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The most helpful favorable review
The most helpful critical review
1 of 1 people found the following review helpful:
4.0 out of 5 stars
give her a chance
The girly voice thing sometimes plagues old Nanci Griffith work as well, but both artists have a lot more to say than their voices suggest. I highly suggest you find whatever local coffeehouse or intimate setting is featuring Stacy Earle. Their set was one of the most unusual, intimate, and intense experiences you may have. Stacy invited the audience to come around the...
Published on November 14, 2007 by J. Hicks
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1 of 2 people found the following review helpful:
3.0 out of 5 stars
Grows
Didn't like this at first due to "girly" voice on some tracks, and it was in my overflow/dispose of rack, but recently heard a track off it on the radio (Bob Harris - BBC Radio 2) and decided to revisit. That annoying "girly" voice is still there on some tracks but there is also some good songwriting and musicianship here, Mark Stuart sounds like a young Buddy Miller, so...
Published on October 1, 2006 by Bob Woodturn
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
give her a chance, November 14, 2007
This review is from: Never Gonna Let You Go (Audio CD)
The girly voice thing sometimes plagues old Nanci Griffith work as well, but both artists have a lot more to say than their voices suggest. I highly suggest you find whatever local coffeehouse or intimate setting is featuring Stacy Earle. Their set was one of the most unusual, intimate, and intense experiences you may have. Stacy invited the audience to come around the corner to the piano, and stand with her while she sang "The Note." She thanks her audience with hugs. She's in your face when she sings about almost losing her son in an accident. Then listening to her album will make sense, girly voice and all.
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1 of 2 people found the following review helpful:
3.0 out of 5 stars
Grows, October 1, 2006
This review is from: Never Gonna Let You Go (Audio CD)
Didn't like this at first due to "girly" voice on some tracks, and it was in my overflow/dispose of rack, but recently heard a track off it on the radio (Bob Harris - BBC Radio 2) and decided to revisit. That annoying "girly" voice is still there on some tracks but there is also some good songwriting and musicianship here, Mark Stuart sounds like a young Buddy Miller, so maybe I won't throw it out after all. It's growing on me....
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