With an introduction by Paul Auster, this delightful true-life story by a great American writer emerges from obscurity to shine a delightful light upon family life -- then and now. The collection also includes Hawthorne's short stories "Young Goodman Brown," "The Minister's Black Veil" and "Rappaccini's Daughter."

Read by James Naughton.


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Editorial Reviews

About the Author

Born in 1804, Nathaniel Hawthorne is known for his historical tales and novels about American colonial society. After publishing The Scarlet Letter in 1850, its status as an instant bestseller allowed him to earn a living as a novelist. Full of dark romanticism, psychological complexity, symbolism, and cautionary tales, his work is still popular today. He has earned a place in history as one of the most distinguished American writers of the nineteenth century.

From AudioFile

From the accompanying paperback to the folio of CDs to the wonderful writing beautifully read, this is lovely production. The collection focuses on what Paul Auster, in his thoughtful introduction, describes as "one of the least-known works by a well-known writer in all of literature." It's a delightful, often funny diary kept by Nathaniel Hawthorne about three weeks in 1851 that he spent alone with his 5-year-old son. The diary, entitled "Twenty Days with Julian & Little Bunny, by Papa," is followed by readings of three of Hawthorne's best-known stories, which were conceived around the same time as he kept the diary. Auster, the critically acclaimed author, is also a wonderful reader. No dialects and voices--instead, he reads his own introduction and "Twenty Days" with his trademark seductive voice and precise control. James Naughton does as well with the Hawthorne short stories. His careful pace and full baritone offer comfort during the stories' menacing passages. This is a class act. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Product Details

  • Audio CD
  • Publisher: Caedmon; Unabridged edition (April 29, 2003)
  • Language: English
  • ISBN-10: 0060555688
  • ISBN-13: 978-0060555689
  • Product Dimensions: 5.9 x 5.1 x 0.8 inches
  • Shipping Weight: 5.4 ounces
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,130,961 in Books (See Top 100 in Books)

 

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7 of 8 people found the following review helpful:
3.0 out of 5 stars Worthy of Your Listening Time, January 7, 2005
This review is from: The Nathaniel Hawthorne Audio Collection (Audio CD)
Solitude was his natural element, says Paul Auster (author) in the one hour introduction,Hawthorne at Home, that gives tribute to Hawthorne's writing life as well as a glimpse into his family and friendship with Herman Melville. The emphasis though is not on the writer of The Scarlet Letter or The House of the Seven Gables but on the more personal side witnessed within his journals. This Hawthorne collection features journal writings titled Twenty Days with Julian and Little Bunny, by Papa and three short stories: Young Goodman Brown, The Minister's Black Veil and Rappaccini's Daughter.

Auster's voice is relaxed, honest and comfortable to listen to as he continues with Twenty Days, reading Hawthorne's "account of a man taking care of his child by himself." Hawthorne wrote about his interactions and observations of his five year old son Julian during a three week period in 1851 while his wife and daughter were away visiting. Auster says the notebook was for Hawthorne's wife Sophia so she could read about what they did while she was away.

Hawthorne's reflections are almost reminiscent of Michael Keaton in Mr. Mom. They are light, loving and believable. In-depth descriptions of their activities, meetings, power struggles, walks and meals have a familiar and endearing quality to them. Children in the mid 1800's are surprisingly similar with children of today. Amusing.

His journal is full of scenic descriptions, character studies and lessons to Julian. Bits of Hawthorne's personality bleed into the diary. Like his penchant for paranoia shown by his need to deliver a letter to the post himself. He wrote a letter to Phoebe (nickname for his wife Sophia) and handed it over to a visitor who was also going to post. He later wished he hadn't and promised to post another himself because there was no guarantee whether it would be posted. Hawthorne's love of nature is also apparent in his recurring descriptions of their daily walks.

Following Hawthorne's diary entries are three strange, dark stories narrated by James Naughton (actor). I was left wondering why they were compiled with the light cheery reflections of Hawthorne's journal. The transition from one reader to another was also unnerving and awkward.

Young Goodman Brown begins with a young married man (Goodman Brown) saying goodbye to his new bride, Faith, despite her begging him not to go. At the beginning of his journey he meets up with a strange man and they walk along a wilderness path (something Nathanial did daily according to Twenty Days). The path seems to be a metaphor for evil. The old man talks about knowing Goodman's father and grandfather and his relationship to the other villagers. There are a few play on words like his wife's name is Faith and at one point he screams, "I have lost my Faith!" having obvious double meaning. If it's yet not obvious to you what this story is about it is because it wasn't clear to me either but I gather it has something to do with one man's struggle with his conscious good and evil both real and imagined.

The Minister's Black Veil is also full of metaphors. Again we see the involvement of the townspeople in this story that's supposed to be a parody. One day Mr. Hopper, a minister, walks about town with a black veil covering his eyes but his mouth and chin remain exposed. All want to know why. The town folk are upset by this change in their friendly minister who even wears the veil during his service causing the folks to read more into his sermon than usual. A man they've known well has suddenly become a man they feel they don't know at all. During the story he attends a funeral, church service and wedding. It's an interesting moral tale.

Rappaccini's Daughter is equally as dark. A bored young, Italian writer named Giovanni becomes distracted by a luscious garden and fountain outside the window of the room he rents and most importantly the daughter of the plants' caretaker, Beatrice. This is a strange tale about a girl raised in seclusion by her scientist father among poisonous plants and who has become a poison herself. Slow to start but has a twisted unsuspecting outcome.

I thoroughly enjoyed Hawthorne's Twenty Day's Diary and was slow to warm up to the short stories mostly because I was expecting them to have the same flair as the journal. Both create different moods but are worthy of your listening time.

Review Originally Posted at http://www.linearreflections.com
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