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23 of 24 people found the following review helpful:
4.0 out of 5 stars
In Transition, September 4, 2003
For a variety of reasons, this video is a must-own for avid fans of Neil Young. The setting is the final show of Young's 1982 European tour preceding the December 1982 release of 'Trans'. In contrast to other Neil Young video recordings, the European venue offers a minimum of crowd noise (unlike Red Rocks Live) as well as an opportunity to watch Neil and Nils Lofgren work the runway jutting into the audience. And, thankfully, we have only a few shots of audience members, often an editing nightmare threatening to destroy the integrity and impact of the performances (see 'Weld'). One also wonders if Young ever wore a tie on stage again, after watching him competing with it to pillage the six strings of Old Black on 'Like a Hurricane'. The sound quality is excellent, while the film quality is very good... spoiled by today's standard, you will notice times when the filming blurs a bit, or the camera moves too fast to manage the light. Nevertheless, there are several stunning images captured that more than make up for the deficiencies of 1980's technology. In particular is a hypnotic 'drummers-eye-view' scene during 'Hey Hey My My', looking out over Neil's back as the audience throbs to the numbers incessant driving beat. Neil's personal appearance is as 'clean-cut' as you will ever see him... quite a contrast to his overriding 'Grandfather of Grunge' image. The personnel surrounding Young, and the song selection make this video quite unique. Nils Lofgren brings an unbridled energy to the visual performance that is simply priceless. Ralph Molina, Bruce Palmer and Joe Lala are an unassuming, solid backbone of rhythm for Lofgren, Ben Keith and Neil as they trade places on a variety of instruments. Larry Cragg offers an understated banjo on 'Old Man', while Joel Bernstein adeptly manages the vocoder and synthesizer. The hard rock numbers, 'Cinnamon Girl', 'Like a Hurricane', and 'Hey Hey My My' manage to sound simultaneously clean n' dirty in classic Young style. If there is any weakness in the show, it would have to be the acoustic renditions of Needle and the Damage Done and After the Goldrush, which feel a bit strained and plodding. The cuts taken from Trans, 'Computer Age', 'Transformer Man', and 'Sample and Hold', produce a compelling flashback as we witness Young perceptively addressing the embryonic advance of digital technology into Western culture which is rapidly becoming our second nature. 'Computer Age' and 'Sample and Hold' rock out, while 'Tranformer Man' is thoughtful, and features some theatrical miming from both Young and Lofgren. Another Trans cut, 'A Little Thing Called Love', is a bouncy, effortless foray that seems out of character for the Trans LP, but nicely supplements the overall song selection for this video. The concert, and the tour, is capped off with the completely appropriate 'After Berlin', seemingly written for the moment of its performance, and not performed since. It's the only blues-rock number in the set, and Young's guitar is crisp and wailing throughout. Seeing this rare performance was worth the price of admission for the fortunate few in Berlin, and owning it is well worth the price of the video or DVD for the rest of us.
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13 of 14 people found the following review helpful:
5.0 out of 5 stars
Mr Young - a master of different styles, February 17, 2002
By A Customer
This review is from: Neil Young In Berlin (DVD)
This DVD is a welcome addition to any music library - excellent sound quality and very well photographed. The video is a documentary of the last show of the 1982 European "Trans Band" Tour (which supported the release of Neil Young's "Trans" LP), held on 10-19-1982, Deutschlandhalle, in West Berlin. The actual concert features 21 songs, with 11 of them selected for the DVD. Mr Young and his band , ( Bruce Palmer(of Buffalo Springfield), bass, Ralph Molina(Crazy Horse) drums, Joe Lala congas, Ben Keith, pedal steel/keyboards and Nils Lofgren on guitar and keyboards) play with absorbed intensity, and are very, very "tight". The highlights for me include the performances of the songs from Trans featuring the "vocoder", a device developed by Mr Young which gives his voice a mechanical/robotic tone, so that when he sings "Transformer Man", and "Sample and Hold", he sounds alienated and cold, appropriately expressing the inability of a human being to actually communicate with another human being via a keyboard or video screen. The performance of "Like a Hurricane" is out-of-this-world, and Ben Keith is special with his steel-guitar work on "Old Man". However, the best is left for last, where the song "After Berlin" is performed for the first and last time. This is a poignant song and the feeling Mr Young conveys with his singing and playing visibly moves the audience in Berlin. I highly recommend this DVD to any one who loves music
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Not Just a Wordsmith but a Showman Too!, May 16, 2006
This review is from: Neil Young In Berlin (DVD)
I know it's like old, OK. This event happened in 1982, the DVD was remastered in 2001, but I had never seen it until earlier this month (May, 2006). The money I spent for this DVD is some of the best money I have ever spent for entertainment. I can see this concert whenever I want to for the rest of my life. I am luckier than the guys in the front row on the runway. I always knew he could write music and play the guitar. I just never knew how well.
His jam on "Hurricane" was phenomenal, it is the work of a master. His two synthesized numbers, amazing. "Needle and the Damage Done" was just the way I remembered it, only better than just listening to an album/CD .
When Neil Young signs his name to a project, "satisfaction guaranteed." I am eagerly awaiting the upcoming release of his "Heart of Gold" DVD.
PS: I own both "How to Dismantle an Atomic Bomb" by U2 and "Prarie Wind" and enjoy them both. I believe "Prarie Wind" should have won the Grammy, however (by a country mile). Neil Young is a journeyman and his works are a treasure.
Dave
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