From Publishers Weekly
The words of the New Testament story of Jesus's birth are delivered with complete sobriety: Gabriel gives Mary the news that she will bear a child, she and Joseph go off to Bethlehem, shepherds and wealthy men pay homage to the child in the manger. But Gabriel wears unlaced, clumsy work boots and delivers his message over coffee or soup at Mary's kitchen table, and when there is no room at the inn, the rest of the town's visitors deck themselves out in a tree and snooze in stairwells. Vivas irreverently unravels the mystique of the famous birth, showing a bulgingly pregnant Mary and first glimpses of a child barely out of the womb. Also a part of this mad charm is an elegant mastery of form; wispy, glimmering watercolors show comic characters in the midst of grand events. Ages 4-8.
Copyright 1988 Reed Business Information, Inc.
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Review
The words of the New Testament story of Jesus's birth are delivered with complete sobriety: Gabriel gives Mary the news that she will bear a child, she and Joseph go off to Bethlehem, shepherds and wealthy men pay homage to the child in the manger. But Gabriel wears unlaced, clumsy work boots and delivers his message over coffee or soup at Mary's kitchen table, and when there is no room at the inn, the rest of the town's visitors deck themselves out in a tree and snooze in stairwells. Vivas irreverently unravels the mystique of the famous birth, showing a bulgingly pregnant Mary and first glimpses of a child barely out of the womb. Also a part of this mad charm is an elegant mastery of form; wispy, glimmering watercolors show comic characters in the midst of grand events. Ages 4-8.
(
Publishers Weekly )
With a brief text excerpted from Luke. a celebration of the love, joy, and humanity of Jesus' birth. Vivas - a much-honored Australian illustrator - depicts the holy family (and even the angels) as earthy peasants, their emotions expressed in broad gestures. Mary and Gabriel, his wings tattered and his shoes unlaced, huddle together over a kitchen table, intent on the awesome news. Joseph stuggles to hoist his well-rounded bride aboard the donkey, and she shares the triumph of his success; he cradles the new-born baby in a cherishing embrace while the exhausted mother slumps affectionately against him. Doubtless this will prove controversial, but these figures of indeterminate race - who might be found in any of the world's teeming cities - are depicted with reverence and great dignity. Vivas' delicate, sure watercolors are a reminder that the humbleness of these people made the event more extraordinary - that the story is not only about the long ago and far away but about people with familiar joys and troubles. (
Kirkus Reviews )