From Publishers Weekly
Some of the pieces in this collection of alternative-weekly newspaper comic strips are grossly offensive, while some are hilarious—and they're frequently the same ones. Swaab's strip has two continuing characters: a balding, insecure geek, who stands in for the cartoonist, and his eponymous companion, a cute, crack-addicted, child-molesting teddy bear. Imagine Garfield with a much more sarcastic attitude and
very serious behavior problems. Every time either Neil or Mr. Wiggles starts looking cuddly or emotionally needy, the other responds with a devastating putdown or a poop prank. Whether insulting people with physical handicaps or taking an alcoholic Jesus to an AA meeting, each strip dances gleefully past the far fringes of good taste. That's part of the humor, as readers' nervous laughter reveals how artificial our polite attitudes really are. At times, this feels like a continuation of the angry underground comix of R. Crumb and S. Clay Wilson, even though Swaab's minimalist style looks more like Scott Adams's mild
Dilbert than the work of those earlier taboo-mocking cartoonists. Nevertheless, his depraved little heart is in the right place.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Oh, those bad boy cartoonists. A family of rage-oholics wasn't enough (Peter Bagge's
The Bradleys). Ex-hippie cretins weren't enough (Rick Altergott's
Doofus). Foul-mouthed office workers weren't enough (David Rees'
Get Your War On). Stinky kids fixated on body fluids weren't enough (Johnny Ryan's
Blecky Yuckerella). Drunken animals blowing their brains out weren't enough (Tony Millionaire's
Maakies). Now it's a depraved, child-molesting teddy bear, Mr. Wiggles, and his unconscionably tolerant roommate, an alter ego (we're told) of Swaab. Drawn in the sophisticated-crude manner of Lynda Barry's
Ernie Pook's Comique, Swaab's weekly feature is usually just as wordy, but in service to the gag rather than nuance. A week gives Swaab enough time to goose the full comic potential out of a gag, though he'll do a series if the idea needs it (see the sequence about Jesus' drinking problem). Swaab suggests that his strip exercises the honored strategy of laughing the devil to scorn, which reduces--a bit, at least--the guiltiness one feels for chortling at his funny, funny (hideous, blasphemous, obscene) ideas.
Ray OlsonCopyright © American Library Association. All rights reserved