Native Son (Bloom's Modern Critical Interpretations) [Hardcover]

Richard Wright (Author), Harold Bloom (Editor)

Book Description

Publication Date: November 1, 2008 | Series: Bloom's Modern Critical Interpretations

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

--This text refers to the Paperback edition.

Editorial Reviews

Amazon.com Review

Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...

A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."

Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion:

"I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..."

Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes --This text refers to the Mass Market Paperback edition.

From Publishers Weekly

Starred Review. Wright's classic 1940 novel about a young African-American man who murders a white woman in 1930s Chicago is a truly remarkable literary accomplishment. Peter Francis James has never been better, bringing the character of Bigger Thomas to life in a profound and moving performance that is as touching as it is truthful. James's powerful baritone demands to be heard, captivating listeners with Wright's realistic portrayal of life in the inner city, capturing the mood of each and every scene. With moderate yet believable variations in tone and dialect for each of the characters, James ignites the collective imagination of his audience. Wright's novel is real, raw and brutally honest and James's reading follows suit. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 213 pages
• Publisher: Chelsea House Publications (November 1, 2008)
• Language: English
• ISBN-10: 0791096254
• ISBN-13: 978-0791096253
• Product Dimensions: 6.3 x 0.8 x 9.3 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (232 customer reviews)
• Amazon Best Sellers Rank: #472,268 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

64 of 72 people found the following review helpful

5.0 out of 5 stars A Book to learn from May 18, 2000

By [e-mail]

Format:Mass Market Paperback

I recently read Native Son,by Richard Wright, in my 8th grade English class while my class was reading To Kill a Mockingbird. Native Son is the shocking story of a young African American man, Bigger Thomas, living in the "black belt" of Chicago. Every second of his life he encounters the hateful separation society has put between blacks and whites. One night, caught in fear, anger and hate he commits his first murder against the daughter of his employer. Reading the two books simultaneously, I found many interesting comparisons between Native Son and To Kill a Mockingbird. They are both about the trial of a black man. In To Kill a Mockingbird the black man is innocent, however the racist town convicts him. Yet in Native Son he is guilty. Harper Lee tells her story through the point of view of a white person ( she herself is white) yet Richard Wright (a black man) tells the tale through Bigger's eyes. It is interesting to compare the two points of view, telling a similar tale through the two sides of racism. Both authors show their side of the story. Bigger's tale is told in a bigger and more dramatic way than how the whites regard the trial in To Kill a Mockingbird. Both stories portray the separation between African Americans and whites. Reading about this separation in both stories taught me a lot about this countries history. I learned about the strong hate that came between the races and the fear, anger and rage that results from it. The content of Native Son, is not always light. The hideous crimes Bigger commits are hardly small sins, but actions that effect an entire society. Wright's phenomenal writing described the hateful emotion of racism I will never understand. I found it difficult reading such horrible tales of hate, fear and anger. However, I found that reading it helped me to understand a lot of the scandalous society I live in. I learned to what degree racial discrimination of any kind can affect a person. It taught me a lot about issues I don't encounter everyday. I could not honestly say I liked this book; it is not a book one enjoys. It was a book that taught me a lot about our countries history and simple human emotions. I can only say that I am glad I read it, for it was a worthwhile experience. It is a hard book to read, both in language in content, but it shows an account that most likely happened at some time. Its historical aspects teaches the reader not only about racial discrimination but hate, anger and fear. Everyone living in America should read Native Son.

21 of 22 people found the following review helpful

5.0 out of 5 stars EMOTIONAL, GUT-WRENCHING, CHILLING.... BOTTOM LINE: TRUTHFUL July 23, 1999

By A Customer

Format:Mass Market Paperback

Before I read this novel, I was burdened with a strong ambivalence. Certain people around me who have read NATIVE SON say that it's a horrible depiction of African Americans, structuring them as callous murderers and strictly unlikable. Yet others claimed it to be a masterpiece and when it ranked as one of the top 100 English language novels of the 20th century, I decided to give it a chance. WAKE UP. That's the feel when we start the novel and as it proceeds, nothing much happens for the first several pages. We familiarize with Bigger's violent temper and reputation for being the way he is. He gets a job working for a wealthy white family, a family very charitable to Negroes. Well, even though it seems they do it mainly to unhold the kindheartedness associated with their family name, the family takes in Bigger. There's the daughter, Mary, who introduces Bigger to her boyfriend, Jan, and they are sympathetic with the Negro race. Sympathetic to the point where Bigger hates them for it. While delivering Jan drunk to her room later that night, Bigger inadvertantly smothers her with a pillow while trying to cover up her unsobriety as her blind mother enters the room, killing her. Scared, Bigger cuts off her head and throws her remains into the furnace. Brutal, yeah. I won't say what else happens next but I will tell you my overall opinion on the novel. I think it's wonderful, excellent, and a masterpiece that simply has to be read. Even though if Bigger had been a real person and I was watching his trial on television, I would have said, "Yeah, execute the man", this novel does put something into perspective that some might find disturbing to ruminate over yet will have to agree with. HATE BREEDS HATE. The hate that the white people had administered to him created violent rifts into Bigger, transforming him cold-blooded man. It completely desensitized him and all he knew was how to return the hate rather than to ignore or overcome it. And once hate is constructed, the road to redemption, the road to extrication from that hate is filled with sharp glass and nails and you're a traveller walking barefoot miles and miles upon its path. For example, the scene where Jan and Mary take Bigger to the diner. They're kind, yes, but their sympathy makes Bigger feel like they are still treating him inferior, that he is an animal. It is one of the novels that made me cognizant of a society that cannot exist and that the only way we can survive is by coexisting. I don't know if others got that message but I sure did.

Richard Wright, I believe, made a huge risk by writing this novel but it is ultimately grand and groundbreaking. His portrait of human emotions is realistic and unparalleled and though he does not drown the novel with a flood of description, we get the basic idea of Bigger's surroundings. We can see the raggedy conditions at his home, we can feel the hate as Bigger is apprehended, and we feel his isolation as he remains in his jail cell. PLEASE DO NOT IGNORE THIS NOVEL. Thanks for your time.

- Timmy

11 of 11 people found the following review helpful

5.0 out of 5 stars Living for the City... February 5, 2011

By Geoffrey Halston

Format:Paperback

A compelling read from start to finish, this book tells the story of Bigger Thomas, a black youth living in the Chicago ghetto during the 1930s. Bigger Thomas is an archtype for the experience of black youths, the black struggle in America. I have read "Sonny's Blues," "Invisible Man," but I have found this novel the most powerful of the three.
This is also a great read for the would-be fiction writer. It's all here: plot, character, setting and gripping story telling that holds you to the end.
A must read.