18 of 19 people found the following review helpful:
5.0 out of 5 stars
The Nazimova Few Know About, January 10, 2003
This review is from: Nazimova: A Biography (Hardcover)
Most people only know the Alla Nazimova through her connection with Rudolph Valentino and her "gay" silent film "Salome." She is nearly always reviled as a domineering, spiteful lesbian queen of Hollywood whose own ego led to her fall.
This book provides a completely different picture of the woman behind the name. Her horrendous treatment as a child definitely molded her personality. An extremely talented actress, she earned her stardom on stage, screen and then stage again, inspiring many of the greatest playwrites of the early 20th century to write plays, many for her.
The author reveals much of Nazimova's sadness and disappointment in her personal life and career, her gullibility when it came to trusting friends with her money, and the vast number of women and the few men with whom she had love affairs.
Through exhaustive research of Nazimova's voluminous but unfinished (and unpublished) autobiography, interveiws with the few living persons who met her, and the letters and memoirs of a vast number of acquaintances and co-workers, the author has constructed a fascinating portrayal of a fragile, brilliant, yet tempermental child-woman who may well have been the greatest actress of at least the first half of the twentieth century.
Readers will be surprised to read the rave accounts of Nazimova's unparalleled talent her from Truman Capote, Ibsen, Shaw and Katherine Hepburn, as well as the doting love and companionship showered on the elderly Nazimova by her godaughter Nancy Davis, later Nancy Reagan.
I highly recommend this book to those who love silent films and bizzare, talented personalities.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Quite a good book; essential reading for theatre fans, August 10, 1997
This review is from: Nazimova: A Biography (Hardcover)
"Nazimova" is a fascinating portrait of a mythic figure. Alla Nazimova died only fifty or so years ago, and she appeared in a number of films in the sound era, but you'd think she was Sarah Bernhardt's great-grandmother for all that remains of her in our consciousness. And now I think I know why. While I enjoyed the book very much -- at times its recreation of a vanished world is truly amazing -- I came away with a sense that something important was missing in Nazimova herself. We learn a great deal about her lovers but not much about her students. Did she bother to have any? Lambert cites plenty of idolators and proteges, but few to whom she passed on her techniques and values in a formal way (Nazimova's flaw or Lambert's? Hard to tell). That may be why we have so little sense of her today. But there's no denying that Nazimova was a powerful influence on the modern theatre -- not to mention a dizzying link between Chekhov and Louis B. Mayer -- and anyone who cares at all about theatre history should read this book
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11 of 14 people found the following review helpful:
5.0 out of 5 stars
Wonderful profile of an extremely amazing and talented actre, October 26, 1999
By A Customer
This review is from: Nazimova: A Biography (Hardcover)
Alla Nazimova was my Godmother and I have heard many stories about her over the years so I was delighted to see a book written about her by Gavin Lambert. I found the book to be fastanating and learned so much about this woman who brought Ibsen and Chekhov among others to the theaters in America. She appears to be a very private yet complicated indivdual who knew exactly what she wanted and went after it with her whole being. She accomplished so much on the stage and in films that it is a shame so few people today remember her. Perhaps Lambert's book will rekindle that interest again in such a great lady of the theater.
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