From Publishers Weekly
Published for the September 21 opening of the Smithsonian's National Museum of the American Indian on Washington Mall, the three main sections of this majestic book ("Our Universes," "Our Peoples" and "Our Lives") feature more than 300 color illustrations of Native artworks, from Inka to Iroquois, with poems by N. Scott Momaday, Louise Erdrich, Linda Hogan and others; extensive essays on Native mythology, history and identity; and even an excerpt from the Sherman Alexie script for
Smoke Signals. The essays, which range from straightforward histories to deeply felt testimonials, are written by a wide range of Native cultural personages, including Wilma Mankiller (the first woman to be elected by the Cherokee Nation as its principal chief), Gabrielle Tayac (daughter of medicine man Chief Turkey Tayac in the Chesapeake Bay region) and Vine Deloria Jr., author of
Custer Died for Your Sins. Despite the very generous and impressive selection of art, which even includes three multipage "Portfolios" of ancient, historical and contemporary Native artwork, the visual aspect of the book inevitably comes in second. This is not entirely the editors' fault: the intricacy and incredible range of Native artwork, which here includes both South and North American art, is simply too enormous to share space equally with the absorbing writing.
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*Starred Review* This lavishly illustrated and informative volume coincides with the long-anticipated opening of the Smithsonian's new National Museum of the American Indian, and its comprehensive text is matched with a treasury of art and artifacts from the museum's extensive collection. The first section, "Our Universe," describes the diversity of Native American stories and ceremonies while underlining the profound beliefs shared by all tribes. "Our Peoples" covers historical events from the Native American point of view, including the coming of Columbus, the Revolutionary War, the drafting of treaties, and the establishment of the controversial Indian Schools, and shows how events were chronicled in Native American art, such as a Dakota buffalo robe depicting the measles epidemic of 1818-1819. In "Our Lives," various authors discuss how modern communication and transportation systems help to connect Indian peoples as never before. The volume concludes with a lively selection of modern interpretations of traditional art and stories, thus documenting the growing numbers of Native American artists, writers, and filmmakers. Prodigious in scope and intimate in detail, this book, like the museum it celebrates, is a landmark.
Deborah DonovanCopyright © American Library Association. All rights reserved
