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18 of 18 people found the following review helpful:
5.0 out of 5 stars
Superbly Written and Insightful, October 28, 2005
Far more than a mere recitation of dry facts, Charles Beauclerk's biography of the magical life of Nell Gwyn displays rare insight into the human condition, which insights one soon realizes are acutely applicable to the here-and-now of politics, art, and the mysterious attachments of the heart. To history, Nell Gwyn was (pg. 297) "...the stuff of legend, the girl from the slums who had won the heart of a king." In the author's hands, however, this story of love reciprocated (for such it was) is more than romance- it shines a spotlight on the theater of politics and power which was the 17th century and still is today, in which nothing is as it seems to be, and fame provides a most convincing disguise for the truth. Beauclerk's evident erudition is worn lightly, and in this biography the richly comedic serves to illustrate the philosophical. Beautifully written, the author's style is both polished and relaxed, not unlike the later diaries of James Lees-Milne, with a limpid clarity of prose interspersed with surprising imagery, like his description of the Protestant rabble-rouser Titus Oates, (p. 279) "His mouth, we are told, was in the centre of his face, and he was built like an orc, with short bandy legs and long lifeless arms." On nearly every page one finds apt insights as, for example (p. 293) referring to the death of Nell's mother, "...like many alcoholics, old Madam Gwyn probably found a way of abandoning decent surroundings for a life of misery somewhere." The world of Charles Stuart and Nell Gwyn was a theatre, both metaphorically and literally, and whether on stage or at court everyone acted a part. In his biography of Nell, the plays of Dryden, Marvell, and others are neatly dissected by Charles Beauclerk to reveal unexpected depths of meaning. Nell was above all a comedienne, a star in her own right whose alliance with the saturnine, tricksy Charles Stuart made them the most successful double act of the 17th century. And there is, of course, the well-known account of Nell, whose coach being attacked by a mob mistaking her for the King's French (and Roman Catholic) mistress Louise de Keroualle, ordered her driver to stop, and flinging open the window (p. 307) "...cried out good-humouredly, 'Pray, good people, be civil, I am the PROTESTANT whore!' Immediately, the curses turned to cheers, caps were tossed in the air, and a path cleared for her coach. Waving and smiling, she passed on." And so, waving and smiling, Nell's brightly shining spirit has been well and truly awakened in this present biography.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
History Comes Alive, November 9, 2005
The Restoration period in England is especially dear to historians--it provides so many interesting anecdotes and biographies, among them that of the King himself, Charles II. The sufferings of his youth, when he was hunted like a dog by his father's enemies, would seem more the stuff of fiction than fact if we didn't know it to be true. But Charles is probably better known for the many mistresses he acquired later, once his country returned him to the throne. Of these, the most interesting and famous is surely the actress turned Royal Mistress, Nell Gwynn.
Although the reign of Charles II is famous for its bawdy wit and licentious behavior, for the most part, it simply saw a return to the kind of healthy fun the English people had been denied during twenty years of repressive Puritan rule. Bawdy wit and licentious behavior was really only true of a handful of rakish pranksters whose antics have come down in history because they were well-reported. Typical of this group was Charles's friend, the poet John Wilmot, Earl of Rochester, whose father had been given the earldom for military service to the Crown during the King's years in exile. Although Rochester's reputation as a genuine poet has suffered from his bad behavior, the 19th-century critic William Hazlitt stated that although Rochester's "contempt for everything that others respect almost amounts to sublimity . . . his verses cut and sparkle like diamonds." Of Charles, Rochester once teased: "He never said a foolish thing, nor ever did a wise one," to which Charles replied: "That is true, for my words are my own, but my actions are those of my ministers."
Among this group of wild and unruly poets and playwrights, beautiful Nell Gwynn held her own as a commedienne and entertainment star, qualities she took with her to Court when she rose to the status of Royal Mistress. Nell was the only one of Charles II's many mistresses who was genuinely popular with the English public. It is thought she persuaded the King to do the things he did to help the people, among them build the Royal Hospital in London for ex-servicemen.
Nell had two sons by the King, Charles and James Beauclerk. There are two versions of how Charles acquired the Earldom of Burford (both unverifiable). The first has it that one day, upon the arrival of the King, Nell, surrounded by a circle of friends, called out to her six-year-old, "Come here you little bastard and say hello to your father." When the King protested her language, she replied: "Your Majesty has given me no other name by which to call him." So Charles made him the Earl of Burford. The other version claims that out of frustration after months of unfulfilled promises, one day Nell grabbed her son and hung him out of a window, threatening to drop him unless the boy was granted a peerage, whereupon the frightened but quick-witted King cried out, "God save the Earl of Burford!"
These and many more such anecdotes are related here by the boy's descendant, another Charles Beauclerk, whose telling of his family history suggests that, along with their names and their stories, he's inherited a good share of his ancestors' wit and originality.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Remarkable Life and a Vivid Age Come to Life, September 30, 2005
Nell Gwyn is by way of being an English folk heroine. Only with the 1660 "Restoration" of the British monarchy were women allowed on the stage. Indeed, all Shakespeare's heroines had been played by men. Emerging from a background of poverty and obscurity, the teenage Nell rose to stardom as the best comic actress of the London Restoration stage in the 1660's. Beautiful, witty, unabashedly outspoken, Nell caught the eye and heart of the restored Stuart King, Charles II. In a time when class conscious snobbery extended even to the King's mistress, commoners were not welcome, and Nell's pointed humor and uninhibited ways stood in sharp contrast to the mannered, calculating world of the court. Then as now, people enjoyed gossip about notable figures, so Londoners came to feel strong affection for this untrammeled sprite. Beauclerk's brilliant depiction of the worlds of stage and politics, coupled with his penetrating analysis of character, bring Nell, Charles II, and their turbulent world to life. This is a touching love story, for Nell was the King's dear friend as well as his totally loyal lover throughout their seventeen years together, which ended only with his death in 1685. Beauclerk is a direct descendant of Nell and Charles's son, so a last chapter telling how the family has fared from then to the present adds and interesting coda to this lively tale.
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