The New Magdalen (Pocket Classics) [Paperback]

Wilkie Collins (Author)

Book Description

Series: Pocket Classics | Publication Date: November 1993

Grace and Mercy are very different women, but are both caught up in the war between Germany and France. When Grace is hit by a loose shell, Mercy seizes the chance to escape her past as a fallen woman and convict by assuming Grace's identity and travelling to England.

Product Details

• Paperback: 304 pages
• Publisher: Sutton Pub Ltd (November 1993)
• Language: English
• ISBN-10: 0750904550
• ISBN-13: 978-0750904551
• Product Dimensions: 7.6 x 5 x 1 inches
• Shipping Weight: 10 pounds
• Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #3,089,112 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

9 of 11 people found the following review helpful:

3.0 out of 5 stars tired Wilkie Collins effort, January 4, 2001

By 

lazza (Fort Lauderdale, Florida) - See all my reviews

This review is from: The New Magdalen (Pocket Classics) (Paperback)

While I have read most of the works by Wilkie Collins through 'The Moonstone', which was his last big hit before branching off to other work (plays, short stories) and suffering the effects of his opium addiction, 'The New Magdalen' is the first of his little known later novels I've tackled. Sad to say, my devotion to Wilkie Collins has not been helped by reading this book.

First and foremost, 'The New Magdalen' has a radically different structure from the other Collins novels I've read. Part of the author's strengths is his use of rich language in describing scenery, characters, and motion. Unfortunately 'The New Magdalen' actually reads like a play. Nearly all of the 'action' takes place in a single drawing room. But 'The New Magdalen' is not a play, and reads instead like a claustrophobic novel.

Beyond this, 'The New Magdalen' tells of a basic story without much in terms of surprise or punch. This is so disappointing when comparing this novel to his wonderful 'The Woman in White'. Instead 'The New Magdalen' is a story of a poor woman who impersonates a rich woman, gets caught, and then too much time is devoted to melodramatic exchanges about what to think and do. No new ground is broken in terms of class prejudices, the hunger for money, etc.

Having said all this, there are some glimmers of the old Wilkie Collins worth savouring. Here and there the dialogue does shine. 'The New Magdalen' could have been a good play. But as a novel it does not rise above average.