Natural Selection

Fuel, Fuel | Format: Audio CD

Product Details

• Audio CD (September 23, 2003)
• Original Release Date: 2003
• Number of Discs: 1
• Label: Sony
• ASIN: B0000C8AXF
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (92 customer reviews)
• Amazon Best Sellers Rank: #67,406 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

4.0 out of 5 stars A different side of Fuel, March 18, 2004

By 

A. Estes (Maine) - See all my reviews

This review is from: Natural Selection (Audio CD)

Fuel's third album 'Natural Selection' was the biggest surprise for me in 2003, mainly because the more I listened, the more I loved it. I had always been able to appreciate Fuel's music on a superficial level, but now I think I'm becoming a fan with this release. Fuel abandon the more straight-forward post-grunge/hard-rock formula present on their first two albums for a more experimental sound on this album. It doesn't mean the songs suffer, in fact the whole album sounds better than anything they have done before. With expert production by Michael Beinhorn (best known for Soundgarden's 'Superunknown') and strong lyrics by band guitarist Carl Bell, Fuel have reached a whole new level. Songs like "Getting Thru" and "Falls On Me" may feel more at home with their previous work, but the layered "These Things" and the bitter "Quarter" help elevate the band above a wasteland of other grunge-cloned bands. Far too bold and mature for the Nickelback and Puddle of Mudd crowd anymore, it's easy to see why this release isn't selling as well as the others: it's unique! Highlight tracks include: "Quarter," "Running Away," "Days With You," "These Things," and "Million Miles." The only thing that drags this album down is the inclusion of the "Bring You Hell" remix of "Won't Back Down" (originally from the 'Daredevil' soundtrack), which is hardly a remix at all, and doesn't fit in with the rest of the material. Still though, it's a solid album, the best work Fuel has accomplished to date. If you weren't a fan of the band before and are a little skeptical, it's worth a shot. There is something for everyone who likes any form of rock music on here. And if you were a fan of the band before, just enjoy watching them grow and expand their sound.

7 of 8 people found the following review helpful:

5.0 out of 5 stars Holy Crap, September 15, 2004

By 

Yetep (USA) - See all my reviews

This review is from: Natural Selection (Audio CD)

*IMPORTANT*:: This is a long, tedious, and infinitely awesome review. If you are worthless, skip it.

The Incredible and Awe-Inspiring Legacy of the FUEL of Life, Vol. 3: "Natural Selection".

And so it continues. Three years following the lovable success of their sophomore record "Something Like Human", FUEL triumphantly returns to the fray with their 3rd record, "Natural Selection". This album shows the band taking their music to admirably new artistic heights in much the same way they did from "Sunburn" to "Something Like Human", and will hopefully continue this trend for years to come. Let me break the record down for ya:

1 - `Quarter' - If you were sleeping peacefully during the calmest night that ever there was, `Quarter' would be the midnight train carrying 400 tons of radioactive explosives that derails, crashes, and explodes fantastically into your bedroom, sadistically ruining any chance of a good night's sleep. Which then, of course, would destroy everything in existence. This track is menacing, bombastic, explosive, destructive, and delectably, irresistibly AWESOME. "I walk alone, I ask no quarter friend!!" vocalist Brett Scallions roars viciously through a thunderously tearing main riff, soon followed by lead guitarist Carl Bell, shredding out a wickedly awesome solo off into the mayhem as Kevin Miller mercilessly beats the living tar out of his drum kit. With bassist Jeff Abercrombie keeping things tightly in control, `Quarter' becomes an altogether lovely and deadly song, and makes for the best opening track of Fuel's 15 year career. 5/5

2 - `Down Inside of You' - Though the band's website refers to this song as "a dark rocker", "dark" isn't really the right word to adequately describe the mood of the song. It's more like, "an impressively mystic riff-rocker made for those who rock", or something, That said, the song DOES rock, just not as massively or darkly as `Quarter' oh-so obviously does. The lead riff is a chunky and fast one, the kind of thing Tom Morello(of AUDIOSLAVE) *might* write, if his riffs weren't so darned insane. The riff, the bass, the drums are all really great and gel smoothly together, but the track *tends* to become a little repetitive, especially if you listen to the album as much as I do. It's still a fabulous song though, and Brett's voice starts hitting notes that I never thought it could hit. Guess it was all `deep inside of him'.:) 4/5

3 - `Million Miles' - With every album Fuel had managed to release, there has always been one song that stood out from the rest; one song of fairly stratospheric proportions. "Sunburn" had `Hideaway', whose churning and refined beauty gave way to gorgeous instrumentation on a nearly epic scale. "Something Like Human", in turn, had `Hemorrhage', whose towering vocal delivery and superior instrumental work is second only to nothing at all(yes, I love this band THAT MUCH). For "Natural Selection", there's two. And one, obviously, is this one: `Million Miles'. The softly strummed opening chords make you feel like you're swimming in something quiet, something peaceful . . . but something dark and disturbing as well. "On my way for the day I find no sorrow . . ." Brett sadly laments with quiet indignation, but then firmly shakes away his pain and need in a pounding chorus of "I, I think I might've loved you . . . these things I said, but you were a million miles away . . .", sounding like the ghost of Layne Staley; with perfectly vocalized harmonics. Arguably the best song on the record, but certainly one of Fuel's best artistic movements to date. 6/5

4 - `Falls On Me' - The album's first single is something of a `Hemorrhage/Bad Day' hybrid, with fast `Hemorrhage'-type guitar-pickin' action, and a `Bad Day'-like chorus of amazing poppie-ness. As such, it is pretty much the ONLY choice to be had for choosing a single. None of the other songs have that ready-for-radio vibe to it like this one does, but even then it's still a fantastic song. The most ballad-like track on the album, reminding us all of songs from previous albums, a la `Sunburn', `Shimmer', `Innocent', ect. The highlight is mostly Brett's vocals, being uncharacteristically low but quite solid. 5/5

5 - `These Things' - Even though `These Things' seems to be the album's most unpopular track amongst the other commenters on this site, this is the 2nd `song of fairly stratospheric proportions' on "Natural Selection". It starts out innocently enough, with a quiet, but mournful riff, partly reminiscent of `Innocent' from "SLH", with a loop of talking voices in the background. I also love the bass in the beginning, before Brett starts singing - again, *high* - with some of the best lyrics Mr. Bell has penned thus far. "I've got a smile to hide me, I've got this cross to bear . . . I've got this fear that dreams are all I have that's left to me . . . these things have I" he croons as the distortion gets cranked up and the song slowly begins its restless churning. The song soon transforms from a strong anthem to a instrumental that majestically diffuses any other solo that Carl Bell has written before now. This track is perfect in all the best possible ways, and is also the longest song on any Fuel record(which, unfortunately, still isn't that long). 6/5

6 - `Won't Back Down' - Oh, my dear heaven, this is such an awesome song. Like C.S. Lewis once said about J.R.R. Tolkein's THE LORD OF THE RINGS, "It came like lightening from a clear sky." Carl wrote this song after nearly a year of sitting around, NOT performing music. Essentially, the whole song was written in about a week for the Daredevil Soundtrack. Starting with wild, grinding effects in the background, loud guitar chords are soon exploding from nowhere, are suddenly gone, blow back on, fall off somewhere, and then the pounding song truly begins. Great instrumentation and a FREAKIN AWESOME vocal delivery give this song everything it needs to be one of the best heavier tracks that FUEL has created ever recorded. The `industrial' taste to the song is intensified by the work of Charlie Clouser(of NIN) contributed to the track. 5/5

7 - `Running Away' - A calm, metallic siren wails up and down as a chorus of violas and violins grow from nothingness, escalating to an interestingly dissident pinnacle. It pauses here, as if the music itself isn't quite sure of what's to happen next . . . and then enters Carl Bell with a low, rhythmically choppy riff that inches it's way softly along, almost against it's will. By this time, the mood is so firmly set it seem nearly impossible for any more emotion to creep in anywhere. At least, until Brett comes in. Of all the previous songs that I have swept praise upon, it is this one, I believe, that touches me the most. The lyrics are both loving and haunting, and Scallions voice is so pure with feeling that I sometimes wonder how some folks get through the day without this band. Not as *good* as tracks 3 and 5, but this is my favorite song on the record nonetheless. 5/5

8 - `Most of All' - I find it rather amusing that, while this album has two songs of `fairly stratospheric proportions', it also has two of the worst songs Fuel has ever written. And, un-coincidentally , this song is one of them. Apparently, and not without a certain amount of understanding, the band decided to experiment with the pop/punk sound that bands like GOOD CHARLOTTE have made a career out of. For most of those who are commenting on this album, this would seem like a GOOD thing, and I suppose if you are a fan of bands like that then this would make some amount of sense. But while I applaud Fuel's desire and daring to attempt a song like this, it still really sucks, and could've easily been replaced with a song a million times better(specifically `On the Road Again', which can be found on the "Falls On Me" import single). On a positive note, Brett's voice frikin rocks! 1.5/5

9 - `Getting Thru?' - If you took the main riff from P.O.D.'s most successful track `Alive', gave it a bit more personality, added vocals that could carry the same emotion and identity, and generally make a fantastic, hard-rockin song that made `Alive' look like the pansy child of Fred Durst, it would be `Getting Thru?'. Much like `Prove', from `SLH', the blistering main riff booms along with a high-pitched riff-counterpart, adding greatly to the atmosphere and identity of the song. Yet, while `Prove' was the most blatantly sinister track of Fuel's career(barring, of course, `Mary Pretends'), `Getting Thru?' is almost lighthearted, and I'd swear it's the poppiest, but HEAVIEST song of it's kind. 4.5/5

10 - `Die Like This' - I have heard arguments that shun Fuel for being "a generic crap-fest". Though this is not at all my personal view of the band, I must admit that this particular song is one of the most disgustingly generic steaming piles of manure that I have ever personally heard. Though, again, as with the case of `Most of All', most folks seem to love this song, even while nearly everything about it is undesirably ridiculous. The intro was stripped off of `Hemorrhage', the music in the verses sounds exactly the same as something like a TRILLION other songs, the lyrics are outrageously weak at best, and so on. Carl supposedly wrote about 40 songs to choose from for this album, and I'd bet my Wal-Mart shoes that half of them were ten times better than this. 1/5

11 - `Luck' - The final two tracks on the album reminds me most of what we found and felt on Fuel's grand debut, "Sunburn". This song nearly hops along, spending a vocal melody and musical talents that make it clear the band LOVES doing what they do. One of only two songs by vocalist Brett Scallions that have ever made it to record(along with `Knives' from "SLH"),... Read more ›

4 of 4 people found the following review helpful:

5.0 out of 5 stars I fail to see(or hear) the problem, November 7, 2003

By A Customer

This review is from: Natural Selection (Audio CD)

The logic that so many people are using to bash this album........well it frankly sucks. In fact logic really isn't a good word for it. And since when do we use logic to judge music anyway? Music is art. Right?
First of all....this is just really good, American rock n roll. So ya'll can just get over it. I mean, cry me a freakin' river. And then build a bridge and get a clue. I honestly wonder if half of you Fuel naysayers have even listened to the album before. Because your comments don't line up with the copy of "Natural Selection" that I own. I bought mine from Wal-Mart.....not sure where you all got your copies from.
Oh, and in case somebody missed it, i've been informed by one of the brilliant music critics on your favorite Amazon.com that the songs "Falls on Me" and "Won't Back Down" sound exactly the same. WOW.........and thats all i have to say about that. Those must not be the same songs that are on my copy of the CD.
Anyway....to the music, which I have actually listened to several times. Imagine that! Song by song:
1. Quarter (Good, hard rocker, real cool piano)
2. Down Inside of You (Hmmm, don't think the chorus is boring)
3. Million Miles (Good stuff)
4. Falls On Me (First single off the album, awesome song)
5. These Things (Brooding, almost depressing, great guitar solo from Mr. Bell)
6. Won't Back Down (This is the first song I heard from this album, Fuel rocks out [hmmm.... don't know about the whole remix thing though])
7. Running Away (Great lyrics to this song about an inner struggle that the songwriter's having, awesome music, so what if it sounds a little 80s? Boo hoo people)
8. Most of All (Simple musically, but very good nonetheless)
9. Getting Thru (Good hard rock, but probably my least favorite on the album)
10. Die Like This (I love this song, Brett sings his heart out, Carl Bell is just a darn good song writer)
11. Luck (Cool, distorted voice thingy goin' on, good song written by Mr. Scallions himself)
12. Days With You (Good way to end the album)

SO yeah, this is a good album. Plain and simple. Not a whole lot not to like here. Oh and one more thing: all you people who are saying this is not Fuel......if you don't mind me asking, if its not Fuel, then who in the world is it?
Ah yes, and for the ignorant character who seems to think the album cover looks like someone about to get their finger pulled...you might want to do some research on a guy by the name of Michelangelo. Good call!! My roomie here at college would like to use a line from the movie "Toy Story" to describe your utter ignorance: "You uncultured swine"