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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Get this album!, November 28, 2004
Pat Metheny is one of the greatest musicians of our generation. In the '70s (and up to the present day) he busied himself re-inventing and expanding the genre of jazz in ways that were progressive and ingenious, but at the same time totally accessible to people other than musical scholars. In the middle of making some of the greatest albums ever produced with all kinds of bands, large and small, he decided to make a solo album. But this was a real solo album. He went into a studio with a collection of guitars and basses and, with the help of a multi-track recorder, composed, arranged, performed and produced every note of this album himself. Vanity project? Maybe. But not a wasted one. Not only does he show a flawless technical mastery of his instruments, but every piece is so painstakingly constructed and emotively performed that you could love it without ever noticing the technical fireworks. It predated the Windham Hill revolution, but it's still superior in every important way to anything by Michael Hedges or Will Ackerman (and this is coming from a big fan of both of those artists). Almost always forgotten when listing Pat Metheny's greatest works, it never falls from the top of my list.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
For your great listening pleasure!!!!, August 14, 2002
This is on of Metheny's finest solo venture.Every song is wonderful.A quiet CD,good for that "Sunday morning,with coffee and the newspaper" His focus for each of his writtings is "on the mark". This is a must for you collection!!!
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Great American Road Music, August 31, 2006
Metheny's an innovator and has been all over the map over his long career in terms of styles, moods, textures, and sounds. Here we have an early effort in which he takes his guitar and overdubs an introspective, wide-open-spaces musical journey across America, weaving in jazz, folk, country, rock, mountain music, and everything in between. If you love his work on Joni Mitchell's Amelia (performed live on Shadows and Light), you'll love the sound of this record. The mood is mellow but not dull, quiet but not silent, and the results are spectacular. This is the cd to take with you on a trip across the western frontier, or a short hop to Burger King. Works either way.
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