From Publishers Weekly
After nearly 40 years, Stack's wry and hilarious strips featuring the Savior have been collected into a tome certain to polarize readers. Considered the first underground comic strip, Stack's take on Jesus offers readers a messiah who is every bit the Old Testament superhero of Sunday school fame, only his human side is what truly shines out. This Jesus is very much a modern man in disposition, resurrected to do his holy thing, yet irritated by such hassles as the police, military idiocy, horny collegiate groupies, Jerry Bruckheimeresque Hollywood blockbusters that distort his story and blacks who are disgusted to find out that he's not a "brutha." The collection drips with the uncertainty and disillusionment common to '60s-era undergrounds, and as the stories move on through the decades it becomes readily apparent that Jesus' second coming has had little-to-no-effect upon the population, and nobody knows that better than he does. Depending on how the individual reacts to a world-weary depiction of the figurehead of the most influential religion of the past two millennia, Stack (
Our Cancer Year) wrote a fascinating work for the open-minded.
(Dec.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Proving so would probably be impossible, but even its compiler, Stack's friend and fellow Texan cartoonist Gilbert Shelton (
Wonder Warthog, 1981 and
The Fabulous Furry Freak Brothers, 2004), allows that the stapled-together
The Adventures of Jesus (1964) may be the first underground comic. Its stories reappear here, along with those from three larger, classier Jesus comics and later ones including the previously unpublished "Jesus Meets Intellectual Property Rights." At first, Stack injected modern gags into retold "Stories from the Good Book," but after a Second Coming story, he turned his creation to satire of militarism, academia, the cops, big business, and other institutions usually suspect to sixties idealists. The intention is always to pillory everything but Jesus. The results are irreverent and sacrilegious but not blasphemous. Indeed, seldom outside of scripture is Christ portrayed as so fully human as Stack renders him. Stack's drawing style is frizzy like a head of long hair, full of cross-hatching and nervous lines, reminiscent of Jules Feiffer's, Bob Blechman's, and Harvey Kurtzman's stuff. A must for underground-comics mavens, in particular.
Ray OlsonCopyright © American Library Association. All rights reserved
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