Lúcia Nagib here presents the first comprehensive critical survey of Brazilian film production since the mid-1990s, which has become known as the "Renaissance of Brazilian cinema". Besides reflecting on the conditions that made possible this recent boom, this book elaborates on the new aesthetic tendencies of recent productions, as well as their relationships to earlier traditions of Brazilian cinema. Internationally acclaimed films, such as Central Station, Seven Days in September and Orpheus, are analyzed alongside daringly experimental works, such as Chronically Unfeasible, Starry Sky and Perfumed Ball.
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About the Author
Lucia Nagib is Associate Professor of Film History and Film Theory, State University of Campinas, Brazil, and film critic of the daily newspaper Folha de S. Paulo.
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4.0 out of 5 stars
Well done summary of Brazilian Cinema,
This review is from: The New Brazilian Cinema (Paperback)
As explained in the Introduction, Brazil has had a rocky time for the last twenty to thirty years. After almost being totally destroyed during the early 1990's, Brazilian cinema has experienced a great renaissance. This book covers the full range of this renaissance, with various essays touching on the artistic, political, religious, and socio-economic realities that characterize this movement. Gracing the cover is a still from perhaps the best-known (and best-loved) film of the era, "Central Station" (1998), a movie that is mentioned and discussed frequently in the text. For those interested in expanding their horizons, especially in terms of cinema, this book is an engaging read.
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Inside This Book
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First Sentence:
Brazilian Cinema has undergone a complete turn-around in recent years. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unviable nation, primeiro dia, das memórias, nudez será castigada, uma guerra, favela people, para morrer, favela inhabitants, cinema brasileiro, sponsorship laws, singular encounter, ancillary markets Key Phrases - Capitalized Phrases (CAPs): (learn more)
Cinema Novo, Sao Paulo, Glauber Rocha, Walter Salles, Nelson Pereira, New York, Carlos Diegues, Audio-visual Law, Ministry of Culture, Eduardo Coutinho, Fernanda Montenegro, Rio Zona Norte, Eça de Queiroz, Bruno Barreto, Nelson Rodrigues, United States, Fernanda Torres, Jay Francis, Marcel Camus, Dona Flor, Hans Staden, Andrucha Waddington, Black Orpheus, Humberto Mauro, Jean-Claude Bernardet New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Brazilian Cinema has undergone a complete turn-around in recent years. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unviable nation, primeiro dia, das memórias, nudez será castigada, uma guerra, favela people, para morrer, favela inhabitants, cinema brasileiro, sponsorship laws, singular encounter, ancillary markets Key Phrases - Capitalized Phrases (CAPs): (learn more)
Cinema Novo, Sao Paulo, Glauber Rocha, Walter Salles, Nelson Pereira, New York, Carlos Diegues, Audio-visual Law, Ministry of Culture, Eduardo Coutinho, Fernanda Montenegro, Rio Zona Norte, Eça de Queiroz, Bruno Barreto, Nelson Rodrigues, United States, Fernanda Torres, Jay Francis, Marcel Camus, Dona Flor, Hans Staden, Andrucha Waddington, Black Orpheus, Humberto Mauro, Jean-Claude Bernardet New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 30
books:
See all 30 books this book cites
2
books
cite this book:
- Central Station by Joao Emanu Cainiero on 10 pages
- Brazilian Cinema (Film and Culture Series) by Randal Johnson on 6 pages
- Rebellion in the Backlands (Os Sertoes ) by Euclides da Cunha in Front Matter, page 124, and page 141
- The Holy Sinner by Thomas Mann on page 53, page 127, and page 144
- City of God: A Novel by Paulo Lins on page 164, and page 172
See all 30 books this book cites
- The New Brazilian Cinema by Lúcia Nagib in Back Matter
- Primitive: Original Matters in Architecture by Jo Odgers on page 117
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