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New Britain: The Roots of American Folksong
 
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New Britain: The Roots of American Folksong [IMPORT]

Jacques Arcadelt (Composer), Jean-Baptiste Besard (Composer), William Billings (Composer), Loyset Compere (Composer), Carl Davis (Composer), Joel Cohen (Conductor), The Boston Camerata (Performer), David Ripley (Performer), Herman Hildebrand (Performer)
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Product Details

  • Performer: The Boston Camerata, David Ripley, Herman Hildebrand
  • Conductor: Joel Cohen
  • Composer: Jacques Arcadelt, Jean-Baptiste Besard, William Billings, Loyset Compere, Carl Davis
  • Audio CD (June 25, 1991)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: Erato
  • ASIN: B000005E75
  • Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.com Sales Rank: #120,266 in Music (See Bestsellers in Music)

    Popular in this category: (What's this?)

    #33 in  Music > Opera & Vocal > Vocal Non-Opera > Chansons

Track Listings

1. Judicii Signum -- The Great Day
2. Calenda Maia - Cuando por el oriente
3. Rossignolet du bois joli - Rossignolet del bos jolin
4. Das Paris y-at-un'barbiere - Allons-nous faire faire la barbe
5. Mon pere m'a mariee - Mon pere m'a mariee
6. Gabriel Nazareth - Une nymphe jolie
7. C'est en passant par Varennes - Margo labours les vignes
8. Bransles de village - Il etait une Cendrillon
9. C'est dans la ville de Bytowm
10. Il est venu le petit oysillon - An jenem Tag, nach Davids sag - Barbara Allen - Heavenly Dove
11. Chevy Chase -The Kinges hunt is upp - The English hunt's up
12. My Love Gave Me A Cherry - I Gave My Love A Cherry
13. Hey, Ho, Nobody At Home
14. There Were Three Crows - There Were Three Ravens
15. Lady Cassilles Lilt - Gipsy Davy
16. The Jolly Beggar
17. Billy Boy - Billy Boy
18. Ricerada premera - Betty Anne
19. Singing School
20. Thomas-Town
See all 23 tracks on this disc

On this CD:
  1. Judicii Signum
    Composed by Anonymous
    with William Hite, Boston Camerata
    Conducted by Joel Cohen

  2. The Great Day (The Sacred Harp, Philadelphia, 1860)
    Composed by American Anonymous
    with Boston Camerata
    Conducted by Joel Cohen

  3. Calenda Maia (Provence)
    Composed by French Traditional
    with Boston Camerata, Anne Azema
    Conducted by Joel Cohen

  4. Cuando por el oriente (New Mexico)
    Composed by American Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  5. Rossignolet du bois joli (Québec, 1914)
    Composed by Canadian Traditional
    with Kenneth Fitch, Boston Camerata
    Conducted by Joel Cohen

  6. Rossignolet del bois jolin (Borlet)
    Composed by French Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  7. Dans Paris y-a-t-un'barbière (Quebec)
    Composed by Canadian Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  8. Allons-nous faire faire la barbe (Loyset Compère)
    Composed by French Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  9. Mon pere m'a mariee (Québec, 1914)
    Composed by Canadian Traditional
    with Roberta Anderson, Boston Camerata
    Conducted by Joel Cohen

  10. Mon pere m'a mariee
    Composed by Anonymous
    with William Hite, David Ripley, Kenneth Fitch, Boston Camerata
    Conducted by Joel Cohen

  11. Gabriel Nazareth
    Composed by Canadian Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  12. Une nimphe jolie
    Composed by Jehan Planson
    with William Hite, Boston Camerata
    Conducted by Joel Cohen

  13. C'est en passant par Varennes (Québec, 1914)
    Composed by Canadian Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  14. Margot labourez les vignes, chanson for 4 voices, S. 8/42
    Composed by Jacques Arcadelt
    with David Ripley, Boston Camerata, Anne Azema
    Conducted by Joel Cohen

  15. Bransles de Villages
    Composed by Jean-Baptiste Besard
    with Boston Camerata
    Conducted by Joel Cohen

  16. Il était un Cendrillon (Québec, 1914)
    Composed by Canadian Traditional
    with William Hite, Boston Camerata
    Conducted by Joel Cohen

  17. C'est dans la ville de Bytowm
    Composed by Anonymous
    with Boston Camerata
    Conducted by Joel Cohen

  18. Il est venu petit oysillon
    Composed by French Traditional
    with Boston Camerata, Anne Azema
    Conducted by Joel Cohen

  19. An jenem Tag nach Davids sag
    Composed by German Traditional
    with William Hite, Boston Camerata
    Conducted by Joel Cohen

  20. Barbara Allen, folk song
    Composed by Scottish Traditional
    with William Hite, Boston Camerata
    Conducted by Joel Cohen

  21. Barbara Allen (Tennessee)
    Composed by American Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  22. Heavenly Dove (Georgia)
    Composed by American Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  23. Chevy Chase (Virginia)
    Composed by American Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  24. The Kinges hunt is upp
    Composed by English Traditional
    with David Ripley, Boston Camerata
    Conducted by Joel Cohen

  25. The English hunt's up
    Composed by English Traditional
    with Joel Cohen, Boston Camerata

  26. My love gave me a cherry
    Composed by Scottish Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  27. I gave my love a cherry (Nova Scotia)
    Composed by Canadian Traditional
    with Kenneth Fitch, Boston Camerata
    Conducted by Joel Cohen

  28. Hey Ho, Nobody at Home
    Composed by Thomas Ravenscroft
    with Boston Camerata
    Conducted by Joel Cohen

  29. There were three crows (Texas)
    Composed by American Traditional
    with Fred Raffensperger, Boston Camerata
    Conducted by Joel Cohen

  30. There Were Three Ravens, for voice(s) & ensemble
    Composed by Thomas Ravenscroft
    with Roberta Anderson, Boston Camerata
    Conducted by Joel Cohen

  31. Lady Cassilles Lilt
    Composed by Scottish Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  32. Gipsy Davy (Ohio)
    Composed by American Traditional
    with David Ripley, Boston Camerata
    Conducted by Joel Cohen

  33. The Jolly Beggar
    Composed by Scottish Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  34. Billy Boy (Thaunton, Massachusetts)
    Composed by American Traditional
    with Margaret Swanson, Boston Camerata
    Conducted by Joel Cohen

  35. Billy (Northumbrian Folk Song)
    Composed by English Traditional
    with Margaret Swanson, Boston Camerata
    Conducted by Joel Cohen

  36. Ricercada premara
    Composed by Diego Ortiz
    with Boston Camerata
    Conducted by Joel Cohen

  37. Betty Anne (North Carolina)
    Composed by American Traditional
    with Sharon Key, Boston Camerata
    Conducted by Joel Cohen

  38. Singing School [The Social Harp] (Georgia)
    Composed by American Traditional
    with Sharon Key, Boston Camerata
    Conducted by Joel Cohen

  39. Thomas-Town "Great God, how frail a Thing is Man"
    Composed by William Billings
    with William Hite, Boston Camerata
    Conducted by Joel Cohen

  40. New Britain (Amazing Grace) [The Sacred Harp] (Philadelphia)
    Composed by American Traditional
    with Boston Camerata
    Conducted by Joel Cohen

  41. Parting Friends (The Social Harp)
    Composed by American Traditional
    with William Hite, David Ripley, Roberta Anderson, Boston Camerata
    Conducted by Joel Cohen

  42. Hallelujah, revival song
    Composed by American Traditional
    with Boston Camerata
    Conducted by Joel Cohen


Editorial Reviews

Amazon.com
Exploring the connections between early music and what we know as folksong, Joel Cohen and his very adventurous and competent band of musicians not only show us where many familiar tunes come from, they also give us fresh and illuminating renditions of songs from the 10th century to the middle of the 20th century. Besides the recording's obvious educational value, its primary purpose, according to Cohen, is "to give pleasure." That it does, often in amusing ways, as when a song with religious origins is transformed into a ribald descendant. It's also fun to see how widespread some songs are, with different versions common to many countries. Cohen demonstrates how songs that came from Renaissance forms were preserved by common folk long after the "elite" classes abandoned them. The songs are enhanced by excellent instrumental playing and well-conceived arrangements. --David Vernier

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Customer Reviews

3 Reviews
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Average Customer Review
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Most Helpful Customer Reviews

 
10 of 10 people found the following review helpful:
5.0 out of 5 stars Charming, simple & striking. Full of delightful surprises!, November 29, 2002
Many early music groups these days explain cross-cultural musical influences in their program notes, and proceed to play their selections accordingly. Joel Cohen and the Boston Camerata take it the logical step further by actually performing the "root" pieces side by side with the later music that reflects their particular influence. The result is inspired, thought-provoking groupings of related tunes and texts that span not only centuries but continents. The Boston Camerata is primarily a vocal ensemble, with a sound that is spare, pure and direct. Some of their renditions are performed a cappella, while others are accompanied by light, period instrumentation. If you've ever heard this group live in concert, you may recall the surreal effect of sitting in a theater that is pin-drop quiet, waiting for one or two musicians at a time to step forward and break the silence with a clarity and presence that holds the entire audience spellbound from first note to last. The effect of listening to this recording is much the same. My favorites on this release are the groupings of different versions of the same ballad--"Three Ravens", "Gypsy Davy", and "Barbara Allen", for example. The pairing of the Appalacian song "Betty Anne" with its exact harmonic match--a 16th century ricercada for viols by Diego Ortiz--is also quite striking, and I also enjoyed the "shape-note" and "Fa-sol-la" singing-school selections representative of early American music. In the insert, director Joel Cohen explains: "This unorthodox recording, an intentionally provocative mix of early art song and modern folksong, is meant first of all to give pleasure - but it is also a meditation on history, on archetypes, and on the transmission of human culture." The Boston Camerata succeeds admirably here on both counts!
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Tour de Force of American Musical Roots!, January 4, 2001
By "rrr338" (Wisconsin) - See all my reviews
Prepare to go on an amazing, haunting musical tour when you put this disc on your player. Joel Cohen (bless him) has once again assembled a group of musicians and singers who are up to the task of taking themselves, and you the listener, back through the mists of musical time. This disc contains songs that span hundreds of years, many of which actually originate in other lands. Yet, these songs would find their way into the early diverse fabric of colonial America, and go on to inspire much of emerging folk music in this country. Some of these songs are secular, but others have a distinctly religious flavor (as in the first piece on Judgment Day and the "stars falling"). Others are merry, dance-like tunes, and remind one of what might have been performed in medieval courts in Europe. Some are sung in english, others in different languages. The range of musical style and vocal interpretation is incredible. This wonderful diversity reminds the listener that America always had diverse roots, and even in colonial times, we were a nation that drew its strength and inspiration from many cultural sources. I like to listen to this disc during the bleak nights of winter, but it is wonderful music for any occasion. If you really are intrigued by the historical development of American music -- or any music -- then this disc is a "must" for your collection. Also recommended: "The World Turned Upside Down" (Barry Philips), "A Land of Pure Delight" (His Majestie's Clerkes), and "Simple Gifts: Shaker Cbants and Spirituals" (Joel Cohen and Boston Camerata).
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Astonishing, March 24, 2000
By Don Carter (United States) - See all my reviews
The album is astonishing. It is rare to find a continuous line of musical thought from the turn of the previous millenium to its end. This album demonstrates the evolution of music over about a thousand year period and includes some very early versions of what we would call modern songs.

It is worth the price of the CD several times over and is one of my favorites in my CD collection.

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