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The National Gallery Complete Illustrated Catalogue (National Gallery London Publications) [Hardcover]

Christopher Baker (Editor), Tom Henry (Editor)


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Editorial Reviews

From Library Journal

Established by an act of parliament in 1824, Britain's National Gallery was the first great public art museum created without a royal family's help, England's Royal Collections having never been nationalized. This unwieldy book bills itself quite correctly as a "complete" catalog: perhaps the world's most spectacular gathering of Western paintings is arranged alphabetically by artist, numbering over 2200 pieces at three per page. But as the book's frustrating design reveals, the collection is simply too enormous to show in some 750 pages. Although each artist gets two to three sentences of biographical text and each painting bears a paragraph-long caption, the illustrations could have been larger than an eye-straining two-and-one-half inches in height?particularly maddening when each page contains a great deal of blank space. While for the National Gallery this exhaustiveness is especially relevant, because unlike most institutions its full collection is almost always on display, this is clearly a book that will appeal more to art or museum scholars than connoisseurs of fine painting. An impressive but flawed compendium; for large academic libraries only. (CD-ROM not seen.)?Douglas F. Smith, Oakland P.L., Cal.
Copyright 1996 Reed Business Information, Inc.

From Booklist

London's National Gallery, one of the world's greatest museums, is also one of the smallest, with about 2,000 paintings, virtually all of which are on display. Its focus is on European painting from the end of the thirteenth century to the beginning of the twentieth. This catalog and associated CD-ROM display and provide information on each work; the catalog is arranged alphabetically by artist. In the print version works are shown three to a page, usually 2 by 2 1/2 inches in size and all but 300 in color. Complete data are provided--attribution, date, dimensions, support (e.g., wood, canvas), medium, inscriptions, and provenance. A 50-to 200-word note describes the history and subject matter of each work, and bibliographic references are appended. A brief biography (about 50 words) for each artist is located near the first work shown. The front matter includes an explanation of the organization of the data with a sample entry, a detailed history of the National Gallery, and a glossary. A bibliography at the end of the volume provides full information on the sources referred to in the entries. A comprehensive analytical index completes the volume.

The companion CD-ROM is both Macintosh and Windows compatible; a mouse is needed to navigate the easy-to-use system. The CD-ROM is for single users only; the publisher has no immediate plans for a network version. The initial screen after the title offers two choices: reading ("Director's Introduction," "A Short History of the Gallery" ) or starting right in searching by clicking on a letter of the alphabet. This produces a list of artists whose surnames begin with that letter. After scrolling through the list and selecting a name, the biography of the artist appears along with thumbnail illustrations of each of his works in the collection. Clicking on any small image produces a larger image and a sidebar of choices. "Text" provides the full descriptive entry from the catalog. "Show Detail" allows one to enlarge for closer study any section of the painting. "Whole Image" permits enlarging up to a screen size of 20 by 20 inches. "Bibliography" provides complete citations to references on the painting. "Related Index Terms" allows one to search by prominent features of the subject matter of the painting (horses, Battle of Waterloo, putti); literary sources for subjects (Old Testament: Genesis; Aesop: fables); media and supports (other than oil and canvas); and places of origin and date ranges of the paintings. Selecting any index term provides a listing of the paintings in the collection that share this feature, on which the user can click. In addition, the text can be searched separately using the word-search facility. The controls on the bottom of the screen facilitate searching. "Options" (Windows only) provides a pop-up memo for printing and copying. Unfortunately, the software provides for copying text but not illustrations. Any user needing help can return to the contents page and click on "About This Catalogue." One of the choices here is a clearly written tutorial. One can also access the glossary and an explanation of copyright issues, attribution, indexing, etc.

A different approach to this collection designed to appeal to the home market can be found on Microsoft Art Gallery , a multimedia CD-ROM that provides four guided tours of the gallery with audio. Most artists' names are pronounced, and animations are used to explain concepts.

Both students and the general reader who wants to know more about European painting will appreciate the National Gallery's catalog and CD-ROM. The high-resolution illustrations positively glow when viewed on the monitor. The powerful indexing capability of the computer has tremendous potential for student use; the "Related Index Terms" and the word-search facility allows the user to explore an idea or a specific topic in a way that is much more difficult with printed sources. Finding references to specific paintings can be difficult and time-consuming; the one to a dozen mostly twentieth-century and relatively accessible sources listed for each work will be a boon. Another advantage is being able to access images of paintings that are seldom reproduced in books. Recommended for public and academic libraries. --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Hardcover: 816 pages
  • Publisher: National Gallery London; 1St Edition edition (October 25, 1995)
  • Language: English
  • ISBN-10: 0300063598
  • ISBN-13: 978-0300063592
  • Product Dimensions: 11.5 x 10.2 x 2.2 inches
  • Shipping Weight: 7.5 pounds
  • Amazon Best Sellers Rank: #6,560,664 in Books (See Top 100 in Books)

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