Most Helpful Customer Reviews
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34 of 34 people found the following review helpful:
5.0 out of 5 stars
A genuine treat for all H.P. Lovecraft aficianados, April 28, 1998
For those of us who came early into our addiction to H. P. Lovecraft, the Necronomicon assumes a singular place as the most famous book never written. Lovecraft's non-existent volume, a treatise on magic that unlocks the dimensional barriers that seperate us from Earth's powerful and horrific former rulers, has assumed a life all its own.
The Necronomicon: Selected Stories and Essays Concerning the Blasphemous Tome of the Mad Arab is a wonderful compendium of lore and imagination compiled by editor Robert M. Price. The various stories, prefaced by an informative and insightful introduction by Price,
are all excellent in their own way, but rather uneven in tone. From genuinely creepy tales like "Settler's Wall" and "The Howler In the Dark" to more tongue-in-cheek offerings like Robert Silverberg's " Demons of Cthulhu," The Necronomicon offers a little bit of everything for the hardcore Lovecraft junkie.
For me, the book's real spine lies in the pseudo-scholarly articles that deal with the Necronomicon and its author, the "Mad" arab Abdul Alhazrad, as if they genuinely existed. Included here are such choice items as a biography of Alhazred, a history of the Necronomicon as written by Lovecraft himself, the John Dee Translation of the Necronomicon (an over-the-top parody so hilarious it reads like Shakespeare on acid), and a refreshingly serious , A Critical Commentary on the Necronomicon written by Robert M. Price.
If the idea of ancient tomes of forbidden magic, exotic lands, distant times and unutterably terrifying monsters appeals to you, then this book is a welcome addition to the growing body of Lovecraft studies.
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
Overly Complete is Feature, not Bug, November 12, 2005
To begin with, this is the NECRONOMICON published by Chaosium as part of their Mythos fiction line. It is, of course, a fictional work. This anthology does not purport to be anything BUT fiction, so if you are looking for a real grimoire of ancient evil, yeah, good luck with that.
Second, this is absolutely huge. There are 5 "Necronomicons" included, plus some pseudo-Necronomica added as commentary. I agree with previous posters that this is overkill. And truth be known, you will probably do as I did and read the first two and skip the rest, so chronology trumps merit in this case. I am surprised, though, that any reviewers complained about this "feature" - surely more material for the same price is a good thing, right? I am happy knowing that if I ever need a Necronomicon, I have 5 to choose from (or perhaps the reviewers are worried about a "Nine Gates"-esque dilemma?).
The fiction section of THE NECRONOMICON is quite enjoyable, beginning with Manly Wade Wellman's "The Parchment" and ending with Fed Chappell's "The Adder". These stories cover 185 pages, which would make a respectable book on their own. My favorite is by far "Settler's Wall", which is the mental equivalent of living in a world of rational numbers and then running into the number "pi".
Finally, THE NECRONOMICON opens and closes with pieces by editor Robert Price. I have labored through enough editor's introductions and story notes expounding his theories of higher criticism and his religious opinions that I have finally cracked and decided to become his arch-nemesis. However, I feel I must give him credit where it is due for his materful introduction discussing the Necronomicon, postmodernism, higher-criticism, and holy scriptures. Never before have I read such a clear and obvious testament of a cultist who has studied arcane texts to the point that his brains have turned to cottage cheese and run out his ears. Really, I think I was driven insane halfway through his twenty page postmodernist critique of the existence of the concept "book" (fortunately, the next ten pages drove me further to the point of being sane again. Who knew the mind is a moebius strip?). The scary thing is, that I'm not sure if Price meant it as a satire, a fictional account by a crazed cultist, or if he really believes this stuff? I think the ambiguity only adds to the genius.
So, congratulations Robert Price, you have compiled an outstanding anthology. And, if I may say so, you'd make a dam fine cultist.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Very colorful book but not for lightweights, March 5, 2002
I noticed that this magnificent anthology has garned a few poor reviews. Having read it, I can see way. It may not be an entertaining collection for casual or half-hearted readers. Oh, they will enjoy the pastiche stories, but then find the "translated" passages of "ye booke by ye Arab" to be rough going. This is actually deliberate. If Lovecraft had a chance to review these translated passages, he might concur. The uninitiated should find these pages difficult, but the genuine fan will detect the clever nuggets of wit, rather pokerfaced, and many wil pass right by them. A solid, colorful book. I also enjoyed the description of Abdul Alhazred's demise. In Charles Mitchell's THE COMPLETE H.P. LOVECRAFT FILMOGRAPHY, he cleverly notes how the creature in the film "Sound of Horror" was based on the story of Alhazred's death. It is great that this collection included it. 4 out of 5 stars. Recommended!
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