Richard Le Gallienne was a contemporary of Oscar Wilde and W.B.Yeats, a member of the famous Rhymer's Club, who used to meet in the Olde Cheshire Cheese pub in Fleet Street. Born in Liverpool England, he was a well-known and prolific literary figure from the 1890s until the end of his life. He moved to the United States at the beginning of the twentieth century, where his daughter, Eva Le Gallienne, became a famous actress.
Richard Le Gallienne was one of the decadent poets, a member of the Rhymers Club that met in the Cheshire Cheese pub off Fleet Street in the 1890s. He was thus a contemporary and associate of such characters as W. B. Yeats, OscarWilde, Ernest Dowson, and Aubrey Beardsley, to name only a few. This was an age of exquisite lyrics and most of the poets of this time had a fine control over the musicality of English verse. Yeats dubbed the poets of the 1890s the tragic generation, since so many of them had died early deaths and lived life with a hopeless recklessness. This poignancy comes through in these translations of Hafiz, but Le Gallienne must have been a little healthier and more stable, or just luckier, than the others, since he outlived them all. His only daughter, Eva Le Gallienne, became a well-known actress.
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Hafiz was born around 1320AD in Shiraz, Persia. He was a contemporary of other fourteenth century notables such as Chaucer and Petrarch and, in the Islamic world, of the infamous conqueror Tamerlane, and of the poets Ibn-I-Yamin
and Salman-I-Sawaji. Hafiz is a title for someone who has memorised the entire Koran: the poets given name was
Shams-ud-din Mohammed. Hafiz lived in a time of political commotion, of coups and upheavals, though Shiraz escaped the worst results of the invasions of the Mongols and the Tartars.
His father died when he was relatively young and he had two older brothers; between the three of them they supported the family. Hafiz was bright, yet he had to work first for a draper and then at a bakery. He is said to have written his first poem by completing a poem begun by his untalented uncle.
While there is little in the way of hard historical fact, a number of anecdotes are told of Hafiz, many of them with a legendary or symbolic quality. The most famous of them is as follows. When he was twenty-one, and working as a baker, Hafiz was delivering bread in a prosperous district of Shiraz.
While doing his deliveries, he saw a beautiful woman and, of course, fell hopelessly in love with her. He was not a physically attractive man, nor, as a bakers boy, wealthy, and had little chance of successfully wooing her. Hafiz began to write poems about her, and the poems circulated and became popular in Shiraz. He was still as hopelessly in love with her as before but, even though she knew of his poetry, the love was unrequited.
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Most Helpful Customer Reviews
20 of 22 people found the following review helpful:
1.0 out of 5 stars
THE WORST OF HAFIZ,
By Charlie K Mitchell "Reader" (Venice, CA, USA) - See all my reviews
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This review is from: New Nightingale, New Rose (Paperback)
If you like either Hafiz or poetry, do NOT buy this book. The translator, Richard Le Gallienne, thinks Hafiz is a traditional love poet and an alcoholic. "Whatever mystical meanings may lie beneath," he writes, "on the surface, at all events, the poems of Hafiz seem easy to understand. [Even] if they should have a secondary significance, most of us will, I think, be content to take them ... as lyrical expressions of joy and sorrow on earth." In other words Mr. Gallienne does not understand Hafiz even slightly. His translation (which is actually a "rendering" of several real translations) is devoid of both insight and appreciation.
If you like poetry, the book is equally bad. Take this: "You little Turk of Shiraz Town / Freebooter of the hearts of men / As beautiful, as says renown, / Are your free booting Turkomen." Or this: "On a journey she is starting / How can I the anguish bear? / Oh the pain of her departing! / May the peace belong to her." In short, the poetry is doggerel, made up of forced rhymes, twisted syntax and meaningless images. Daniel Ladinsky's sometimes too-hip translations are far better than these 19th century jingles. Avoid them!
8 of 8 people found the following review helpful:
5.0 out of 5 stars
An important translation.,
By King of Mars (Mars) - See all my reviews
This review is from: New Nightingale, New Rose (Paperback)
To get a deeper insight into Hafiz, or any significant work of literature in a foreign language, more than one translation is usually necessary. Reading this translation by Le Galliene helped me get a better grip on this sublime poetry by this incredible sufi poet. Landinsky is also excellent. Hafiz is too profound to be captured completely by any one translator and I found reading both of these translations helped me better appreciate Hafiz the Man - Hafiz the Poet, as well as the efforts of both translators. Great stuff.
5 of 5 people found the following review helpful:
4.0 out of 5 stars
A Musical Hafiz!,
By
This review is from: New Nightingale, New Rose (Paperback)
I cannot read Persian but I have heard from people who can that Hafiz, like all great poets, wrote poetry which combines music and different levels of meaning to create something that can leave an indelible impression on the reader. No translation can truly capture that, especially when the languages are as different as English and Persian are. There are many translations of Hafiz that give us some idea of the meaning of his poetry. Many are pretty plodding as literature-the ideas and images are there but no music. At his best, Le Gallienne could transmit a feeling of lyricism and beauty that one doesn't often find in Hafiz translations. For this I feel he is a useful addition to your library if you're trying to study Hafiz.
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