From The New Yorker
The British director Terence Davies' two previous movies, "Distant Voices, Still Lives" and "The Long Day Closes," were beautiful, poetic fictions that drew heavily on his childhood in Liverpool in the forties. His new film is adapted from a lacklustre early novel by John Kennedy Toole and set in the American South. Davies' technique-the gracious camera work, the slow dissolves, the gorgeous use of pop music-is still impeccable, but though he creates an atmosphere of emotional expectation he provides no epiphany. The film, dark and drowsy, never really wakes up. -Bruce Diones
Copyright © 2006
The New Yorker
Product Description
Academy Award nominee Gena Rowlands stars in acclaimed director Terence Davies' exquisitely bittersweet trip into the American South of the 1940s. Interactive Menus, Scene Access, Filmographies