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Naughty Paris [Paperback]

Jina Bacarr (Author)
4.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

July 1, 2007
After being jilted by her fiancé, Autumn Maguire uses her nonrefundable honeymoon tickets to explore Paris on her own. Eager to experience the true bohemian lifestyle, she answers an ad for an artist's model. When she exchanges her clothes for the artist's lush red cloak, something strange happens—a feeling of intense sensual reawakening overcomes her. Suddenly lightning strikes and through the power of black magic she's thrust back into—

—the nineteenth century where the scandalous painter Paul Borquet is insisting she become his Titian-haired muse. Between everyone's strange clothing, the claustrophobic Parisian streets and the overpowering pull of sexual desire, Autumn can't process—just where the heck is she and how did she get here? And frankly, with Paul's expert caresses imprinted on her body, does she really care about going back to present day?


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Editorial Reviews

About the Author

Jina Bacarr is the author of The Japanese Art of Sex and worked as the Japanese consultant on KCBS-TV, MSNBC, TechTV's Wired for Sex and British Sky Broadcasting’s Saucy TV. Her ability to speak the language helped her find jobs acting in Japanese TV commercials and work as a companion girl. She is a playwright with three plays produced and wrote forty scripts for daytime TV. She worked as an artist's model, lived in Paris, speaks French, and loves all things Parisian

Excerpt. © Reprinted by permission. All rights reserved.

Paris Today—An Art Studio in the Marais District The Model

"You want me to take off my T-shirt?"

"Yes, mademoiselle."

"And my yoga pants?

He nods. "Yes, mademoiselle."

"Hold on a Paris minute," I protest, glancing over at the old artist with a Gauloise cigarette hanging out of his mouth like a limp penis. He takes a drag without taking his eyes off my wet T-shirt sticking to me like a Post-it. "I ducked in here to get out of the rain, not sign up for strip aerobics."

Husky voice, low in the back of my throat. Jeez, is that me? Got to be nerves.

I had the same catch in my throat when I swallowed the mint in my mouth after David, my ex-fiancé, insisted I give lousy BJs and he couldn't go through with our wedding because he had issues with us.

The jerk.

As if flunking a postgraduate course in blow jobs is a top-ten reason to send me into therapy and sic my mother on me for the prepaid, nonrefundable honeymoon to Paris. But here I am, wandering around the Right Bank in the rain like Jean Valjean in squishy Nikes. Jilted and miserable.

And wondering how I let silver-tongued David—a guy who knows how to use that tongue to trigger my starter button—talk me into charging everything on my credit card. I've worked my ass off climbing the corporate ladder since college, putting my dream of opening my own art gallery on hold. Now I'm not only groomless but I had to dip into my 401-k account to pay for twelve bridesmaids" dresses with matching dyed Jimmy-what's-his-name stilettos, not to mention more than two hundred pounds of prime rib. Rare.

After I cut up my maxed-out credit card, I guzzled down the last bottle of champagne then tossed my white satin Vera Wang knock-off into the closest trashcan. The next morning I took off for the birthplace of Godiva chocolates to sweeten the bad taste in my mouth. And I don't mean spending time on my knees sucking on a guy wearing a raspberry-flava condom. I mean something dramatic and wonderful, heartstopping and sizzling with pent-up energy. I want to feel alive, desired.

Who am I kidding? I want to be a drop-dead-gorgeous sex goddess.

Youth and a fab bod aren't everything, you know.

Ha! David thinks so. That's why I'm not all snuggly and warm with him between the sheets in my Paris hotel instead of sneaking through the city like a rat in an underground sewer.

You're not young anymore, kiddo, and you are, oh, so not thin. That's why you lost David to that Aphrodite, an insipid skinny-as-a-toothpick, not-old-enough-to-drink-yet blonde. Your assistant, yet. How could you be so dumb?

Dumb? I was stupid, insane, a complete idiot for letting that bitch take David away from me. I got punked.

Zap! As if agreeing with me, lightning rips through the long multipaned window, hitting me in the eye like a redlight camera, illuminating the faint light in the studio and diluting the smoky atmos.

I blink, then blink again. A B horror film mentality creeps me out, making me shiver. It can't get any worse. Storm clouds hide the afternoon sun. A rush of rain falls outside, banging against the windowpanes shimmering with a wet sheen. Thunder cracks like a boombox bursting with outta control volume. The old building shakes. I cringe. Do I really want to go back outside into that stormy mess? That's why I don't protest when the old artist hustles me toward the platform in the back of the art studio.

"Hurry, mademoiselle, we're losing the light." A pungent whiff of burnt tobacco shoots up my nose. Who is this putz? For sure, he's no panting Adonis who can seduce a woman to take off her clothes with a smile. He's short, balding, sporting a little paunch and he smokes too much.

"Watch those hands, monsieur. I know karate." I'm bluffing, but it works with the geek corporate types I deal with every day who think a physical workout is something you do by yourself with one hand.

By the way, did you notice the old artist was impressed when I said kah-rah-tay with the accent on the tay? I may give lousy blow jobs, but I'm not Gallic challenged. I got an A in French in college. I can rattle off enough swear words to impress the surliest taxi driver, from calling him a salaud, bastard, to a quel casse-couilles, pain in the ass.

"You made a mistake, monsieur," I continue, now that I've got his attention. "I wouldn't look as soggy as overcooked lasagna if I owned an umbrella, which I don't. mention Nielsen ratings."

He makes a face. Silly me. As if he understands my popculture rhetoric to explain why he doesn't want to see me naked, why I slap on phony tanning stuff rather than sport a citrus-yellow bikini on a SoCal beach. I don't tell him cellulite and I are as tight as sorority sisters. Not to mention my stomach is upset and I feel like I'm going to pass gas from the greasy pommes frites I gulped down at the flea market.

"Then you're not a model, mademoiselle?" The old artist gestures with his two hands like he's feeling up melons in the supermarché.

I shake my head emphatically. "No." "Pity." He coughs, tosses his cigarette into an empty saucer, then does a mental strip search of my bod from the top of my red Angels baseball cap to my DKNY white cotton T-shirt, mauve yoga pants with a white stripe running up the side, and comfy walking shoes. "I'd still like to draw you."

I tilt my head to one side, thinking. What's holding me back? Posing in my bra and panties isn't any different from sporting a bikini at a pool party, right? So why not go for the win?

I nod. "Okay. It'll be a fun souvenir to take home."

He smiles, then drops the bombshell. Right into my lap. "Bon. Good. You must pose in the nude."

"Are you sure Madonna started like this?" I ask, holding on to my panties, pulling on the elastic waistband until it snaps against my bare skin. Ouch. I've already taken off my wet clothes and left them hanging on the tall black screen standing in the corner, along with my waist pack with my money and passport.

"Mademoiselle?"

"You know, the pop star? "Like a Virgin'?" I sway my hips like the superstar diva. Somehow it doesn't have the same effect. The old artist shrugs.

"I don't care if you're a virgin—"

I'm not, but I smile anyway.

"—I wish to sketch you, mademoiselle, not make love to you."

That did it. Can my ego get any flatter? Ever seen a used condom?

Well, here goes.

I wiggle my peppermint pink panties down over my thighs and let them drop onto the small platform. There. I've done it. I'm nude. No turning back, even if I haven't shaved below my bikini line.

Vive la nue me.

I glance over at the old artist wiping down his posterboard with a damp cloth. The look on my face says, What do I do next?

He coughs, wipes beads of perspiration off his forehead, then points to my feet. I look down. I'm up to my ankles in pink nylon. I shift my weight from one foot to the other. The wooden platform creaks. Loudly. Urging me to hurry. Okay, okay. I scoot my panties off the platform with my bare toes. Wearing nothing but my sweat, I grin.

The old artist nods, picks up a Conté carré dessin, drawing charcoal, and waits for me to get into position. I hold my hand over my crotch. What a silly thing to do. I must relax. Relax. Keep up my courage. A chill slithers up the back of my neck, making my nipples harden and point straight out. I know now how guys feel when they get a hard-on in the middle of a heated business meeting. They can hide it behind this week's market stats report. Me? I'm as naked as a low-carb burger going solo.

I know you're sitting there all comfy in your sweats, shaking your head, pinching your thighs, wondering how a thirty-something woman could even think about taking yourself. It ain't pretty. Here's the skinny, which I'm not, so it's even more outrageous.

I'm desperate for excitement, a cheap thrill, and if it cost me a new pair of La Perla panties, then let them fall. Nothing exciting ever happens in corporate real estate sales, though I keep hoping I'll run into Donald Trump between bankruptcies and wives.

Unfortunately, time is running out for this apprentice wannabe. I'm thirty-four with more than a little tummy since David took off with my heart and my willpower stuffed into his back pocket. The idea of posing nude evokes a sexual charge in me, an irresistible allure of the forbidden without putting myself in danger or jeopardizing my corporate reputation, a unique twist to my personality I never dared explore.

Until now. This moment. My world is so frustratingly normal, so conservative in every way, that although I'm shocked at the artist's request, I'm also terribly intrigued. It's my nature.

Besides, I want to show my ex-fiancé I'm still hot stuff. I grind my teeth. Just thinking about David makes me cringe. When I discovered he used me to get info on a major land development deal in Wyoming, I should have broken up with him then. But he was so convincing in his "I'm doing this for us" speech, I put aside my fears and didn't protest when he proceeded to slide my panties down between my thighs and do more with his sexy mouth than give me spin.

Even my mother warned me about David, said he was listen. She oughta know. My mother and her talking mirror just divorced their third husband.

I'm not in the mood for advice so I clicked off my cell phone. Mother drives me insane with her text messages that resemble the bottom-of-the-screen news headlines on CNN. Don't get me wrong. I love my mother, even if she collects marriage licenses like some women clip grocery coupons.

For your information, I left her blissfully engaged in bringing down the French national debt single-handedly on the fashionable rue Saint-Honoré wh...


Product Details

  • Paperback: 400 pages
  • Publisher: Spice; Original edition (July 1, 2007)
  • Language: English
  • ISBN-10: 037360517X
  • ISBN-13: 978-0373605170
  • Product Dimensions: 7.9 x 5.3 x 1.1 inches
  • Shipping Weight: 9.9 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #2,018,009 in Books (See Top 100 in Books)

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7 of 7 people found the following review helpful:
5.0 out of 5 stars Decadent Sensuality, July 1, 2007
This review is from: Naughty Paris (Paperback)
Autumn Maguire is painting Paris red. Well, maybe more a tad blue, since her fiancé jilted her and she's used her honeymoon tickets to get there. Determined to have a good time, she answers an ad for an artist's model and discovers how awakening for the spirit it can be to pose nude, even if the artist is less than inspiring. While exploring his studio though, she discovers the self-portrait of a long dead artist and it awakens in her the passion she thought she lacked. When the clothes come off and a little wicked black magic folds in, Autumn finds herself in a most unusual situation. It's a different Paris she awakens to--the darker, naughtier side. Cue the devilish grin.

In nineteenth century Paris, Paul Borquet, a most scandalous artist at the time, discovers a wondrous Titian-haired beauty in his studio. Never so assured of a masterpiece in his life, he must paint her. And never having found so beautiful and intriguing a woman, he entertains a riveting lust for her as well. When the overwhelming influences of the sensual culture confound her, Autumn flees and entrances the sexy Paul in her wake. Concerned for her safety, he pursues. When she catches the eye of a notorious lord, it will be all he can do to assure she comes to no harm in the unfamiliar world that is the baser side of Paris.

No more than the first two chapters in, I felt the allure of Ms. Bacarr's Paris, the rich language and erotic imagery she evokes too powerful to resist. If this were chocolate, it would be whatever the richest, most decadent piece you've ever consumed is. And that, in a nutshell, is what this book is--decadent. From the studios of the famous artists to the opening days of the Moulin Rouge, Naughty Paris embodies the sexual power that the city thrived on at one time. Autumn discovers a part of herself that she never knew existed and Paul recovers a piece of himself that he'd begun to lose amongst the seedy and disreputable back streets. Bacarr's use of the paranormal element of time travel was cleverly done and the ill will surrounding Autumn and Paul because of it sent chills down my spine. Paul is a sigh-worthy hero, strong and passionate, and certainly ranks in my top ten most memorable. This was a late-night binge reading pleasure that I've since picked up more than once. Glad to see this author keeping me on my reading toes!
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5 of 6 people found the following review helpful:
4.0 out of 5 stars well written erotic historical romance, July 5, 2007
This review is from: Naughty Paris (Paperback)
Left at the altar by her fiancé David assumingly because she sucked at BJs and holding a nonrefundable ticket to France, a stunned Autumn Maguire decides to go on her honeymoon alone. In Paris, Autumn loves the city and responds to an artist's ad for a model as she wants to extend her stay longer. The painter asks Autumn to don a beautiful opulent red cloak which she does but cannot stop herself from staring at an old portrait that seems hauntingly familiar.

However, something strange happens as Autumn suddenly feels transformed into a sexy and sensuous goddess followed immediately by lightning. Autumn has traveled back to the late nineteenth century studio of notorious artist Paul Borquet who is willing to work with the eager Autumn, but he insists she allow him to mold her into his muse. His touch sends a fire up and down her body so she accepts all he offers, but also wonders how she traveled to 1889 and why she is hot for her painter when she was one step from being married.

As she did with THE BLONDE GEISHA, Jina Bacarr places someone out of place and time for the prime setting; this time using time travel to bring a twenty-first century female back to a late nineteenth century Left Bank studio. NAUGHTY PARIS is a well written erotic historical romance starring a debauched artist and his sexual inspiration. Paul is a terrific lead male who keeps the plot anchored in 1889 Paris while the displaced heroine "naughty" Autumn makes the tale fun with her contemporary free sex liberating the "enlightened" and bringing out the best in her artist and in Ms. Bacarr.

Harriet Klausner
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Sensual Paris, September 28, 2007
This review is from: Naughty Paris (Paperback)
I have loved time-travel stories for as long as I've read them. This one also promised erotica and an interesting subplot centered on the film Moulin Rouge. Confession: I have never seen Moulin Rouge, but I will definitely give it a whirl after reading this. Naughty Paris takes you on a sensual and adventurous journey that will keep you riveted from beginning to end, and aside from a few troubled spots (I'll get to those later), this is an awesome read and another great offering from Harlequin Spice. Autumn Maguire is a curvy thirty-four-year-old who travels to Paris after having been jilted by her fiance. After she agrees to pose nude for an artist, she encounters an old sculpture and a painting of a very handsome, well-hung man that sends her over the edge and beyond. And that is how she suddenly finds herself in 1889 Paris, fifteen years younger and much thinner, and at the mercy of Paul Borquet, an artist with an insatiable lust and a mysterious past. Their erotic journey encounters many obstacles as various villains get in their way of reaching happiness.

I enjoyed the author's strong, sassy voice and the backdrop of 1889 Paris. The setting has a campy feel to it -- like the sweeping of Borquet's cape and the over-the-top villains -- and that makes the book fun to read. There are things that must've come straight out of the film Moulin Rouge. As said earlier, I haven't watched the film, so I don't know if this is an erotic retelling of the film or what. The time travel aspect is interesting. Like most time-travel stories, some things are unclear, like *why* did Autumn travel through time, and there are some loose ends that I won't get into due to spoilers. Alas, those are things one encounters when reading this kind of book. There are some things I felt the book lacked. For instance, there isn't enough romantic tension or angst between the protagonists. There is too much emphasis on the things that happen to them that keep them from being together. One of the things I like about erotica, particularly from authors like Emma Holly, is the sexual tension mixed in with the sex scenes. There is little of that here. Autumn is too much of a damsel in distress, which bugs me, because she otherwise seems like a very intelligent, level-headed person. The erotica is more centered on words than on erotic scenes, which I would have liked to read more of. The characters spend more time talking about the things they want to do with each other instead of doing them. I would have liked more of a balance of that and actual explicit encounters. Some notes on aristocratic titles: the Duke of Malmont should not be addressed as Lord Bingman (unless that is his name, which I doubt) or "his lordship." He is the Duke of Malmont, period. And if addressed differently, he is "his grace." A marquis down to a baron are considered lords. Other than that and the loose ends, I enjoyed Naughty Paris. It is riveting, sensual and fun to read. I recommend this fun offering and I look forward to reading The Blonde Geisha.
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