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Negative Space: Manny Farber On The Movies Kindle Edition

3.8 out of 5 stars 6 customer reviews

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Length: 412 pages

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Editorial Reviews

About the Author

Manny Farber's early film criticism appeared in the New Republic, the Nation, and theNew Leader; his essays with Patricia Patterson were published by Artforum, City, and Film Comment. A lifelong painter, Farber has exhibited his work nationally since 1958 and has had retrospectives at Los Angeles's Museum of Contemporary Art, Pittsburgh's Carnegie Museum, Brandeis University's Rose Museum, and museums in the San Diego area. He and Patterson live in Leucadia, California.

Product Details

  • File Size: 6545 KB
  • Print Length: 412 pages
  • Publisher: Da Capo Press; Expanded edition (June 16, 2009)
  • Publication Date: June 16, 2009
  • Sold by: Amazon Digital Services LLC
  • Language: English
  • ASIN: B0026ZP70K
  • Text-to-Speech: Enabled
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  • Word Wise: Not Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Not Enabled
  • Amazon Best Sellers Rank: #729,590 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

Format: Paperback Verified Purchase
I opened the book with high expectations: Farber has a reputation. I suspect this is, ipso facto, because he swims against the tide of received opinion - which goes down well in radical circles.
Some, very few, of his reviews were brilliant, mind-stretching. "Underground Films" was the best of these and justly famous. But, as I read on, I grew tired of the anti-intellectualism, the reflex dismissal of the currently-admired greats of art cinema and the elevation of the skillful journeyman storyteller. It is all very much in the tradition of American populist iconoclasm and, to my taste, tiresomely reductive.
His taste in the visual arts and music, which he uses to illustrate his points on films, is distinctly fallible. His use of language is often startling, occasionally apt but even more often random. Like a drive-by shooting he leaves a lot of collateral damage.
I'm sure he provides a material for excitable analysis in fetid film course seminars but, for the rest of us amateurs, I wouldn't recommend the book except for very selective reading. Start - and maybe finish - with "Underground".
JR
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Format: Paperback Verified Purchase
I did not know enough background to really appreciate this book. I have been going to movies for over 50 years and i am an artist with a BFA and an MFA and it was still a difficult book for me. The title said to me that he would discuss spatial things about the movies. But he talks about many things and not spatial things.
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By A Customer on October 22, 2003
Format: Paperback
This compilation of essays on film and art, written from the 1950s through the '70s, still stands out as amazingly sharp, combative, and original. Take Farber's legendary "White Elephant Art vs. Termite Art" (1962); replace the notion of "great painting" with "relational aesthetics," and you see that artists like Allan Sekula follow the termite path while the Hirschhorns and Gillicks of the world are our own white elephants.
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