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1.0 out of 5 stars
dregs of the New Wave movement,
By
This review is from: New Dimensions 12 (Paperback)
By 1981 the New Wave movement in SF had been dead for several years, but anthologies dedicated to the movement, such as `Orbit' and `New Dimensions', nonetheless stubbornly continued to scrape the increasingly empty barrel of this sub-genre for material. The yields were not promising, as many of the more experienced SF authors had abandoned the style in order to write fiction that was decidedly more commercial in scope. For example, in 1980 Robert Silverberg abandoned the introspective approach that had characterized much of his output during the 60s and 70s and released one of his best, and best-selling. novels with `Lord Valentine's Castle'.
`New Dimensions 12' (1981; 223 pp., Pocket Books / Timescape, cover artist unknown) provides a rather depressing snapshot of the efforts to prop up the corpse of the New Wave movement in the years before SF was revitalized by the advent of the Cyberpunks. The anthology leads off with Michael Swanwick's `Walden Three', about an L5 colony where all 10,000 inhabitants are required to be outfitted with an implant that guarantees happy behavior. A clown / standup comic / mime tries to rebel. This is the most `hard' SF tale in the collection, but it's pretty weak. Better things were to come from Swanwick as the decade progressed. Gregory Benford contributes `Cadenza', which deals with the familiar near-future scenario of the hospice and organ donation. It's sentimental and predictable. Newcomer Richard Grant provides `Drode's Equations', in which a man riding a train in a quasi-Victorian world ponders the Meaning of Life. What little plot exists is suffocated by a belabored prose style (this is the first time I've ever seen the verb `effulges' in print ?!). No other story in the collection displays as severe a New Wave hangover as this entry. Elizabeth Lynn's entry, `The Woman in the Phone Booth' is a story dealing - half-humorously - with alien abductions. It's a sign of how slim the pickings were that this slight tale made it into the anthology. `Elfleda', by Vonda McIntyre, is set on a planet where a hapless race of humans have been genetically engineered to resemble the centaurs, satyrs, and nymphs of Greek mythology. Their masters periodically visit with rather... lubricious... designs in mind. There is angst about this state of affairs on the part of the first-person narrator, a centaur named Achilleus. This story certainly has a provocative theme, but at the same time it carries with it a sticky, grubby sensibility. I finished `Elfleda' thinking that someone like Joe R. Lansdale could take the concept and do something much more intriguing (and gruesome) with it.... `Pain and Glory', by Gordon Eklund, deals with a Jewish family gifted (or cursed) with the ability to draw upon themselves the physical and emotional pain of others. There is much angst about the psychological burden of employing this ability. There is an obligatory Holocaust flashback. Another `speculative fiction' entry with little in the way of true SF content. `Parables of Art' by Dann and Malzburg is a short-short tale dealing with the antics of two unhappy artists. Another bottom-of-the-barrel selection. Michael Ward's `Delta D and She' is a cutesy tale of a young woman struggling to regain her identity with the assistance of AIs, which manifest as holograms beamed from kiosks scattered throughout the city. Over the course of the story the woman acquires the name `Pitspipple'. This entry is...really lame. Tony Sarowitz contributes `A Manner of Speaking', which places another young woman, this one named Elinor, in a dystopian, near- future setting. Elinor provides an unusual service to her clients, at some cost to her own personality. The story tries to evoke a sense of pathos and anomie, but instead comes across as a cliché of New Wave prose; for example, the story ends with this sentence: 'Silence like a pair of vacant eyes.' Juleen Brantingham provides `The Satyrs' and Dryads' Cotillion', in which a group of jaded aesthetes bicker and connive in preparation for a stylish costume ball. Unremarkable. `The Last Concert of Pierre Valdemar', by Carter Scholz, is a short-short story that provides a satirical examination of the limits to which Artistry may go. Peter Santiago C. (no, the single-letter surname is not a typo, but a stylish affectation) contributes `The Celebrants', set on a far-future Earth in the aftermath of an invasion by an alien race called the tiiyn. Peace has been arranged between the tiiyn and the Earth's surviving humans; an elaborate artistic ceremony is planned to consummate the treaty. Of all the stories in the anthology this one seems most like a New Wave piece written in 1971, so overloaded with figurative, empurpled prose that navigating even a single page induces fatigue in the reader. In summary, even die-hard New Wave aficionados will find little to hold their attention among the contents of this volume of `New Dimensions'.
5.0 out of 5 stars
Great collection of science fiction authors/stories!,
By Georgie Cavitt "an avid book reader" (Evans City, PA United States) - See all my reviews (VINE VOICE)
This review is from: New Dimensions 12 (Paperback)
1981 Fantasy & Science Fiction's Annual Collection of the very best writers and stories for that year! Authors in this edition include Michael Swanwick, Gregory Benford, Richard Grant, Elizabeth Lynn, Vonda McIntyre, Gordon Ecklund, Jack Dunn & Barry Maltzberg, Michael Ward, Tony Sarowitz, Juleen Brantingham, Carter Scholz, Peter Santiago and an illustration by Wendy Rose. I really liked the idea of a compilation book of stories that were from the eighties-I had bought several of this book to give as gifts, so that should tell you how much I liked it! New Dimensions 11 was just as good, if you can find it.
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