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New and Selected Poems, Vol. 1 [Paperback]

Mary Oliver (Author)
4.9 out of 5 stars  See all reviews (32 customer reviews)


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Book Description

July 1, 1993
Winner of the 1992 National Book Award for Poetry

A New York Times Notable Book of the Year 1993

"One of the astonishing aspects of [Oliver's] work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . .
These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward."
-Stephen Dobyns, The New York Times Book Review

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Editorial Reviews

Amazon.com Review

As Diane Wakoski has noted, the power of Mary Oliver's Frost-influenced pastoral writing is in her ability to cast a spell, to create "the illusion that the natural world is graspable." Oliver's fierce independence, beautiful imagery, and love and knowledge of the natural world are all driven by a searching mind, expressed in poems that make for good company. In Some Questions You Might Ask, Oliver gives us this one to chew over: "Is the soul solid, like iron?/ or is it tender and breakable, like/ the wings of a moth in the beak of an owl?" Highly recommended. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

This collection brings together poetry from eight of Oliver's previously published books and 30 new poems. In all of her work, including the Pulitzer Prize-winning American Primitive , Oliver, "full of curiosity," writes about the natural world, engaging the entwined processes of life and death. "Amazement" figures in her persistent attention to things seen: "If you notice anything / it leads you to notice / more / and more." Description then leads to meditation, a leap beyond the material world. Fundamentally religious in impulse, many of the poems move quickly away from concrete description. Metaphors are not quite grounded in the real; rather, they are asserted, declared. Of a bear the one poem's speaker notes, "all day I think of her-- / her white teeth, her wordlessness, her perfect love." Even though this bear flicks the grass with her tongue, sharpens her claws against the "silence/of the trees," the reader cannot quite see her. It's as if Oliver reports on mysteries rather than embodying them. And so, despite its undeniable music, her work too often becomes rhetorical; too often its earnestness turns preachy and its feeling becomes sentimental.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 255 pages
  • Publisher: Beacon Press; 1st edition (July 1, 1993)
  • Language: English
  • ISBN-10: 0807068195
  • ISBN-13: 978-0807068199
  • Product Dimensions: 8.9 x 6 x 0.8 inches
  • Shipping Weight: 11.2 ounces
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #251,688 in Books (See Top 100 in Books)

 

Customer Reviews

32 Reviews
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Average Customer Review
4.9 out of 5 stars (32 customer reviews)
 
 
 
 
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113 of 113 people found the following review helpful:
5.0 out of 5 stars Oliver integrates craft and heightened awareness., June 23, 1999
By A Customer
This review is from: New and Selected Poems, Vol. 1 (Paperback)
Every poem in this book is a gem, and the collection made me want to read her complete works. While this is definitely not "religious poetry" of the greeting card variety, it is an expression of a deep spiritual awareness. Oliver's poems often reveal an amazement and wonder at being alive. Poetic skill and heightened awareness are so well-integrated, those who are looking for well-crafted poetry will certainly find it, and those who are looking for an awakening of consciousness may also find that.

Although Oliver's environment, her field of play, is nature, I wouldn't reduce her to a "naturalist poet." Nature is always interpreted and absorbed by her vision. Nature reveals its secrets to her, but they are the secrets of her own soul. In her poetry, nature is the oracle that reveals the human psyche.

But I should include Oliver's own words, because no prose critique can do justice to the intoxicating natural imagery of her poems. In the poem "Peonies", the richness and fertility of nature mirror the same qualities of the imagination:

This morning the green fists of the peonies are getting ready to break my heart

as the sun rises,

as the sun strokes them with his old, buttery fingers

and they open- pools of lace,

white and pink- and all day the black ants climb over them,

boring their deep and mysterious holes into the curls,

craving the sweet sap,...

The poem ends with a challenge that reverberates through the book. In spite of the sense of death looming sometimes on the edge of the poem (and our lives), sometimes at the center, are we willing to fully experience life?

Do you love this world?

Do you cherish your humble and silky life?

Do you adore the green grass, with its terror beneath?

Do you also hurry, half-dressed and barefoot, into the garden,

and softly,

and exclaiming of their dearness,

fill your arms with the white and pink flowers,

with their honeyed heaviness, their lush trembling,

their eagerness

to be wild and perfect for a moment, before they are

nothing forever?

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102 of 102 people found the following review helpful:
5.0 out of 5 stars Re-editon from one of America's Greatest Living Poets, May 31, 2004
By 
Juan Mobili (Valley Cottage, NY USA) - See all my reviews
(REAL NAME)   
The only problem with a volume of Mary Oliver's collected poems is that whichever poems end up excluded are likely to be the reader's loss. Such incomparable consistency of craft and soul can be expected, every single time, from Ms. Oliver!
That said, no poem here is undeserving of its inclusion, and if it took an anthology like this to have you wonder about reading her for the first time, then thank God for this book.
Included here -note that this is only the first volume- are works from her earlier books, all of which are worth buying separately. A particularly important inclusion are the selections of American Primitive, in my opinion her most moving and accomplished collection.
Those who adore poems like the glorious "Wild Geese" or were moved by the wisdom of "The Journey," will be happy to know that they are, of course, contained in this volume, along with many others begetting similar acclaim.
So, five stars for Ms. Oliver only because I can't give her ten.
As far as the publisher, I would have liked a clearer indication that this is the very same edition already published years ago. At least in my case, the additional subtitle -"Volume One"- confused me and led me to buy something I already owned. In the other hand, if such mention indicates the upcoming release of a second volume -specially if more uncollected poems may be part of it, I'll be satisfied and forgiving.
For those who own everything by her and do not possess this volume, this is still a valid purchase on the basis of the, once, "new poems" contained and not available anywhere else.
Welcome -or welcome back- to the poetry of Mary Oliver. Let these words take your breath away with its exquisite and gently fierce call to opening your heart and be intelligent toward all beings.
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50 of 51 people found the following review helpful:
5.0 out of 5 stars She Is A Sublime Witness To The Natural World!, December 15, 2005
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Mary Oliver overwhelms my visual and auditory senses with her language; it is precise and controlled; her imagery is brilliant. Using carefully chosen words she captures the "essence" of living things in the natural world.

Each work is masterful and seems a deep meditation that leaves a reader feeling refreshed and somehow privy to a personal, even private part of the poet as an investigator and witness to nature and its secrets.

Each time I read one of her poems I feel as if she is inviting me into the woods with her to witness the natural world in all of its sacredness.

I have yet to read a poem of hers that disappointed me.

Her mood-infused poem "Rain" (the first poem in the book) is sublime; and "Mushrooms" is glorious!

Read "Mushrooms" slowly and listen to the language; see the imagery in the mind:

Rain, and then
the cool pursed
lips of the wind
draw them
out of the ground---
red and yellow skulls
pummeling upward
through leaves,
through grasses,
through sand; astonishing
in their suddenness,
their quietude,
their wetness, they appear
on fall mornings, some
balancing in the earth
on one hoof
packed with poison,
others billowing
chunkily, and delicious---
those who know
walk out to gather, choosing
the benign from flocks
of glitterers, sorcerors,
russulas,
panther caps,
shark-white death angels
in their torn veils
looking innocent as sugar
but full of paralysis:
to eat
is to stagger down
fast as mushrooms themselves
when they are done being perfect
and overnight
slide back under the shining
fields of rain.

My God! I don't think that even a mushroom would know itself in that way.

She is a sublime witness to the natural world.

Mary Oliver is one of my favorite poets -- and let me tell you, I don't have many "favorite poets".

I recommend this poetry collection to you!

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