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5 of 5 people found the following review helpful:
5.0 out of 5 stars
important, September 18, 2000
The demise of the original Wailers was certainly tougher on Bunny Wailer and Peter Tosh in terms of later success than it was on Bob Marley, who saw the value in spreading his beautifully defiant messages in music that meant crossing over to reach white audiences at the risk of alienating his core Rastafarian audiences at home.As it turned out, Bob successfully reached everyone, and "Natty Dread," his first crossover success, proved it. There is little I can say about this lp that hasn't been said hundreds of times before, but here goes. It is one of the most perfect reggae lps made. Bob, now the undisputed leader, shines his visionary lights on high beam for the world to see. His was a message of defiant unity- a message that Peter Tosh also embraced, but in a much more radical way. The key to Bob's success was that he understood moderation. His protests were subtle, poignant, yet you still knew they were protests, whereas Tosh's protests were blatent, in your face accusations (which I admire to no end) that left little to the imagination.. Bob's protest/love songs, such as "No Woman No Cry," are true tearjerkers, while "Revolution" leaves no doubt where Bob is at. The mix of love and protest on "Natty Dread" is a perfect yin/yang balance that Bob, no less anyone else, was ever able to reach again. It's a beautifully frozen moment in time that can be relived again and again- and should. One of the most important reggae lps ever made, and one of my top 50 lps of any genre, any time period, and one I always seem to go back to for inspiration, "Natty Dread" is simply incomperable.
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