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Netflixed: The Epic Battle for America's Eyeballs [Hardcover]

Gina Keating
4.7 out of 5 stars  See all reviews (15 customer reviews)

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Book Description

October 11, 2012
The history of Netflix is a long struggle for greatness marked by multiple disasters, lucky breaks, personal betrayal, and broken hearts. It has more drama than most of the movies Netflix rents.
 
Netflix has come a long way since 1997, when two Silicon Valley entrepreneurs, Marc Ran­dolph and Reed Hastings, decided to start an online DVD store before most people owned a DVD player. They were surprised and elated when launch-day traffic in April 1998 crashed their server and resulted in 150 sales. Today, Netflix has more than 25 million subscribers and annual revenues above $3 billion. Yet long- term success—or even survival—is still far from guaranteed.
 
Journalist Gina Keating recounts the absorbing, fast-paced drama of the company’s turbulent rise to the top and its attempt to invent two new kinds of business. First it engaged in a grueling war against video-store behemoth Blockbuster, transforming movie rental forever. Then it jumped into an even bigger battle for online video streaming against Google, Hulu, Amazon, and the big cable companies. Netflix ushered in such innovations as DVD rental by mail, a patented online queue of upcom­ing rentals, and a recommendation algorithm called Cinematch that proved crucial in its struggle against bigger rivals.
 
Yet for all its success, Netflix is still a polariz­ing company. Hastings is often heralded as a visionary—he was named Business Person of the Year in 2010 by Fortune—even as he has been called the nation’s worst CEO. Netflix also faces disgruntled customers after price increases and other stumbles that could tarnish the brand forever.
 
The quest to become the world’s portal for pre­mium video on demand will determine nothing less than the future of entertainment and the Internet. Drawing on extensive new interviews and her years covering Netflix as a financial and entertainment reporter, Keating makes this tale as absorbing as it is important.


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Editorial Reviews

From Booklist

Founded in 1997 by Marc Randolph and Reed Hastings, Netflix became one of the biggest dot-com success stories. But at the time, the idea of renting DVD movies by mail was considered a long shot, as DVD was barely an established format. Keating separates fact from legend in this story of how the tiny upstart, Netflix, took on and ultimately decimated the goliaths of the industry, Blockbuster Video and Hollywood Video. Although consumers caught on to the service and benefited from the price wars between Netflix and Blockbuster’s rival online service, the companies strained under the pressure of competing at a loss to see who could outlast the other. Fans of either service will be amazed at the machinations that went on behind the scenes while they were blithely enjoying movie after movie on the industry’s dime. It seems that only Apple Computer rivals Netflix in how its customers hold a deep personal attachment to the brand “experience,” and fans of the service will get a lot of insight into how much risk, dedication, and commitment it took to bring that experience into being. --David Siegfried

Review

“The little red envelope that could . . . and did! This is a classic Silicon Valley start-up tale and Keating gives readers behind-the-scenes access to a story that continues to play out in America’s mailboxes, living rooms, and mobile devices every day.”
—JIM COOK, CFO of Mozilla; Netflix founding team member
 
“A well-crafted, well-researched, and well-sourced page-turner. Keating is no stranger to this subject, having covered Netflix for years as a reporter, and gives readers a fascinating and insightful look into the inner workings of a company that forever changed how America watches movies.”
—LORI STREIFLER, executive editor, City News Service Inc.
 
“Even if all you know about Netflix is that it has bright red mailers and comes out of your Roku box, Keating’s reporting will make you want to sit down and learn more. It’s a tale of corporate intrigue, gigantic success, and enormous failure.”
—ALLAN PARACHINI, adjunct professor, California State University; former Los Angeles Times reporter
 
Netflixed has all the drama and intrigue of a Hollywood blockbuster, but for me, it was also nostalgic. Gina Keating perfectly captured the pressure, energy, and emo­tion we all felt as we fought Netflix for control of America’s living rooms. I’m often asked by people, ‘What happened at Blockbuster?’ Now I can tell them . . . just read Netflixed.”
—BEN COOPER, EVP, Camelot Strategic Marketing & Media; former head of marketing, Blockbuster Online

“…Veteran media journalist Keating’s nonfiction debut is a surprisingly swift-paced mix of investigative journalism and thrillerlike suspense. The major players in the game—Netflix CEO Reed Hastings and Blockbuster’s John Antioco—are both complicated characters, and Keating does a commendable job painting a portrait of these very different business leaders, each with his own unique approach to vying for the same brass ring: domination of the American home-entertainment market …An impressive look at the infinite complexities and cutthroat competition driving the deceptively simple business of 21st-century movie delivery.
Kirkus Reviews

“There's a grim reality behind the magical wafting of DVDs to our mailboxes, according to this lively, canny business potboiler…[This] colorful narrative climaxes with Netflix and archrival Blockbuster throttling each other in an old-fashioned price war that Netflix wins by a hair. Keating hypes the allegedly world-shaking technological transformations in how we access digital content, but what's far more interesting and dramatic is her smart portrait of how an ever-changing capitalism stays very much the same.”
Publishers Weekly

“Keating separates fact from legend in this story of how the tiny upstart, Netflix, took on and ultimately decimated the goliaths of the industry, Blockbuster Video and Hollywood Video… It seems that only Apple Computer rivals Netflix in how its customers hold a deep personal attachment to the brand “experience,” and fans of the service will get a lot of insight into how much risk, dedication, and commitment it took to bring that experience into being.”
—DAVID SIEGFRIED, Booklist

Product Details

  • Hardcover: 288 pages
  • Publisher: Portfolio Hardcover (October 11, 2012)
  • Language: English
  • ISBN-10: 1591844789
  • ISBN-13: 978-1591844785
  • Product Dimensions: 6.4 x 1 x 9.2 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #239,892 in Books (See Top 100 in Books)

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Customer Reviews

4.7 out of 5 stars
(15)
4.7 out of 5 stars
Well written and an interesting read for sure. K. Newcomer  |  7 reviewers made a similar statement
The history of NetFlix was great and I am not a fan of Blockbuster. DavidP  |  5 reviewers made a similar statement
Most Helpful Customer Reviews
9 of 9 people found the following review helpful
5.0 out of 5 stars An Incredible Story October 15, 2012
Format:Hardcover
The story behind the rise of Netflix has always intrigued me, mainly because it never should have happened: Netflix was a scrappy start-up with some venture capital money, setting out to take over a market that was controlled by corporate titans with enormous brand recognition and tremendous financial resources.

But somehow Netflix managed to reinvent the way that people watch movies and turn a profit; just how improbable was this? So improbable that, for YEARS, Netflix was one of the most shorted stocks in America and America's most famous and probably best shortseller, Jim Chanos, had assembled a list of reasons--all good reasons, by the way--why Netflix was destined to fail.

But it didn't. Netflixed is the mostly never before told story of Netflix's unflappable belief in its business model and Blockbuster's highly leveraged ineptitude that allowed Netflix to execute and topple a titan. It's an incredible story, succinctly well-told by Gina Keating.
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2 of 2 people found the following review helpful
4.0 out of 5 stars Big Ideas and Even Bigger Egos January 12, 2013
By IT Guy
Format:Hardcover
Excellent read and I hope the algorithms at Amazon will recommend her next book to me! I would even go so far as to say that the style of this tech story was "better polished" than the last tech story I read, the recent Steve Jobs biography by Walter Isaacson. Isaacson had a tendency to remind the reader what had just happened in the previous chapter, like a TV series returning from commercial and restating the plot. But the pace of Netflixed keeps you reading and interested, no need for recaps.

Based on my personal experience in IT, the most satisfying part of the book was reading about Netflix using technical excellence, in house programmers, and an engineering-driven culture to create software that was a work of art. They easily defeated Blockbuster's outsource-and-copy approach to software development. I almost spit my coffee when I read how the Netflix engineers spotted an obvious flaw in the Blockbuster bar code system, as I'd seen similar errors myself during an Accenture infestation at my company. It was both hilarious and sad that a guy named "Evangelist" could have helped save Blockbuster had the folks in charge listened to his message.

If I had to make a complaint, it would be that there weren't enough technical details. Several minor flubs early on indicated that any technical details provided would be very shallow (...if I recall Usenet was compared to "the Internet" and emails were found via a "URL tracing program"..), but those didn't make the story any less compelling. I wanted to learn more about how the app got into so many DVD and BluRay players and influenced the cord cutters phenomenon.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Excellent Summary - December 3, 2012
Format:Hardcover
Netflix's founders wanted to do something akin to Amazon in the video rental market. Neither Blockbuster nor Hollywood Video had shown interest in online rentals, but Amazon might. There was also the problem of VHS inventory, the medium of the day, costing $65 - 80/tape, along with high mailing costs. Then came DVDs and a $2 million backer. The founders decided their selling point would be boasting of the world's largest selection of DVD movies. Though they lacked industry experience, they found that in the president of the Video Software Dealers Association at a Las Vegas trade show - he owned 10 video stores and had just started a side business building Web sites for video rental stores. Netflix went live 4/18/98, receiving over 100 orders for 500 discs; they had 1,500 titles in stock by August (mostly older films). Fortunately, Blockbuster and Hollywood Video refused to stock the new format - giving Netflix an open field. Revenues hit $100,000/month after four months. Another 'gift' - Blockbuster had made a habit of disappointing customers by placing empty VHS boxes on shelves, and a later survey found customers had to return several times to get the (mostly) new videos they wanted. (New films cost $15 each.) Netflix' new recommendation engine instead tried to make recommendations that took into account movie availability as well as customer preferences.

Netflix was quite savvy in its intial marketing efforts - random testing various site formats, offers, etc., as well as conducting numerous customer interviews and even going to their houses to watch them use the site. Another ploy - paying a few web-based media taste-makers who periodically mentioned Netflix, a strategy copied from Amazon. They also got DVD manufacturers to put Netflix coupons in their DVD player boxes.

The bad news - Netflix was losing money - assembling and shipping orders cost $6; they were able to get this below $2 further refining their mail groupings to avoid expensive USPS sorts. Overnight delivery boosted acceptance; Netflix improve their ability to accomplish this by adding distribution centers. Their changing to monthly fees (vs. per disc) and allowing customer to build queues of wanted discs also brought very positive responses - volume tripled in three months. Still, the losses continued - $11.1 million in 1998, $29.8 million in 1999. Warner and Columbia studios agreed to lower DVD costs to $3 - 8 in return for revenue sharing, boosting new movie availability by 2 - 3X. Meanwhile, DVD players were rapidly growing in popularity; unfortunately, losses soared to $57.4 million in 2000 and the dot-com crash soured the market for raising more money.

Another early Netflix marketing strategy was competing directly with Blockbuster (20 million active users) in ads and interviews. 'There are 10,000 movies on DVD and we have them all - more than 10X the selection of the largest Blockbuster.' And, 'Everybody hates late fees (a Blockbuster practice) - we never have late fees.'

Meanwhile, Blockbuster tried to diversify against the day when it foresaw rental declining - restaurants, rides, games, clothes, magazines, books, candy, etc., but these expensive hedges all failed. In addition, stores were dirty and their merchandise was overpriced. The year 2000 brought new leadership - Antiocho. Viacom had overpaid for Blockbuster and the stock was going nowhere. Antiocho also got revenue-sharing deals with the movie-makers (60% for it, 40% to the studios) and began guaranteeing movies would be there. Coupons were introduced, along with giveaways and video game sales and rentals. Revenues increased 13%, along with active memberships up 7% after a year. Viacom's stock doubled, but still wanted to be rid of Blockbuster prior to cable-companies' getting volume in their video on demand product. Seventy-some solicitations raised $465 million. Blockbuster, however, only saw the online rental market as at most 3.6 million customers, extending Netflix's 'free ride.' Blockbuster also took a $450 million charge in 2001 to eliminate one-fourth of its tapes and start stocking DVDs. Stock high of almost $30 in 2002.

Over at Netflix, it laid off 40% staff - including the last of those who originally founded and led the company through its first days. A May 2002 IPO raised $82 million. By 3/2003 it had 1 million subscribers. Blockbuster finally took action - funding 4 people with $25 million late in the year to go after Netflix. However, the new venture was set up as a separate entity - it couldn't use Blockbuster mailing list, studio deals, or even mention that id didn't charge late fees; meanwhile, worried Blockbuster franchisees threatened to sue if the new entity competed with them. Blockbuster Online studied UTube videos of Netflix operations, hacked its fulfillment center city locations, and encouraged employee families to drop off Netflix DVDs, act confused and wander around the centers. Netflix then took down its identifying signs and stopped allowing people to look around.

Blockbuster Online's Beta test was practically identical to Netflix.com; Netflix's stock was at $5 in mid-2002 after news leaked that WalMart planned to compete (didn't do well, eventually closed down). Up to nearly $40 in early 2004. Blockbuster's Online debut set back Netflix stock to its IPO level of $15. The new site employed 750,000 lines of code, 500,000 Web pages, and was backed by 25,000 titles and ten distribution centers. But, Blockbuster stores were not linked to each other or Blockbuster Online. Blockbuster did away with late fees after repeated tests found it built their customer base. At that point it had less than $400 million in revenues, and the stock was down to $9. Carl Icahn's threat of a takeover diverted attention from Netflix and their own Online - he took three board seats; the firm was sued for some franchisees not honoring the 'No late fees' ads, and many others discouraged customers from using Online (corporate threats and incentives followed). Netflix, for its part, cut rates 18% to undermine a threatened Amazon entry into U.S. markets - it already was in the U.K.

Direct download was appearing on the scene but hampered by a slow Internet, the low quality of received video, and the extra step required to move the downloaded video from the Internet to the TV.

Blockbuster 'integrated' is video mail rental (Online) with stores by enclosing free rental coupons allowing recipients free rentals at Blockbuster stores. This brought a substantial growth in business, but also large advertising and operational losses. It was a war of attrition vs. Netflix, ultimately lost by Blockbuster because of the $1 billion debt taken on when it left Viacom. Antioco then resigned in a squabble with Icahn over his bonus payment; his replacement returned to failed policies - late fees, stocking extraneous items (eg. pizza, iPads, DVD players) and killed the promotional that was undercutting Netflix. Bankruptcy in 2010, then bought by Dish Network; at its peak in 2009 it had almost 60,000 employees - now about 15,000.

September 2011, Netflix announced plans to structure its DVD rental service as an independent subsidiary company (Qwikster), separating rentals and streaming. Extreme negative reaction (eg. would double IT complexity) led to dropping the plans. Stock dropped from $300 to about $65; now is at $87.

Netflix is now USPS' biggest customer and consumes 35% of bandwidth during evening hours. Icahn subsequently has called his Blockbuster investment his worst (lost 98% of about $191 million), failing because of too much debt, too many stores, Netflix's better business model, Redbox kiosks (12,000 when Blockbuster folded), picking the wrong successor to Antioco. He also admits that 'things might have turned out differently' if the blowup with Antioco had been avoided. Icahn now owns about 10% of Netflix. Stay tuned -
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Most Recent Customer Reviews
5.0 out of 5 stars A History of a Truly Innovative Company
Netflix is now a part of most people's lives. In this well written book, Keating follows the story of Netflix from a humble start-up to an industry Titan. Read more
Published 1 hour ago by Jonathan David
5.0 out of 5 stars Entrepreneurial Story
If you liked Walter Isaacson's biography on Steve Jobs, you'll enjoy this. Great stories and lots to think about when it comes to film distribution. Read more
Published 2 months ago by William J. Torgerson
4.0 out of 5 stars Blockbusted!
As an avid movie fan and long time customer of Blockbuster I switched to Netflix a few years ago as I loved the no late fees concept. Read more
Published 4 months ago by K. Newcomer
5.0 out of 5 stars Engaging and Insightful
I happened across this book at a brick and mortar store, was interested, and checked it out at the library later. Read more
Published 4 months ago by Steve Fischer
5.0 out of 5 stars A great insight into disruptive innovation and belief
I found this book to be inspiring. It tells the story of Netflix from small start up to disruptive innovator. Read more
Published 4 months ago by Geoffrey S. Kotarides
5.0 out of 5 stars Fascinating Insight Into Netflix's Rise
This is an extremely well written tale of the story of Netflix...through 2012 that is. In addition to heavily documenting Netflix, the author also goes into details behind how... Read more
Published 4 months ago by Colin Lord
2.0 out of 5 stars Misleading title
This book is largely a recitation of the legal battles between Netflix and Blockbuster. Boring. Lots of statistics, but not much of interest. I would not recommend this book.
Published 4 months ago by Kathy Strabel
5.0 out of 5 stars Very interesting
This is a great story of companies with a vision (Netflix) and companies that are just lost (Blockbuster). Enjoy it and learn.
Published 6 months ago by Felix
5.0 out of 5 stars Bravo Gina Keating!
Gina Keating is a gifted story teller who writes with a quick pace, and a succinct style, yet is unfailing in her ability to breath life into all of her characters. Read more
Published 6 months ago by Douglas S. Gulick
5.0 out of 5 stars Depth you woukd not expect.
This was a great read. I don't read many books like this, but once I got started, it was hard to put down. The history of NetFlix was great and I am not a fan of Blockbuster. Read more
Published 6 months ago by DavidP
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