This investigation aims to demonstrate how it is much more rewarding to view quintessential Western composers in a culturally non-purist and non-exclusive context, rather than insist on incongruity of independent cultural experiences. It has customarily been hard to overcome the divisions between the mind of a highly sophisticated art-musician and the mind of an aboriginal maker of music, myth, and ritual. Both neo-mythologism and neo-ritualism of the twentieth century clearly provide foundations for transcending the cultural borders. The role of mythification in compositional processes has remained outside the main focus of musicology. This book examines the different aspects of composers' thoughts from philosophical views and theoretical systems tooperatic librettos and the musical fabric itself, including form, pitch organization, and instrumentation. (from the Introduction)
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This review is from: Neo-Mythologism in Music: From Scriabin And Schoenberg to Schnittke And Crumb (Interplay: Music in Interdisciplinary Dialogue) (Paperback)
A great read for any fan of 20th century music or myth. In this text, Adamenko's writing relies on thoughtful examples in music, anthropology, and mythic studies which gracefully unfold her thoughts. Being a musician myself, I would highly recommend this book to musicians and anthropologists alike!
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