New New Media [Paperback]

Paul Levinson (Author)

Book Description

ISBN-10: 0205673309 | ISBN-13: 978-0205673308 | Publication Date: September 5, 2009 | Edition: 1

YouTube, blogging, Wikipedia, Twitter, Facebook, Second Life and other “new new media” are transforming just about every aspect of our culture from the way we elect Presidents to how we watch television.  New New Media details the benefits, opportunities, and dangers of these transformations.

Editorial Reviews

Review

"Paul Levinson takes you on a  tour of media innovations that are transforming our world. He's not just a scholar, he's an explorer. New New Media is an indispensable guide."
--Joan Walsh, Editor-in-Chief of Salon.com

"Paul Levinson provides an invaluable and encyclopaedic guide to the newest of new media invented so far." --Jeff Jarvis, BuzzMachine

"Insightful and comprehensive. The overviews are great for people who want to quickly get up-to-speed or Web addicts who want to branch out, and the anecdotes and history will delight old-timers." --Mignon Fogarty, Grammar Girl podcast

"New New Media is definitely a fine choice for media enthusiasts, students, professionals..." --Bradley E. Wiggins, Journal of Communications Media Studies

"Levinson's book was provocative for myself and my students and served as an excellent starting point for many class discussions." --Antony Sovak, Build Soil blog

About the Author

Paul Levinson is Professor of Communication & Media Studies at Fordham University in New York City. Professor Levinson appears on "The O'Reilly Factor" (Fox News), "The CBS Evening News,"  "NewsHour with Jim Lehrer" (PBS),  "Nightline" (ABC), NPR, and numerous national and international TV and radio programs. He reviews the best of television in his InfiniteRegress.tv blog and his Levinsonnewsclips.com podcast, and was listed in The Chronicle of Higher Education's "Top 10  Academic Twitterers" in 2009.  Paul Levinson's eight nonfiction books, including  The Soft Edge (1997), Digital  McLuhan (1999),  Realspace (2003), and Cellphone (2004), have been the subject of major articles in the New York Times, Wired, the Christian Science Monitor, and have been translated into twelve languages.  His science fiction novels include The Silk Code (1999, winner of the Locus Award for Best First Novel), Borrowed Tides (2001), The Consciousness Plague (2002), The Pixel Eye (2003), and The Plot To Save Socrates (2006).  His short stories have been nominated for Nebula, Hugo, Edgar, and Sturgeon Awards.

Product Details

• Paperback: 240 pages
• Publisher: Allyn & Bacon; 1 edition (September 5, 2009)
• Language: English
• ISBN-10: 0205673309
• ISBN-13: 978-0205673308
• Product Dimensions: 8.9 x 5.9 x 0.6 inches
• Shipping Weight: 9.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #27,497 in Books (See Top 100 in Books)

More About the Author

My novel The Silk Code won the 2000 Locus Award for Best First Novel. I've since published Borrowed Tides (2001),The Consciousness Plague (2002), and The Pixel Eye (2003). The Plot To Save Socrates published in 2006 - Entertainment Weekly called it "challenging fun". My science fiction and mystery short stories have been nominated for Nebula, Hugo, Edgar, and Sturgeon Awards. Nine nonfiction books, including The Soft Edge (1997), Digital McLuhan (1999), Realspace (2003), Cellphone (2004), and New New Media (2009) have been the subject of major articles in the New York Times, Wired, the Christian Science Monitor, and have been translated into Chinese, Japanese, and eight other languages. I appear from time to time on "The O'Reilly Factor," "The CBS Evening News," "Nightline," "The NewsHour with Jim Lehrer," and other TV and radio programs - I like talking just as much as writing. I'm also a songwriter, and have been in several bands over the years - one had two records out on Atlantic Records in 1960s. My 1972 album Twice Upon a Rhyme (on HappySad Records) was re-issued on CD by Beatball/Big Pink Records in 2009, and on re-pressed vinyl by Whiplash/Sound of Salvation Records in 2010. I was listed in The Chronicle of Higher Education's "Top 10 Academic Twitterers" in 2009. And last but not least: I'm Professor of Communication & Media Studies at Fordham University in New York City.

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars An Effective Introduction to Our Computer-Based Communication Environment, September 10, 2009

By 

Robert K. Blechman (Forest Hills,, New York USA) - See all my reviews
(REAL NAME)   

This review is from: New New Media (Paperback)

As an experienced media ecologist and communication scholar, Paul Levinson brings to his new work, New New Media, a keen insight into the effects of computer-based communication forms. Levinson documents his encounters with various contemporary forms including blogging, wikis, podcasts and social sites like Facebook and MySpace. Along with a multitude of examples from actual web experience, Levinson compares and contrasts the "new new" media with traditional media and suggests how widespread adoption of these new forms will affect existing social institutions and attitudes.

Levinson sets the phenomenon of blogging in both an historical and a media ecological context. To properly understand what is happening on the web today, it is necessary to understand the way differing media have influenced information transmittal over human history. Thus the nature of blogging is comprehensible if we understand the pluses and minuses of oral, print and mass media communication and the impact the various stages of communication development have had on social mores and cultural and political movements.

Levinson distinguishes the "new new" media from previous forms (including the "old" new media) by the relative ease of entry for non-professional content producers and the absence of gatekeepers. Anyone with a keyboard, a monitor and a web connection can become a movie mogul, a music megastar, a political pundit, an investigative journalist or a widely-read novelist. If Levinson is right, the various internet based media are dramatically altering our notions of professionalism, consumerism, artistry and performance.

Expertly conversant on the mechanics of blogging, Levinson presents not just a scholarly survey, but also a how-to for aspiring bloggers. He discusses individual and group blogging, the influence (or lack thereof) of blogging gatekeepers, and the monetization of blogging content. In comparing blogs to books, Levinson provides an easy reference point to which both Millennials and Baby-boomers can relate.
Blogging's influence on our social institutions is still in the state of becoming. For example, as the traditional print and mass media news outlets decline, the potential of blog-based investigative journalists to fill in the void remains to be seen. Levinson's discussion of bloggers' 1st Amendment rights is on target, and I'm sure would inspire some interesting online discussions.

This very immediacy may be the only shortcoming of Levinson's book. The relevance of many of Levinson's examples, while appropriate for this current edition, may quickly pass out of the public sphere, and therefore out of contextual significance. While we may still be talking about the "Obama Girl" during the next election cycle, other references may not be familiar to readers in 2012. This is both a strength and weakness of Levinson's use of hyper-current examples. The references illustrate his points well, but their possible fleeting nature may be a hindrance in the long term. Things change so fast that each new edition of the book may require significant re-writing, or perhaps a migration from the printed page to a hyper-text online wiki edition. This may be unavoidable given the nature of the topic.

Today's twenty-somethings and younger, members of the so-called "Millennial Generation," inhabit the world depicted by New New Media. They live in a world where texting, tweeting, blogging, Facebook and MySpace and a myriad of other social media are taken for granted and become the tools used for their interactions with their peers and the outside world. As a member of the "Baby Boomer," generation, I found myself continually checking out Levinson's references to these various social media on my computer. Levinson is deeply involved in many actual aspects of the "new new" media and documents this in his book. So I have viewed his blog pages, his tweets, listened to some of his podcasts, etc. Though this may seem to non-millenials as an introduction to a disorienting brave new world, Levinson's down-to-earth discussion of the "new new" media is an effective introduction to the impact of cyberspace structures and institutions on our current media environment.

4 of 4 people found the following review helpful:

5.0 out of 5 stars New New Media captures essence of the participatory internet, November 16, 2009

By 

K. Hudson (Toronto, ON CANADA) - See all my reviews
(REAL NAME)   

This review is from: New New Media (Paperback)

Paul Levinson is a foremost authority on media and communications, and his most recent book, New New Media, contributes significantly to that reputation. New New Media is a comprehensive introduction and users' guide to what is known as "web 2.0," the multiple forms of electronic interaction that did not exist in our culture only a few years ago. Levinson explores how these technologies are supplanting our attention and engagement, and therefore transforming our society.
This is the missing textbook to the course that everyone is taking. In it Levinson not only enumerates the various classes of new new media and their relationships with older forms, such as newspaper to blog or television to YouTube, he also, through means of germane examples from the contemporary political and social sphere, illustrates the good, the bad, and the ugly of each of these new forms, making it an excellent primer for thoughtful engagement with the unfolding culture.
Levinson's intellectual pedigree makes him ideally suited to render opinion on the range of new communication platforms like Wikipedia, MySpace, Second Life, and Twitter. His expertise as a scholar of media captures the essence of this new new milieu. Similar to McLuhan in the sixties, Levinson aims his (digital) camera at the present moment to quadrangulate the future not from the past, but from the present. New New Media demarcates a whole new class of communication media, which transform both time and space:
"Here in our 21st century, all new new media are both space-binding and time-binding, due to the speed (across space) and retrievability (across time) of any information conveyed on the Web."

While Levinson continues to contribute to the field of Media Ecology with this new work (he is Chair of the Department of Communications and Media Studies at Fordham University), New New Media is less scholarly interpretation and more a mash-up of reportage and travelogue. Levinson's narrative functions as "the antennae of society," capturing the transitory inputs in our movement from consumer to participatory culture, while fully understanding that the hidden ground of how we are communicating with one another represents the part we cannot see of our own unfolding.
He demonstrates that while the medium may still be the message, in new new media, the messenger is the medium. The social aspect of the media experience is placed at the forefront of our interactions with new new media and Levinson observes that the speed of participation is also heightened in an era when "anyone reading a blog can start a blog nearly instantly."
New New Media speaks of Levinson's own participation with these forms. He is both a blogger and podcaster, and there is no doubt that he intends to extend his new book through the very tools that he describes:

"I expect that New New Media and its updates will be available not only on printed paper but in various forms on the Web..."

In this way, Levinson aims to understand not just the qualities that define a medium as "new new," but also the transformative effects that our contemporary communications have on culture and society, and the forms of that culture, our media, like books.

New New Media serves both as a compendium to the present age of communication media and also as a record of how we first engaged with these "open forms". Everyone knows someone who is openly critical of new new media, perhaps without understanding how these emergent forms exist to compliment our new technologies and modes of interaction. If there is a Luddite on your gift-giving list, New New Media would be an excellent choice to help them seem less like a Connecticut Yankee at a Star Trek convention, and more like a citizen of this day and age.

New New Media

5 of 7 people found the following review helpful:

3.0 out of 5 stars Unamazing. A tour for the uninitiated, January 1, 2010

By 

Forced Student "Stan" (NJ) - See all my reviews

Amazon Verified Purchase

This review is from: New New Media (Paperback)

This book seems perfect for anyone who hasn't used the internet. After reading through this book, I had to look up the author. I feel hesitant bashing it, because he seems like a nice guy. However, "New New Media" feels like a forced book report about today's internet.

For example, the blogging section talks about how blogs are important today. If this is a surprise to you, then Levinson's 30 pages of generalized explanation is going to be spectacular.

From an "internet guy's" perspective, I just don't get the *point* of this book. Essentially, social media is really important and WAY different than how we used to do things. If you're okay knowing this, don't buy this book. If you don't know what the term "social media" means, read "New New Media" to catch up to 2010.

Or you can be forced to buy it for class. In this case, go used.