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Editorial Reviews
Amazon.com
When Elliott Smith died late in 2003, he took with him one of the unique songwriting gifts of his generation: part folk grandeur, part punk fury, and virtually bottomless in eight short years of solo recordings. Thankfully for that generation, and many to come, he left behind two dozen songs that his Portland, Oregon, producer and pal Larry Crane has crafted into a retrospective celebration of Smith's contribution to music. Mostly house-recorded demos plucked from the fertile three years that followed his 1994 debut Roman Candle (including an early take of "Miss Misery"), there's an eminent clarity to these songs that makes them sound like they were recorded yesterday. A lone acoustic guitar is the general accompaniment to Smith's lamenting wail, his self-deprecating lyrics forever a contrast to the sheer beauty of the melodies. "What are you doing hanging out with me?" he asks in "Whatever (Folk Song in C)," his double-tracked harmonies mocking both Simon and Garfunkel. Along with fragile versions of "Angel in the Snow," "Looking over My Shoulder," and a cover of Big Star's "Thirteen," it's as eternal as anything Smith offered when he was with us, and, as one of several shining moments, makes you forget he ever left. --Scott Holter
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Product Description
New Moon is a 2-CD/2-LP posthumous compilation album by Elliott Smith, released on May 8, 2007 by Kill Rock Stars. It contains 24 previously unreleased songs recorded between 1994 and 1997, when Smith recorded his albums Elliott Smith and Either/Or, both also released by Kill Rock Stars.
Customer Reviews
Most Helpful Customer Reviews
52 of 56 people found the following review helpful
Format:Audio CD
If EITHER/OR, ELLIOTT SMITH & XO are his best albums, I'd say NEW MOON is 4th in line. Longtime fans, need no persuading, but this probably isn't the best place to start. This is after all, an over-generous collection of outtakes. True, they lack the Brian Wilson-like arrangements of his last 3 albums. But the lo-fi quality here is far from sub-par. Without a doubt, the folks at KRS put this together with love & care.
For my money, Smith was undoubtedly, one of the finest songwriters to emerge from the mid 90's. In terms of angst & heartache, he all too quietly pulled the rug out from under Kurt Cobain. Suffice it to say, all the songs here are terrific. Vintage Elliott Smith. Catchy Beatleseque hooks, intimate vocals. Audio butterscotch. Smith's unique playing style is on full display, especially on "Seen How Things Are Hard".
Recorded between 1994-97, Smith was probably wise to leave these songs off his official releases. Not because the the songs were bad. But one gets the sense that his best albums would have been less so with their inclusion. Fortunately for fans, they all work so well together here. Sequencing is half the battle on things like this & folks here have done a fine job. Nothing feels particularly thrown together last minute.
Highlights include, the fragile, "Angel In The Snow" and the bleak, "All Cleaned Out". The early version of "Pretty Mary K" outshines its eventual incarnation on FIGURE 8. And it's nice to finally hear the title track of "Either/Or". Oddly enough, the last 2 tracks ("See You Later" and "Half Right") act as more of a fitting fond farewell than nearly all of FROM A BASEMENT ON THE HILL.
Like much of Smith's classic work, alot of the songs herein evoke a similar mood to that found on Nick Drake's PINK MOON. Comparison between Smith and Drake has never been much of a stretch though The Beatles have been cited as a major influence.
While somewhat underrated, BASEMENT felt a little stitched together and ghoulish but MOON organically captures Smith at the height of his powers. Though, there's nothing here that particlualy sheds any new light, Smith always excelled at leaving you wanting more. Well, here you go.
An essential glance back at what we all miss.
For my money, Smith was undoubtedly, one of the finest songwriters to emerge from the mid 90's. In terms of angst & heartache, he all too quietly pulled the rug out from under Kurt Cobain. Suffice it to say, all the songs here are terrific. Vintage Elliott Smith. Catchy Beatleseque hooks, intimate vocals. Audio butterscotch. Smith's unique playing style is on full display, especially on "Seen How Things Are Hard".
Recorded between 1994-97, Smith was probably wise to leave these songs off his official releases. Not because the the songs were bad. But one gets the sense that his best albums would have been less so with their inclusion. Fortunately for fans, they all work so well together here. Sequencing is half the battle on things like this & folks here have done a fine job. Nothing feels particularly thrown together last minute.
Highlights include, the fragile, "Angel In The Snow" and the bleak, "All Cleaned Out". The early version of "Pretty Mary K" outshines its eventual incarnation on FIGURE 8. And it's nice to finally hear the title track of "Either/Or". Oddly enough, the last 2 tracks ("See You Later" and "Half Right") act as more of a fitting fond farewell than nearly all of FROM A BASEMENT ON THE HILL.
Like much of Smith's classic work, alot of the songs herein evoke a similar mood to that found on Nick Drake's PINK MOON. Comparison between Smith and Drake has never been much of a stretch though The Beatles have been cited as a major influence.
While somewhat underrated, BASEMENT felt a little stitched together and ghoulish but MOON organically captures Smith at the height of his powers. Though, there's nothing here that particlualy sheds any new light, Smith always excelled at leaving you wanting more. Well, here you go.
An essential glance back at what we all miss.
25 of 26 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
Many (but not all) of these songs have been circulating on the internet for the last several years, raising the question of whether or not this album is worth the purchase price. The answer is an unqualified yes. Having heard rough cuts of many of these songs, my jaw hit the floor when I heard how beautifully they've been remastered. The songs sparkle and gleam, and hidden complexities of Smith's virtuouso guitar work leap melodically forth from this stupendous collection.
The often-unaccompanied singing/guitar work of these songs most nearly recalls the work on his self-titled album. These are not second-rate tunes that were dredged up for release - some of these songs are as good as anything he released during his tragically-short career. "Angel in the Snow", "Looking Over My Shoulder", and "Georgia, Georgia" are immediate standouts that will surely join the top ranks of his corpus.
This is a magnificent parting gift from one of the greatest musical minds of his generation, and an absolute treasure.
The often-unaccompanied singing/guitar work of these songs most nearly recalls the work on his self-titled album. These are not second-rate tunes that were dredged up for release - some of these songs are as good as anything he released during his tragically-short career. "Angel in the Snow", "Looking Over My Shoulder", and "Georgia, Georgia" are immediate standouts that will surely join the top ranks of his corpus.
This is a magnificent parting gift from one of the greatest musical minds of his generation, and an absolute treasure.
20 of 21 people found the following review helpful
By Tommy M.
Format:Audio CD
Perhaps only Elliott Smith could generate an album's worth of "outtakes" and "rarities" that stand alongside even his most powerful work. At worst, New Moon is graceful. At its best, it's mesmerizing. The more I listen to this album, the more I think no one quite comes close to his balance of restraint, passion, intimacy, and splashes of baroque intensity. Not Samuel Beam, not David Gray, and certainly not the chronically overwrought Damien Rice. I think only Sufjan Stevens is on this level. And Smith didn't even think this stuff worthy of an album! The mind reels.
Gorgeous guitar work, the classic doubled vocals (sometimes harmonized, even)... the "right beside you" sound is arresting at times. Ironically, the strength of this album *as* an album is the variety, where before Smith's releases were each notably unified in tone; this sometimes pushed his work to the brink of homogeneity.
This guy was a folkie for the 21st Century. Like any great posthumous release, New Moon celebrates his strengths, over and over again. If there were any doubts, I think this one seals the deal. It's a keeper. It is quite unfortunate that the source of his genius was also apparently the source of his greatest darkness.
Gorgeous guitar work, the classic doubled vocals (sometimes harmonized, even)... the "right beside you" sound is arresting at times. Ironically, the strength of this album *as* an album is the variety, where before Smith's releases were each notably unified in tone; this sometimes pushed his work to the brink of homogeneity.
This guy was a folkie for the 21st Century. Like any great posthumous release, New Moon celebrates his strengths, over and over again. If there were any doubts, I think this one seals the deal. It's a keeper. It is quite unfortunate that the source of his genius was also apparently the source of his greatest darkness.
Most Recent Customer Reviews
5.0 out of 5 stars
I miss you, Elliott!
I purchased this album in an effort to satiate my Elliott-withdrawals. A worthy purchase. I want to listen to every song on this set over and over again. Read more
Published 4 months ago by brockmo
5.0 out of 5 stars
A Must have for Elliott Smith fans!
This is one great, two disc compilation of some of Elliott's most impressive songs. The early version of "Miss Misery" alone is worth the purchase, but this is loaded with... Read more
Published 5 months ago by Deannemstiff
4.0 out of 5 stars
Angel in the Snow
Very strong collection of outtakes, bsides and radio performances from the period that saw his first three records, or right up to XO. Read more
Published 12 months ago by Paranoid Android
5.0 out of 5 stars
Gift
Purchased at a gift for my daughter. She was very pleased with this CD. Good Buy.
Published on May 26, 2010 by Dina L. Anduha
5.0 out of 5 stars
Elliott Smith - The Newest Moon
New Moon reaches new heights... Masterpiece?...Probably...odds are.. ten to one.
Figure 8... a dream... yes.. maybe... most likely... WHY??
Elliott Smith is dead... Read more
Figure 8... a dream... yes.. maybe... most likely... WHY??
Elliott Smith is dead... Read more
Published on July 10, 2009 by Willie Boy
5.0 out of 5 stars
Gift for Elliott fans
I have really enjoyed hearing this album. I LOVE Elliott Smith and this is such a gift to hear new (to me) songs and old versions of some of his songs.
Published on August 28, 2008 by R. Langston
5.0 out of 5 stars
Bonus Elliott Smith!
This CD was a great treat for me. I liked, but didn't love "Figure 8" and "From the Basement on a Hill", his two final releases. But this collection I love. Read more
Published on April 3, 2008 by D. O'Connor
5.0 out of 5 stars
Elliott Smith - New Moon
What an awesome album of mutli-layered guitars and vocals, just the way Smith's used to excel at.
Listening to it, I kind of doubted during a minute that he actually was dead. Read more
Listening to it, I kind of doubted during a minute that he actually was dead. Read more
Published on March 15, 2008 by Lionel Budry
4.0 out of 5 stars
Elliott Smith, Great as always
For those who are fans of Smith's music or are new to it, this is a good album. Fans of E.S. will know most of these songs, but it's still a treat to hear since he was taken from... Read more
Published on March 3, 2008 by Matthew D. Zarnstorff
5.0 out of 5 stars
An Amazing CD
This CD is pretty much amazing.
I've had it for about a year now, and still haven't gotten sick of it. Read more
I've had it for about a year now, and still haven't gotten sick of it. Read more
Published on January 26, 2008 by James Midgley
Listmania!
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