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New Jersey: The Natural State (Nature Photography)
 
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New Jersey: The Natural State (Nature Photography) [Hardcover]

Dwight Hiscano (Photographer), Pete Dunne (Foreword)
5.0 out of 5 stars  See all reviews (5 customer reviews)


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From the Publisher

Interview with Dwight Hiscano: Photographer of New Jersey: The Natural State Q:

How long have you been photographing nature in New Jersey? A:

Since I was a child. I received my first camera, a Kodak instamatic, from my parents when I was eight or nine years old. I immediately went about taking some absolutely horrible photos of squirrels, birds, the dog and the cats, the usual stuff. Later that day we went up to my family's summer house and I remember finishing the roll with a shot of some pileated woodpecker holes in a dead tree and another shot of the lake and mountain with a split rail fence in the foreground - my first landscape. That was the only shot on the roll that looked nice. The light was good and the image, as I remember it, was well composed. I treasured the photo for years after that. It has since disappeared. During college, I received a 35 mm, again from my parents. That's when I began to show some real interest in nature photography. Q:

When did you begin taking the photos in this book? A:

I think the earliest image in the book dates from November of 1986 - the close-up of sand and shadows from a fence at Island Beach. Q:

Why did you decide to turn these photos into a book? A:

For a number of reasons. I've had a great deal of success selling large prints through galleries and exhibits. Exposure to the public was still somewhat limited, however. This book is the perfect way to make the images more accessible to a wider audience. It also seemed like the logical "next step" for me. Q:

How did you decide what photos to put in the book? A:

This was a difficult one. I've accumulated a pretty large body of work from New Jersey. I spent quite a few late nights at the light box editing and compiling images. My biggest challenge was finding shots that not only represented accurately the natural landscapes of each region of the state, but that would complement each other, especially when presented together. Q:

Do you have a favorite photo in the book? Where was it taken and why is it your favorite? A:

I'm not sure if there is any single image that I would consider my favorite. I'm pretty happy with most of the photos. The Terrace Pond sunset seems to intrigue a lot of people, so I guess it's a successful image. I like the cover shot (VanCampen Brook). Someone once said that it looked like Hawaii or someplace like that. He couldn't believe it was New Jersey - that's precisely the response that I'm after - amazement. I'm very happy with Fox Prints, Island Beach. It's a good composition and it tells a story. The opening shot turned out nicely as well (Water Detail, Dunfield Creek). This sort of "rocks underwater" thing has been done a thousand times, but I'm still very happy with the way it turned out, it's a nice composition. I've yet to enlarge this one, but I'm sure it will look good on someone's wall someday. I think the little black and white shot of the ice patterns in the Piedmont section is a nice image also. Q:

What's your favorite place to photograph in New Jersey? A:

That's a tough question. Every region has something to offer, and they're all pretty awesome. I think for sentimental reasons, though, it would have to be the Highlands. I've been going there regularly all my life, and my family has been there, on the same piece of land for five generations. I feel a real connection to the landscape, and I think that makes for a more emotional approach to photography. Q:

You mention composition a lot. Do you think this is what makes a good photo? Or are equipment, technical know-how, and subject matter just as important? A:

Composition is everything. Of course, you need to know the basics. And it would be nice to have $20,000 dollars worth of equipment and Bryce Canyon as a back yard. But I still believe that composition comes first. I had a friend in college who did her senior project with a Diana camera - a cheap plastic camera with plastic lenses that costs under two dollars. She sealed up the light leaks with electrical tape and went out shooting the local cornfields. Her images were not technically perfect, naturally, but they certainly conveyed a mood, and proved that you don't need the best equipment and the most dramatic subjects to make a good picture. Q:

What type of photographic equipment do you generally use? A:

I have two Pentax medium format cameras - 645 and a 6x7, each with a wide angle, a standard, and a telephoto lens. The optics are great and, although they've been banged around a lot, they're holding up nicely. I use polarizing filters from time to time and on several occasions I've used a warming filter and a split neutral density filter. I have two Bogen tripods - a small one for over-night trips and a larger one for day trips, and a very heavy Lowe Pro Photo Trekker camera pack. Q:

How do people react when you tell them you've done a book of nature photos of New Jersey? A:

Some people, the outdoorsy types especially, are totally psyched. They think it's about time people see what New Jersey is really like. Other responses are different. When told of this project recently, someone apparently responded with surprise - something like "New Jersey? Why would anyone want to do a book about New Jersey?" These are just the sort of people that need this book. People who would rather go to the mall than be outside on a beautiful day. People who have lost touch with nature. These people vote and that scares me.

About the Author

New Jersey photographer Dwight Hiscano has been shooting landscapes for nearly twenty years. His limited-edition prints are featured in exhibits, galleries, and museums in New Jersey, and in corporate and private collections throughout the United States.

Product Details

  • Hardcover: 128 pages
  • Publisher: Rutgers University Press (May 18, 2000)
  • Language: English
  • ISBN-10: 0813527724
  • ISBN-13: 978-0813527727
  • Product Dimensions: 11.3 x 8.8 x 0.7 inches
  • Shipping Weight: 1.9 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #910,742 in Books (See Top 100 in Books)

More About the Author

Internationally published and highly collected, Dwight Hiscano has been creating images of the natural landscape for nearly thirty years. Having spent much of his childhood exploring the rugged hills of the New Jersey Highlands, Dwight's love for the outdoors has led to a passionate effort to capture the North American wilderness on film while bringing new perspectives to the art of landscape photography.

An avid outdoorsman and trustee for the NJ chapter of the Nature Conservancy, Dwight Hiscano considers landscape photography a valuable tool with which to promote conservation. His book, New Jersey, the Natural State, a full color coffee table style book featuring over 100 full color photographs, depicts some of the more natural settings of a heavily urbanized, yet still remarkably beautiful state. This project also focuses attention on the urgent need to preserve what remains of New Jersey's landscape for future generations.

Dwight's photographs are held in numerous corporate collections, including those at AT&T, Atlanticare, Johnson & Johnson, Merck & Co., Merrill Lynch, Oppenheimer, and Pfizer. Photographs are also held in the collections of former New Jersey Governor and EPA administrator Christine Todd Whitman, and former acting governor Donald DiFranscesco, as well as in private collections throughout the United States.

Dwight Hiscano's images have appeared in The New York Times, Nature's Best, Outdoor Photographer, Photographic Magazine, and Nature Conservancy Magazine, and have been featured prominently on websites, in books, posters, calendars, note cards, and annual reports both here and abroad. His work has been featured in many group and solo shows throughout the New York area. He also leads numerous workshops, lectures and presentations for corporations, non-profits, schools, and private clubs throughout the year. For more information, please visit www.dwighthiscano.com

 

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Average Customer Review
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1 of 1 people found the following review helpful:
5.0 out of 5 stars We should feel grateful..., September 29, 2000
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This review is from: New Jersey: The Natural State (Nature Photography) (Hardcover)
that a person like Mr. Hiscano is out there documenting the last few wild places in New Jersey. He's a modern day Thoreau using the lens instead of pen and paper to capture something more than just pretty images. Instead of producing just another coffee-table paperweight, Mr. Hiscano's startling photographs display the few remaining natural treasures of this State and seem to ask the viewer what have you or what will you do to help preserve and protect these sites for future generations.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Exit 58 Never Looked More Beautiful!, August 1, 2000
By 
Andrew Hatch (Grafton, MA USA) - See all my reviews
This review is from: New Jersey: The Natural State (Nature Photography) (Hardcover)
Amazing photographs wrapped with interesting narrative. Dwight Hiscano's passion for the Garden State and the great outdoors is evident in New Jersey, The Natural State. The book, in my opinion, ranks at the top for "coffee table"-types for a few reasons: fellow New Jerseyans will enjoy the memories these photographs renew...Summers down the shore, Autumn hikes through birch forests, backpacking the Highlands; those who appreciate the art of photography will find that the images deliver a powerful emotional punch considering the bad rap that NJ endures; lastly, the reader learns about the geography and natural habitat of the Garden State through Mr. Hiscano's interesting and frank narrative. You will not put it down!
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5.0 out of 5 stars Spiritual, January 13, 2005
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This review is from: New Jersey: The Natural State (Nature Photography) (Hardcover)
Hiscano's work is like a prayer. He evokes the creator and holds man to the side for a moment. By leaving us outside the frame, he touches us deeply. We remember our source and claim it as our heritage.

Dwights photographs have the power to heal.
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