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10 of 10 people found the following review helpful:
5.0 out of 5 stars More Isaak Walton Than Isaac Newton
"A Natural History of Seeing" is not a textbook in optics nor a 'history of science' in the usual sense. Simon Ings is not an ophthalmologist or an academic scientist. He's a writer. But he's also a superbly diligent researcher; the closest comparison would be, I think, to John McPhee, and this densely interesting book reminds me of McPhee's enormous book on the tectonic...
Published on October 7, 2009 by Giordano Bruno

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9 of 18 people found the following review helpful:
2.0 out of 5 stars A poorly focused book on the eye
Distraction 1/5,instruction 3/5,inspiration 1/5. The author could not discard any of his 3X5 cards. The names,dates,references imbedded in the text make for slow reading. Another example of the nonfiction book as a flawed model,most could be ten page articles. There are some good illustrations(ectopic eyes on the knees of flies) and some interesting observations(human...
Published on December 14, 2008 by James S. Kelley


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10 of 10 people found the following review helpful:
5.0 out of 5 stars More Isaak Walton Than Isaac Newton, October 7, 2009
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This review is from: A Natural History of Seeing: The Art and Science of Vision (Hardcover)
"A Natural History of Seeing" is not a textbook in optics nor a 'history of science' in the usual sense. Simon Ings is not an ophthalmologist or an academic scientist. He's a writer. But he's also a superbly diligent researcher; the closest comparison would be, I think, to John McPhee, and this densely interesting book reminds me of McPhee's enormous book on the tectonic geology of North America. Ings does report on recent research into the physiology of eyes, human and non-human, but his chief concern is with the semiotics (forgive me that ugly word just once, please) of vision, that is, the role sight plays in intelligence, consciousness, society, history, and evolution. His style is free-ranging, discursive, parenthetical... and highly amusing. Hence the reference to Isaak Walton, though Montaigne might also come to mind. I'd hate to have to use this book as a study trot for an exam, but I haven't read a science-centered essay with such pleasure in a long time.

Although tracing the evolution of the eye - meaning inevitably the human eye - is not Ing's chief purpose, his chapters on evolution will be the most provocative for many readers. Provocative of thought, I hope, rather than emotion. Most readers are aware that the 'perfection' of the eye has been wielded as evidence of "Intelligent Design". How could such a complex organ have evolved by random tiny increments, the argument goes, and what selective advantage would a half-finished eye afford? Darwin himself contributed to this fracas by murmuring in his writings that the evolution of the eye presented him with headaches. But in fact the evolutionary progress of the eye from mere swatches of light-sensitive pigment, to light-sensing skin patches, to various sorts of eyes of diverse capabilities has been fairly well established by now, and offers, if anything, quite strong evidence of the incremental power of biological evolution - conservative, opportunistic, inevitable. What's fascinating in Ing's account is his reversal of the usual question. Instead of asking "how could evolution produce vision?", Ing proposes that we should ask "how has vision affected/effected evolution?" Ing speculates, with plenty of evidence and with appropriate reservations, that vision was one of the prime stimuli for the Cambrian Explosion of animal species, the 'saltation' that produced virtually all of the 'body plans' of the animal kingdom within a few million years. In other words, vision formed "us" before "we" needed eyes.

But Ing ranges farther than a study of origins. He also takes on the subtle balance of vision and self-awareness and the chicken/egg problem of vision or communication. And he doesn't shy away from the age-old philosophical issues of epistemology, that is, of the subjective nature of vision and the dilemma of how we can know that what we see is really what is.

This is a book that requires close reading and concentration. It will exercise your short-term memory, to keep the strands of Ing's discourse woven together. It's the sort of book that gets better the better you require yourself to be as a reader. If you like that level of challenge, it's a wonderful book indeed.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Eye loved it!, January 19, 2009
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This review is from: A Natural History of Seeing: The Art and Science of Vision (Hardcover)
An enjoyable readable romp around the subject of eyes and vision. It's a serious science book (fully referenced) that reads like a fun article. The passion and the excitement the author has for his subject is clear, which means we get to effortlessly learn about this fascinating subject as we bounce around from insect eyes to octopus eyes to color perception and the Mars Pathfinder. The `natural' in the title correctly foreshadows the ecological and biological slant (not much for computational or constructionist fans here), and the `history' part is also covered in a depth not seen in textbooks (that must cover what is known not how we got here).

Highly recommended for general readers interested in how they (and the rest of the world) get to see letters on pages, as well as for graduate psychology students like me looking to broaden/deepen their sensation/perception knowledge.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars An addictive and entertaining education on vision, December 26, 2008
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J. J. SELL (MI United States) - See all my reviews
(REAL NAME)   
This review is from: A Natural History of Seeing: The Art and Science of Vision (Hardcover)
As a biology student, I read a lot of science books. While not quite as technical as some, this book is delightfully entertaining, informative, and addicting. I couldn't put it down.

It's well-written, clear and easy reading for a non-scientist, and yet still intriguing for the more science-minded. Technical discussions of the mechanisms, evolution, and development of vision are well-explained. Entertaining optical illusions are presented, along with underlying theory. There are also many fascinating factoids about the vision of many different species of animals.

I'm confused by the earlier reviewer's complaint that notes permeated the text. In my copy (first American edition) the notes are, in fact, lumped into an appendix in the back. They certainly don't clutter the reading.

It has been a while since I was so enamored with a science book, and I highly recommend this to anyone remotely interested in the subject of vision.
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5.0 out of 5 stars Simon Says, April 30, 2011
This review is from: A Natural History of Seeing: The Art and Science of Vision (Hardcover)
If you have in depth knowledge of the subject you might still enjoy the authors method of presentation.
My purpose in reading was the start of a many book journey. The expectation being it would allow for a cursory knowlege to better apreciate the other books.
My intent was to give a balanced impression, from many books, to respond to a friend's concern for her young child's eye development.
For this reader the book is personal, useful, entertaining as well as informative. The author is gifted in pesentation.
It is a good starting point, as are many books, that open new areas of one's horizon.
At least one reviewer read the earlier printing. The later printing has all reference material at the end of the book.
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9 of 18 people found the following review helpful:
2.0 out of 5 stars A poorly focused book on the eye, December 14, 2008
This review is from: A Natural History of Seeing: The Art and Science of Vision (Hardcover)
Distraction 1/5,instruction 3/5,inspiration 1/5. The author could not discard any of his 3X5 cards. The names,dates,references imbedded in the text make for slow reading. Another example of the nonfiction book as a flawed model,most could be ten page articles. There are some good illustrations(ectopic eyes on the knees of flies) and some interesting observations(human babies responding to light in the womb). Perhaps the hundreds of short biographical notes could be added in an appendix. The reader has to work hard to find the "intriguing nuggets" promised on the cover. Two chapters discuss color-vision, a difficult topic, with only partial success. The genetics seems clear,the chemistry fairly well-defined,the physiology less accessible.
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A Natural History of Seeing: The Art and Science of Vision
A Natural History of Seeing: The Art and Science of Vision by Simon Ings (Hardcover - October 17, 2008)
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