Necromancers [Paperback]

Robert Hugh Benson (Author), Amy Sterling Casil (Introduction)

Book Description

Publication Date: August 1, 2002

The Necromancers is more than that; there is a real Augustinian terror of the void ? in the absence of God comes real evil. In the book?s climax, Maggie?s love for Laurie, and a night of sincere prayer draw him back from the brink ? a brink that practical, clear-headed, convent-raised Maggie glimpses in the form of the dark, fiery ?personality? she confronts in the night. This ?personality? can be none other than the Devil himself.

Editorial Reviews

Review

Few people, even among Catholics, have heard of Robert Hugh Benson. That was not the case 100 years ago. As an author and novelist, the Catholic priest from Britain was incredibly popular. The reading public and the Catholic Church suffered greatly when he died in 1914. Benson was skilled in attacking evil practices without appearing to preach about them. He also had the knack for crossing genres. He is more well-known for his historical novel Come Rack! Come Rope! about Catholics persecuted and martyred in Elizabethan England.

The Necromancers, first published in 1909, is set in contemporary Britain, and the main character is the young barrister Laurie Baxter. Baxter falls in love with a local girl, Amy, who dies of natural causes before they wed. One could say he was obsessed with Amy Nugent. In his distress after her death, he can-t bear her absence. He needs to contact her, to touch her again, if at all possible.

Baxter had recently converted intellectually to the Catholic Faith, but not with his heart. Amy-s death provides a test that he appears to fail. He connects with a spiritualist circle hoping that the medium will help him bring back his love. He will do anything to get back to Amy, except wait for eternity. As goes the ironic inscription on Amy-s tombstone, -I shall see her but not now.-

One conversation early in Baxter-s immersion into spiritualism - necromancy - gives clues to its potential for disaster and provides lessons for readers in the 21st century. He has a dream in which he encounters an overwhelmingly evil presence.

--This text refers to the Kindle Edition edition.

Product Details

• Paperback: 212 pages
• Publisher: Borgo Press (August 1, 2002)
• Language: English
• ISBN-10: 1587155281
• ISBN-13: 978-1587155284
• Product Dimensions: 8.9 x 6.2 x 0.5 inches
• Shipping Weight: 12.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #5,579,498 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars Terrors of the Mind, January 2, 2008

By 

Kathleen C. Griffin (Bronx NY USA) - See all my reviews
(REAL NAME)   

This review is from: The Necromancers (Paperback)

Like Henry James, M.R. James, and Roger Pater, R.H. Benson is a specialist in pure terror based on the imagination. Here he both satirizes the spiritualist excesses of the period (not unlike our own!); the self-satisfaction of a young man who imagines himself in love; and intently describes the dangers of opening one's life to pure evil. Deluded by his own ego, deceived by his imagination, the central character is profoundly endangered. Without a drop of blood or a single zombie, Benson unsettles the reader's basic ideas of reality!

7 of 7 people found the following review helpful:

4.0 out of 5 stars The Necromancers & R.H. Benson - A taste of the Catholic's-eye-view on the occult, March 26, 2010

By 

Rae Stabosz "stabosz" (Newark, DE) - See all my reviews
(REAL NAME)   

This review is from: The Necromancers (Dodo Press) (Paperback)

I just finished The Necromancers by Robert Hugh Benson, and recommend it as the most exciting of his books that I've read yet. Benson (1871-1914), was ordained a priest of the Church of England by his father, then Archbishop of Canterbury, then converted to Catholicism at the age of 33, becoming first a priest and later a monsignor. He enjoyed a life of priestly ministry that included a prolific writing career.

I read his book Come Rack, Come Rope about the Catholic martyrs in Elizabethan England years ago, as a teenager, before I had ever heard of the author. Then when I started getting interested in Catholic SF and fantasy, I heard of his apocalyptic novel, Lord of the World. But my introduction as an adult to his work was his two short story collections, The Light Invisible and A Mirror of Shalott. These are variously categorized as "science fiction", "fantasy", or "horror". I have lost my copy of The Light Invisible, so I don't remember much about it. A Mirror of Shalott is a series of short stories in a Canterbury Tales type of format -- a group of priests meet each night after dinner, and in turn tell the most uncanny experience of their priestly life. As with The Canterbury Tales, the stories are of uneven impact, but I am re-reading them at the moment and can testify that the opening story, "Monsignor Maxwell's Tale", is a doozy. It concerns a devout man of faith whose brother, a lukewarm Catholic, is contemplating apostacizing so as to make life more comfortable with his fiancee. What the brother does in response, and the ultimate effect of his action, makes for a chilling little tale about the nature of faith. The more significant faith is to the reader's own life, the more chilling the tale.

That last is true for all of Benson's writings. He is not much interested in external plot, but in the stirrings and workings of the soul as described by classic Catholic spiritual writers. St. John of the Cross, Thomas a Kempis, St. Francis de Sales and the other giants of Christian spirituality would be right at home with the interior lives of Benson's protagonists.

The Necromancers is the most exciting of the books I have read because it is more plot driven than even his Lord of the World, a book which attempts to describe the events of the Book of Revelation a whole century before the Left Behind books take their stab at it. The Necromancers is about a young man of the upper classes in 19th century Britain, Laurie Baxter, who falls in love with the grocer's daughter, Amy Nugent. Laurie is a recent Catholic convert, with the enthusiasm and inexperience that often characteristizes those who "swim the Tiber" as adults. His friend and near-sister (through adoption), Maggie Deronnais, a convent-bred cradle Catholic, suspects that his conversion was more a matter of aesthetics than spirituality.

The book opens as Maggie and Laurie's mother sit conversing about Laurie's state of mind as they wait for him to return from Amy Nugent's funeral. Although they had both been opposed to the match, both women recognize that Laurie was head over heels in love with Amy, and worry about his future. The very next day, a neighbor, Mrs. Stapleton, comes to tea, and tells the gathered party with enthusiasm about her recent foray into spiritualism through her meetings with and patronage of Mr. Vincent, a leading medium of the day.

That sets the stage for an exploration of grief, of the desire to re-establish connection with loved ones who have died, and of the philosophical possibilities, from skepticism to belief to obsession, raised by participation in the occult arts.

This is really a terrific piece of fiction, although those who are used to the splashier techniques of special-effects driven horror (whether in film or fiction) may be disappointed. The drama is that of the movements and feelings of the interior life.

The Catholic Church forbids its adherents to become involved in spiritualism and in attempts to contact the dead through any means other than prayer directed to God within the boundaries of the communion of saints. Benson provides a decent explanation of the rationale behind that prohibition. Is Mr. Vincent a fraud or is he for real? The book suggests that either way, Laurie is in for it.