Not often is a black man the protagonist in American literature, but in Native Son, there is fiery, dramatic conflict in the story of Bigger Thomas, the man who wages a war between himself and the outside white world. Wright has given us a dramatic and impassioned look at life in the oppressed Black America.
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Most Helpful Customer Reviews
6 of 11 people found the following review helpful:
5.0 out of 5 stars
The novel Native Son is a "MUST READ"..,
By A Customer
This review is from: Native Son (Cliffs Notes) (Paperback)
The suspensful novel Native Son is riviting and exciting, it leaves you on the tip of your seat, always eondering what will happen next?...The author helps the reader live what the main charachter Bigger Thomas is going through, the betrayal, anxiety and the deciet..A MUST READ
5 of 10 people found the following review helpful:
1.0 out of 5 stars
A Poorly Written, Unrealistic Novel,
By Susan (Ohio) - See all my reviews
This review is from: Native Son (Cliffs Notes) (Paperback)
This novel is not only a bad read, but it portrays African-Americans in a bad light. You can do much better if you are trying to find good African-American literature. I agree with the other reviewer, we are only TOLD that Richard Wright is a good writer.
5 of 11 people found the following review helpful:
1.0 out of 5 stars
A Poorly Written, Unrealistic Novel,
By Susan (Ohio) - See all my reviews
This review is from: Native Son (Cliffs Notes) (Paperback)
This novel is not only a bad read, but it portrays African-Americans in a bad light. You can do much better if you are trying to find good African-American literature. I agree with the other reviewer, we are only TOLD that Richard Wright is a good writer.
Share your thoughts with other customers: Create your own review
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Inside This Book
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First Sentence:
Ralph Ellison declares in Shadow and Act that in Richard Wright's fiction, the Negro has a choice of one of three roles to assume: he can assume the role of passivity designed for him by the southern whites and resolve his personal conflicts through the emotional catharsis of religion; or he can strive for and establish his own middle-class society and thereby consciously or unconsciously become the white man's accomplice in oppression; or he can reject the entire southern white ideology and assume the role of a criminal, which will inevitably erupt into physical violence. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mary Dalton, Bigger Thomas, Jan Erlone, Big Boy, Jim Crow, Richard Wright New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Ralph Ellison declares in Shadow and Act that in Richard Wright's fiction, the Negro has a choice of one of three roles to assume: he can assume the role of passivity designed for him by the southern whites and resolve his personal conflicts through the emotional catharsis of religion; or he can strive for and establish his own middle-class society and thereby consciously or unconsciously become the white man's accomplice in oppression; or he can reject the entire southern white ideology and assume the role of a criminal, which will inevitably erupt into physical violence. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mary Dalton, Bigger Thomas, Jan Erlone, Big Boy, Jim Crow, Richard Wright New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 18
books:
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100
books
cite this book:
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- Native Son by Richard A. Wright on 6 pages
- Black Boy (The Restored Text Established by The Library of America) (Perennial Classics) by Richard A. Wright on 5 pages
- The Last Days (French Literature) by Raymond Queneau in Back Matter (1), and Back Matter (2)
- The Example of Richard Wright by Dan McCall in Back Matter
- Crime and Punishment (Bantam Classics) by Fyodor Dostoevsky on page 26
See all 18 books this book cites
- The White Image in the Black Mind: A Study of African American Literature (Contributions in Afro-American and African Studies) by Jane Davis on 28 pages
- Playing the Changes: FROM AFRO-MODERNISM TO THE JAZZ IMPULSE by Craig Werner on 25 pages
- Black Studies As Human Studies: Critical Essays And Interviews (Suny Series, Interruptions: Border Testimony(Ies) and Critical Discourse/S) by Joyce Ann Joyce on 12 pages
- Blacks and Jews in Literary Conversation (Cambridge Studies in American Literature and Culture) by Emily Miller Budick on 8 pages
- Singers of Daybreak: Studies in Black American Literature by Houston A., Jr. Baker on 7 pages
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