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New Buffalo: Journals from a Taos Commune (Counterculture Series)
 
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New Buffalo: Journals from a Taos Commune (Counterculture Series) [Hardcover]

Arthur Kopecky (Author), Peter Coyote (Foreword)
4.5 out of 5 stars  See all reviews (8 customer reviews)

Price: $19.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

Counterculture Series March 15, 2004

New Buffalo was one of the most successful of the collective farms that dotted the country in the 1960s and 1970s. Arthur Kopecky's journals take us back to that era as he and his comrades wend their way to the area near Taos, New Mexico, where they encounter magic, wisdom, a mix of people, the Peyote Church, planting, and hard winters.

The journals trace the group's evolution to adulthood as the party mood of the early 1970s gives way to the concerns of maintaining a growing farm. By 1975, several hundred people had called New Buffalo home and the business turned away from their counterculture goats, focusing, instead, on dairy cows.


"New Buffalo was emblematic of any number of communes where people came together by happenstance and "grew" a life together. The struggle and costs, the hard work, the endless labor and attention required to be self-sufficient; the learning of new skills, social and physical, that made every day an adventure are all here. . . . Remember or learn what it felt like to be young, optimistic, empowered and dedicated to making a better life. You will be amazed to see what persistent, dedicated, selfless, hard work can accomplish."--Peter Coyote, actor, activist, and former resident of the Olema commune


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New Buffalo: Journals from a Taos Commune (Counterculture Series) + Leaving New Buffalo Commune (Counterculture Series) + Scrapbook of a Taos Hippie: Tribal Tales from the Heart of a Cultural Revolution
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Editorial Reviews

From the Inside Flap

Kopecky's journals take us back to the beginnings of New Buffalo, one of the most successful of the communes that dotted the country in the 1960s and 1970s, where he and his comrades encountered magic, wisdom, a mix of people, the Peyote Church, planting, and hard winters.

About the Author

Arthur Kopecky is a finish carpenter in Sebastopol, California. He and his wife continue to work with soil and plants in Sonoma County.

Product Details

  • Hardcover: 312 pages
  • Publisher: University of New Mexico Press (March 15, 2004)
  • Language: English
  • ISBN-10: 0826333958
  • ISBN-13: 978-0826333957
  • Product Dimensions: 9.6 x 6.4 x 1 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #160,799 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
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21 of 22 people found the following review helpful:
5.0 out of 5 stars Threads of Gold, August 31, 2004
By 
Pam Hanna "wind star" (Thoreau, New Mexico United States) - See all my reviews
(VINE VOICE)   
This review is from: New Buffalo: Journals from a Taos Commune (Counterculture Series) (Hardcover)
This book is unique. It is like nothing else you are likely to read. There are incidents, anecdotes, and life situations that have much in common with other chronicles of the times, most especially, *Scrapbook of a Taos Hippie* by Iris Keltz. Indeed, the latter work makes a splendid companion volume to this one because it mentions many of the same people, places and events of the time. Does it with engaging interviews and an overvoice that glues it all together.

Arthur Kopecky's faithful recording of life at the New Buffalo commune from 1971 to 1976, however, is unique in that it is a true journal with the energy and immediacy of real-time events.

The commune itself is the narrative voice. During the times when Kopecky left to visit other communes or to go hunting with other communards or to bring his own mother from New York, other people took up the journal and filled in the gaps of day-to-day existence on the scene. Sometimes they left their names, sometimes not. Sometimes they agreed with Arty (or An Swei as he called himself then), and sometimes they struck chords of dissent and argument. But it's all here.

Here you will find accounts of making adobe bricks to add on more rooms to the pueblo, accounts of their problems and successes with their many farm animals - cows, pigs, chickens, goats, mules - their craft activity to make money on the side - jewelry-making, candle-making, weaving, carpentry, bee-keeping, cooking, canning, drying, storing and harvesting their crops, stories of their wild parties with music and dancing, chronicles of the peyote meetings at and around Buffalo, accounts of cooperating with locals for their water rights for irrigation, their relationship with other communes in the area (Morningstar, Reality, Lama, Five Star) their struggles with taxes and with making New Buffalo a legal corporation (finally successful), diaries of their children and home birthing, their famous hospitality to so many visitors from all over this country and other countries, their problems with outdated machinery and vehicles. All this and still there are introspective passages about their lives, the war in Viet Nam, and their marriages, love affairs, births, and deaths.

Various entries speak for themselves of the life and flavor of New Buffalo.

"We got a refrigerator out of the dump for a smoke house. Pepe taught me to cut a hole in the bottom, connect with stovepipe to a covered fruit wood fire twelve feet away. This provides cold smoke for best taste."

"Larry started hooking up the new hot water tank to run off the wood cook stove. He worked all day on it. The thirty-gallon tank sits behind the firebox, the smoke goes where the insulation used to be, and a water pipe goes right in the fire and back out. If you were on a colony spaceship, you'd want this guy with you."

"Full moon. Wild party here started in the afternoon. Mick butchered five chickens. Jason from the Hog Farm helped do the cooking. We had cars, trucks, longhaired hippies, dark-skinned gypsies and big-chested, long-legged dancing girls getting it on in the front yard. Guitars, a banjo, three or four drums, a saxophone, a clarinet, and perhaps 80 people here. Fire in the courtyard at night. Joseph Cruz from the Pueblo came with Phil, Joe, Henry and Benjamin, all local Indians. They sing really fine. I went to bed early in the moonlight, under a cedar tree on the hill, listening to their ancient songs."

"Yesterday we stepped into a Van Gogh painting and cut the golden wheat field. Five sickles and two stackers worked much of the day. Incredibly beautiful. Also weeded and watered the cornfield. We have a pretty good harvest."

"County Fair tomorrow! Carol baked coffeecakes for the contest, and she's really got a chance to produce the best. Kim is bringing fresh carrots, beets, onions, yellow squash, and lettuce. He is already putting carrots away - colors so lush in the humid air - beautiful produce. John intends to enter cheese, butter and maybe some goats."

"This mudding we can do. Old way good way. Basically grab a handful with the straw and some sand mixed in, and slap it on the wall. Next smooth it out a bit. To keep the clothes clean, it's best to take them off."

"We live in such abundance. A bunch of poor people, we are still able to scrape up what we need to patch and glue this scene together."

"Recommended: Don't store the apples and rutabagas in the same cellar."

"Mercy mission to Lama; they have some sick ones. We gave them a five-pound cheese, elk meat, candles..."

"The huge teepee is up and the floor is covered with sheepskins, blankets and rugs. Tonight we go in to pray for a good spring and for this place. New buffalo was started with a peyote meeting. The ceremony joins the spirit of the new arrivals and the Indians, and gives thanks to mother earth, father sky and Jesus, for our life."

"The commune is a natural alternative to the lifestyle of consumption. I've still got a notion in the back of my head that this may play a role in the future of this country's economics. With roots in the soil, with people being close to some essentials, there would be less insecurity about the often-slipping number of jobs. With more working people not so dependent on the jobs offered by the big corporations, we would perhaps be able to depose those people who guide our economy into such conspicuous consumption."

Even though New Buffalo is no longer a commune, its legacy and vision continue. In my experience, it takes a long time to read a journal. It's different from a story, since there's no narrative thread per se. But the time is well worth it. The threads you do find are of solid gold.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars History or Harbinger?, January 3, 2005
This review is from: New Buffalo: Journals from a Taos Commune (Counterculture Series) (Hardcover)
For those who believe that the prosperity-driven individualism, materialism, and (dare I say it) Calvinism, always present though rarely so triumphant as in the last general election, may have become a permanent American cultural monopoly, I have two recommendations. The first is "Collapse" by Jared Diamond, author of "Guns,Germs and Steel", who describes the demise of cultures whose citizens may likewise have thought their material success permanent, and "New Buffalo" by Arthur Kopecky, who chronicles as a Principal and key participant, the everyday experience of "Aquarian Age" communards who prophecied an alternative future, and labored mightily to master it's challenges. This group of uprooted young adventurers were linked with thousands across the country and the world,who committed themselves to a life of struggle, of voluntary renunciation of luxury, of fun and high times too, and they hoped for, and many worked hard for communitarian self-sufficiency. In part the movement was a rebuke to the smug and thoughtless triumphalism of capitalism and its depradations of the human soul, partly it was a search for a practical alternative, and partly it was a journey of discovery, blasting away the race, class, regional, cultural, boundaries between people, getting pretty "blasted" in the process,(positively and negatively) but living intensely, and experiencing intimate human relations not available under the protections of ordinary life.

I knew Artie in those days. He and I often disagreed. But in the end I was not prepared to make the sacrifices he and his core "bothers" and "sisters" made routinely, without feeling themselves anything but blessed (most of the time) to be able to make them. These were some people!

Artie's rock-steady and selfless devotion to a beautiful ideal, his careful, diligent, daily account of the experience of his community, are no mere memoire or hippy-dippy nostalgic indulgence. They are,in my opinion, a unique contribution to the sum of human experiential learning and were made at some considerable cost. It may be that some time in the future the experience of New Buffalo, so honestly presented here, will prove to be more precious than a memory. We all may yet need those skills, we all may yet need that mind, to master what may come.

Dan Cohn

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8 of 9 people found the following review helpful:
5.0 out of 5 stars The Real Communes -- Boredom, Mud, and Effervescence, April 14, 2004
By 
C. DIMOND (Gardner, CO United States) - See all my reviews
(REAL NAME)   
This review is from: New Buffalo: Journals from a Taos Commune (Counterculture Series) (Hardcover)
These are on-the-spot journal entries from the serious, day-to-day heart of life at New Buffalo -- lots of names, lots of memories, lots of inspiration, and a real picture of the interrelations within the early to middle years of the rise of the adobe, pot, and peyote counterculture. No index, but it's not hard to read for information, and the memories, especially in the excellent selection of photographs of departed friends and long-departed youth, which can communicate both strength and poignancy. Peter Coyote's introduction is a terse well-written musing about both his and Kopecky's contributions to the burgeoning secular literature of the counterculture movement. Mr. Kopecky,a guitar player himself, and a one-time Chinese language student at Columbia and Berkely, has a a sincere musical ear for digestable writing. This book rings true. Right Arm! Good book!
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