28 of 31 people found the following review helpful:
5.0 out of 5 stars
The ulimate reference work for poetics, July 27, 2000
I love huge, exhaustive books like this. I hate not being able to find the answer to a question in under five minutes, and my library has dozens of books like this that make such searches easy (the internet is another fast tool, but very few websites have more than the most basic knowledge.) If you want to learn how to write poetry and learn prosody by hands-on examples, go read John Hollander's little masterpiece, "Rhyme's Reason." If you want fast biographical and literary references, go check out "Benet's Reader's Encyclopedia." But if you want the absolute last word on poetic forms and meters, with absolutely thorough histories of each subject, use this book. It's saved my critic's keister more than once in the classroom. As one of my professors said, a scholar is not somebody who knows all the answers: a scholar is somebody who knows how to find all the answers. This book is an indispensable reference tool for anybody seriously interested in poetry.
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21 of 24 people found the following review helpful:
5.0 out of 5 stars
Comprehensively Impressive, May 27, 2002
Want to know what a 'priamel' is? Look it up here, "The New Princeton Encyclopedia of Poetry and Poetics." Not only will you see 'priamel' defined, but a short history of the use of the concept, examples of priamelic poetry, and a other resources to learn more.
How about Hungarian poetry, what makes a hymn (as opposed to a carol), a discussion on line usage and techniques? It is all here. Exemplum? Septenarius? Metalepsis? What's an iambe? It isn't an iamb, and from their respective entries, you'll see why.
Every student of poetry, whether in college, teaching or writing, needs this book. All the major terms and styles are covered here, but also every country producing poetry.
This is useful to the poet who wants to learn more about what has been done through the years, and how and why a particular style was used. The book is certainly for the intelligent reader, but won't be bogged down with overblown, hard to understand explanations. This an encyclopedia, not a dissertation.
Professors and students can use this book as a reference point as they research poetry. Ever read a literary critique and not have a clue what term Dr. Iam Smart just referred to? I sure have. This book helps me know what I am reading.
The entries are well-structured, and give plenty to get started, and then point you where you can learn more.
I fully recommed "The New Princeton Encyclopedia of Poetry and Poetics" by Alex Preminger.
Anthony Trendl
editor, HungarianBookstore.com
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
An Indispensable Reference for Poets and Poetasters, April 22, 2002
This stunningly comprehensive volume truly merits the title "encyclopedia." Nearly 1,400 pages, two columns to a page, with small print (the size of the print being one of the few shortcomings of the book). Over 700 entries, each including a brief bibliography. Detailed discussions of 106 national poetries. Entries on all varieties of poetic schools and movements, including Dada, Surrealism, Beat Poets, and . . . Fyrtiotalisterna (a group of Swedish modernist poets). Definitions of every imaginable poetic term, from anacoluthon to chiasmus to vers libre. Entries written by recognized authorities, from A. B. Lord writing on "Oral Poetry" to M. H. Abrams discussing "Theories of Poetry" to Elaine Showalter on "Feminist Poetics." "The New Princeton Encyclopedia of Poetry and Poetics" is simply the best single volume on poetry and poetics available, an indispensable reference for anyone seriously interested in poetry, as well as anyone interested in literature, literary history and prosody.
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