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3 of 3 people found the following review helpful:
5.0 out of 5 stars
So Soreal, So Beautiful, January 13, 2002
This review is from: The Nevermen (Paperback)
This book is set in a surreal world, with the 50's movies gone high on Gothic Punk. The heros, in trench-coats and hats, try to keep the peace in streets filled with inhuman villans, who are strangely human, much more so than the heroes themselves, in many ways. The haunting tale goes back and fourth in time, showing fragments that only at the very end combine into a complete picture. Especially recommended for fans of a slightly bizzar Film Noir.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Cryptic, Beautiful, Thrilling, November 6, 2003
This review is from: The Nevermen (Paperback)
The above are all too often hinted at in comics, but not let loose in their full, bewildering flower. Nevermen manages to be at once the most cryptic and the most exciting comic I have read in recent memory. Guy Davis captures the nightmarish, stylish underworld that the reader fills in, her mind sparked by his examples. The story is yes, not obvious-- but isn't everyone a little tired of obvious? If it were all spelled out, then where's the fun? Well, if it's too mysterious, then no one cares, but it's a hard-hearted reader that can pick up the Nevermen and not be intrigued. I was also impressed at the writing- so spare it is beyond belief-- I too, like another reviewer, would find myself turning back to see what I had missed- but I loved it! I loved having spaces left in the story for me to wonder and work- I will never complain if I am given enough elements of a story and a compelling vision-- I'm happy to wander in those spaces. Read Nevermen- it will draw you back, like a poem or a painting, where part of the story is part of you.
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0 of 1 people found the following review helpful:
2.0 out of 5 stars
Overwrought, beautiful, and cryptic, August 28, 2008
This review is from: The Nevermen (Paperback)
This is, as another reviewer said, something just oozing with potential. Guy Davis, as always, does a fantastic job with characters and weird creatures. But, similar to his own written-and-illustrated release, "Danse Macabre", this work, written by Phil Amara, is hard to follow, laughably scripted, and eventually nonsensical.
It's a sad thing to witness: characters like Murderist and Manboulian are certainly compelling, and the infusion of noir-era dialog is entertaining, but many of the characters speak only in short, psuedo-pithy phrases that signify nothing, requiring multiple re-reads and a good deal of hair-pulling. One can't help but wonder if Mr. Amara felt he was being clever by writing in such a cryptic fashion; I can safely say that he wasn't.
There's a herculean attempt to weave the actions of six characters into and out of one another during the story, but it's undercut by the near-identical appearance of no less than FIVE of them. As gimmicky as it might have been to give the titular characters sharply different appearances, the opposite is no more helpful.
This is a comic that I wanted desperately to love, but ultimately, the near-lethal lack of exposition and the inclusion of short-lived, useless characters (Samek, anyone?) drags it down completely. It's something to "appreciate" more than anything else, a nice picture book with lots of hints at significance and deep passion, but it just can't execute it.
Still, it's loads better than Danse Macabre.
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