Customer Reviews

Never Eat Anything Bigger Than Your Head & Other Drawings

5 star:		(14)
4 star:		(1)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

Kliban's genius lies in the fact that he was always more than a cartoonist (as his satirical pictures of cartoonists made clear); he was a surreal visionary of quotidian absurdity.

I remember when I discovered Kliban. (Doubtless every fan remembers this moment, because it was a moment when his whole comic universe shifted irrevocably.) It was the night I turned fifteen: at my birthday party, a friend gave me Never Eat Anything Bigger Than Your Head. None of us had ever heard of Kliban - my friend had bought it on a whim - but as three of us sat there in the corner and read the book together, we began to laugh, then to howl, and finally to cry; then we read it again; and again. The next week I brought it school and soon we had memorized every drawing in the book.

Over the years what can only be described as a Kliban cult developed among my circle of friends, where we would delight in observing "Klibanesque" moments in the "real" world. Fifteen years later, we still take pleasure in citing Kliban at appropriate moments. I remember once sitting in Pamplona, Spain, competing for an hour with a friend to see who could cite more Kliban cartoons; we finally declared a truce.

Kliban was a seer - his humor caused you to realize that real world was actually more bizarre than even the biggest trippers had ever realized; in a way, his cartoons were perfectly postmodern: the more you read them, the more they began to seem realistic and the usual attempts to depict reality began to seem fraudulent. Like good philosophy and bad drugs, it was only once you get into the habit that you realized you couldn't (and didn't want to) escape.

Quintessentially visual, Kliban's humor was unexcelled at what might be described as visual wordplay. How can one possibly explain the humor of comparing "cucumbers and asparagus" with a "cumbersome apparatus"? (As Kliban observed with mock-paranoia, it was "More than a coincidence.") Only someone too comfortable with reality could fail to see the hilarity of his bizarre juxtaposition of peculiar vegetables with a nonsensical mechanism.

Kliban's humor instructed me to observe sublimity in everyday banality. Just the other day I had a Kliban Experience: driving past a Hardw store in Oakland, CA, I observed an obscenely fat man sitting on the back of an empty pickup truck with a huge, badly painted sign that read "Free Bricks." It wasn't funny by itself, but when I thought of Kliban painting than scene, I almost had a fit. Kliban had worldview - and it was far more profoundly, insightfully, and savagely disturbed than the puerile animal fantasies of Gary Larson.

Kliban awaits rediscovery - one day in the future, his fiendish genius will be recognized as on par with Andy Warhol. One day some enterprising young art historian will make her name explaining Kliban.

If the weirder things get, the more you enjoy them, then Kliban is cartoonist for you.

Kliban was definitely one of the best. I discovered his work in used book stores and was hooked the moment I saw it. What started was a manic tour to find all of his books. Next was convincing everyone I knew at the time that Kliban was a genius. Some bought, some flinched.

Kliban's work would have no home in today's "funny pages." It's entertainment for adults (he began his career with Playboy magazine) and his work is scattered with obscenity and nudity. None of it is gratuitous. One thing that heavily separates Kliban's work from other cartoonists' is its depth. Social commentary mixed with metaphysics mixed with surrealism. When he's funny he's gut-wrenchingly funny. When he's profound he's deeply profound (not many cartoonists' work can be called 'profound'). He also uses the pun in a way I've never seen before. He either goes over the top and makes you gag(e.g., "Why do you hang out with that sadist?" "Beats me!"), or is very subtle and hilarious (e.g., A buffalo saying "I never met an Indian I didn't like, with the possible exception of Kahlil Gibran"). His work is nonsensical, absurd and funny.

This book includes classics such as "The Birth of Advertising", "Patron Saint of Crullers", "Contaminated Pork Bldg", "The Hairy Family Singers", "Continuous Eye Persons", "Philosophers Looting a Small Town", and many others that defy description.

Kliban's closest equivalent in cartooning must be Argentina's Quino. If you're a fan of Kliban, most likely you'll appreciate Quino's work (though some knowledge of Spanish is helpful).

Sadly, a lot of Kliban's work is difficult to find these days. His "safer" books like "Cat" are readily available, but his more edgy work seems to have nearly vanished. Perhaps someday if mainstream humor revisits off-the-wall absurdism Kliban's work will be appreciated for what it was.

The B. Kliban book, "Never Eat Anything Bigger Than Your Head," was the most original, funniest and thought-provoking cartoon series that I've ever seen. For humor value I also like New Yorker cartoons, but they are locked in a kind of workplace suburban conventionality that seems less original than Kliban, and anyway they use multiple authors for their body of work.

A "predecessor" of Gary Larsen? Having had Kliban's book and then seeing Gary Larsen's series, Larsen's work is clearly derivative of Kliban, sort of like J.K. Rowling coming after J.R.R. Tolkein.

The book is still funny and mind-stretching, and my original 70s paperback copy is falling apart, so I'm taking the trouble to track down another copy.

Anyway, as far as I'm concerned this book is at the top of the heap of original cartoon humor and actually represents a new way of looking at everything in terms of parody from the early 70s on. Buy it if you dare.

This was my roommate's book and I read it back in the 70's. It was so hysterical we used to laugh until we thought we'd wet ourselves. I sometimes think about funny cartons/sayings and I'm still laughing about it 20+ years later. I'm amazed I remembered the name of the book, but I did, so here I am. I'm ordering it today. I'm going to keep it at work, and when things get me down, I'll look at the picture of the "Wonder Weiner Works" and I know it'll put a smile on my face.

Kliban's humor views to the unenlightened as pointless and strange, but that's what makes it so wonderful! It's absolutely NOT surface laughs-- Three Stooges, popular cinematic comedies, and almost all mainstream comics. To understand, and better yet, APPRECIATE Kliban's work, one must possess a sophisticated mindset and be completely at ease with their personal humor. My opinion is backed by years of frivilous research.

B. Kliban is a pre-Larson cartoonist with some similar traits. Kliban is much more cerebral, however. My college roommate had this book and "Tiny Footprints" and I was hooked. "Soup to Nuts" is a classic.

You all know how to finish that sentence, admit it. If you don't, then you must begin your perusal of the Kliban lexicon. And if you do, the it's time to share them with your less fortunate friends. It's true, you'll laugh until you hurt. We need a campaign to get these back in print. I once had a teacher tell me that what makes a person an artist is the fact that he or she looks at the world a little differently. Kliban did that, and communicated that in one of the most off-beat and wry ways of anyone. I'm still mourning him.

Kliban's cartoon style is a predecessor of Gary Larsen's. However, what Larsen's work doesn't contain is the underground-type of absurdity that Kliban's work does. Some of the cartoons are hilarious, some show his eye for the art of cartooning (i.e. exaggeration of certain key traits), and some make fun of cartoonists or humor in general (you look at them and say, "wait a second, that wasn't funny" - which is exactly why it IS funny - because it's very aware of the way humor works in our society and is exaggerating that in a funny way).

The reasons that it is good are exactly those that you can't express through words, because a lot of the cartoons don't have "punchlines"; they're just funny because you imagine him drawing the pictures and because you find yourself laughing without knowing exactly why.

Of course, it's not for everybody. One good example of his comic-style is called "Debutants and Centipedes". It shows 6 frames, some of them containing snotty-looking people, and some of them containing centipedes.

If your were a college student of the 70's this work will hit the spot. I know what I was doing when reading it - you find your own 'mood maker'. This, along with Kilban's Whack Your Porcupine, is the most hilarious cartoon book I have ever seen. Larson et.al. should thank the publishers of Kilban for not promoting this true genius half well enough.

If you didn't laugh when the coconut clappers came over the hill in Monty Python's "Holy Grail' perhaps you should find another read!

This is where it all began! Gary Larson owes a ton to Kliban (I'm sure he'd be man enough to admit it too). This is orginal truly whacked out hilarious fall out of your chair great stuff. In my opinion, the Cat work he did wasn't even close to being as original and inspired as this!