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Product Details
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They hit middle America and go crazy. Simple as that.
These are stories of killers and cops, truck drivers and, frankly, people who have been driven to such a degree that they can no longer find their way through the comprimises and grey areas that they find themselves swimming in.
I've always been fascinated by Springsteen's phrasing on NEBRASKA. "Me and her went for a ride, sir." There's always that "sir," or "mister," and the wording is sparse. To me, these songs sound like death row confessions.
To me, "Atlantic City" ranks as one of Springsteen's finest moment, a tough-as-nails story of a man comprimising his own morals/ethics in order to get himself and his wife out of a dying town--and considering the unimaginable in order to finance their escape. But he still needs to console himself, rationalize his decision, before he can live with it:
"I've been looking for a job but it's hard to find. Down here it's just winners and losers, and don't get caught on the wrong side of that line. Well, I'm tired of coming out on this losing end. So honey last night I met this guy and I'm gonna do a little favor for him...but I guess everything dies baby, that's a fact, but maybe everything that dies one day comes back..."
NEBRASKA is not a fun-time party album. It's dangerous to listen to it in your car at 3 a.m.. But it is a piece of perfection, a story of the cultural decay Springsteen and his characters found in the USA in 1982, stories of desperate people in bad situations. It is a record that will be just as vital and important in 100 years as it was upon it's release.
NEBRASKA is true Art of the highest order.
This album is Bruce all alone, without the E Street band. The songs are quiet and honest with a rough quality, and each one tells a story about people who somehow got left out of the American dream. "Used Cars" is the most touching to me, telling a child's perspective on his father's purchase of a used car, which is a powerful symbol of the family's lack of status or hope. "My Father's House" is equally powerful.
"Nebraska" is the clear predecessor to "Tunnel of Love." "Born in the USA" really seems like an aberration in Springsteen's musical development when you consider that it was released in the time between these two albums. Don't get me wrong. "Born in the USA" is a great album. But "Nebraska" is softer and far more haunting.
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