The New Space Opera (Mass Market Paperback)

~ Gardner Dozois (Author), Jonathan Strahan (Author)
Key Phrases: new space opera, fat guy, dividing the sustain, Rider Jackson, Scented Coolabar, Mother Griffith (more...)

Editorial Reviews

From Publishers Weekly

Starred Review. The new space opera shares with the old the interstellar sweep of events and exotic locales, but Dozois and Strahan's all-original anthology shows how the genre's purveyors have updated it, with rigorous science, well-drawn characters and excellent writing. Many of the 18 stories play with the scope that characterizes classic space opera. In Greg Egan's Glory, creatures embody themselves as aliens to perform archeological research, only to get caught up in a struggle between two worlds. Robert Reed's Hatch, limited in locale to the hull of a giant ship, proves that the scope of the struggle for life is always epic. Stephen Baxter's Remembrance walks a line between the personal and the global as resisters against Earth's conquerors remember one man's struggle against the alien invaders. Kage Baker's humorous Maelstrom, in which an acting troupe on frontier Mars puts on a Poe story for the miners there, tells a personal story in an epic setting. The new space opera teaches us that despite the bizarre turns humanity may take to conquer these outré settings, a recognizable core of humanity remains.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Paperback edition.

From Booklist

The rich space opera tradition, extending from the off-world voyages of Verne and Wells to this galaxy-embracing anthology, is arguably sf's most prolific subgenre. Veteran anthologist Dozois and coeditor Strahan present some of the newest boundary-stretching variations on the category's many themes. Accordingly, the roster of contributors includes some of contemporary sf's brightest innovators, such as Peter Hamilton and Robert Silverberg, as well as such rising stars as Tony Daniel and Mary Rosenblum. Ian McDonald brilliantly sketches entire future cultures and histories in Verthandi's Ring, the main concern of which is millennia-old intergalactic battles. In Hatch, Robert Reed describes the precarious lifestyle of a small human society eking out a living on the surface of a Jupiter-sized starship. Other tales monitor species-changing scientists, an eccentric Martian arts colony, and Earth's last traumatized survivor. In sheer breathtaking, mind-expanding scope, this collection of some of the finest tale-spinning the subgenre has to offer delivers hours of exhilarating reading. Hays, Carl
Copyright © American Library Association. All rights reserved --This text refers to the Paperback edition.

See all Editorial Reviews

Product Details

• Mass Market Paperback: 656 pages
• Publisher: Eos; Reprint edition (August 26, 2008)
• Language: English
• ISBN-10: 0061350419
• ISBN-13: 978-0061350412
• Product Dimensions: 6.6 x 4.2 x 1.5 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.6 out of 5 stars  See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #141,434 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #16 in

  Books > Science Fiction & Fantasy > Authors, A-Z > ( D ) > Dozois, Gardner

Customer Reviews

Most Helpful Customer Reviews

9 of 10 people found the following review helpful:

4.0 out of 5 stars More for fans than for newcomers, January 4, 2008

By	Michael Lichter (Buffalo, NY USA) - See all my reviews (REAL NAME)

This review is from: The New Space Opera (Paperback)

While this anthology may appear to be aimed at newcomers to the genre (or subgenre), I doubt that newcomers will get as much out of it as fans who have already read a good deal of the material referred to here as "the new space opera." Why? Many of the stories take place in universes already visited by the authors. The degree of integration with earlier work varies; Gwyneth Jones' so-so story "Saving Tiaamat," takes place in the same universe as her WHITE QUEEN novel and its sequels, but does not involve the "Aleutians" or any earlier characters. Peter F. Hamilton's barely-readable "Blessed by an Angel" takes place in the same universe as PANDORA'S STAR and requires some knowledge of that universe but doesn't seem to add much. (It does, however, strengthen my opinion that Hamilton is a dreadful writer.) In contrast, Robert Reed's adventure-packed "Hatch" takes place on the surface of the "Great Ship" introduced in his novel MARROW (which I haven't read) and appears to shed new light on what goes on inside the ship.

Although most of the stories stand on their own--I think Hamilton's is the only exception--I think newcomers would still get a better introduction to today's space opera by starting with a novel or two, like Reynolds' REVELATION SPACE (on the heavier side), Stross' SINGULARITY SKY, or Scalzi's OLD MAN'S WAR (on the lighter side). (Note that Stross and Scalzi do not have stories in this volume.)

The book has a number of highlights. Walter Jon Williams' yarn "Send Them Flowers," features a couple of not-quite-on-the-level pals who flit around in a space yacht. Williams' irresponsible and irresistible (to women) character Tonio is a humorous wonder. Tony Daniel's "The Valley of the Gardens" is a weird, charming, and melancholy tale about a man and a woman who sacrifice themselves to save the world. Dan Simmons' "Muse of Fire" may overstate the cosmic importance of Shakespeare, but it is nonetheless surprising and engaging. While the book also has low points, none of the stories, aside from Hamilton's contribution, are truly bad. Baker's "Maelstrom" is silly and patronizing to its characters, Rosenblum's "Splinters of Glass," is awkwardly written (but clearly superior to Hamilton in execution if not imagination), and McDonald's "Verthandi's Ring," is artsy but empty.

In sum, this collection is not going to blow anybody away, but it's a worthwhile addition to the library of any fan of contemporary space opera.

16 of 21 people found the following review helpful:

3.0 out of 5 stars Perhaps just not a sub genre for me, September 2, 2007

By	Mitchell A. Kaplan - See all my reviews (REAL NAME)

This review is from: The New Space Opera (Paperback)

"New" space opera. I have to say I that I kind of liked the old space opera. I found these stories to be somewhat depressing and most seemed unresolved by the end of the story. I'm glad I read it however.

I think my biggest complaint is that the ends of the stories weren't generally satisfying to me. I guess the stories must have been sufficiently good in that I was anxious to see how they would turn out. However that is where I found myself disappointed.

I would recommend this collection, but I wouldn't put it at the top of my list.

12 of 16 people found the following review helpful:

3.0 out of 5 stars The best are the stories from Silverberg and Reynolds, September 14, 2007

By	trainreader (Montclair, N.J.) - See all my reviews

This review is from: The New Space Opera (Paperback)

By reading the short stories and novellas in this volume, one quickly realizes that the term "space opera" is used rather broadly. Here's my synopsis of the stories (and some general observations along the way):

"Saving Tiamaat," "Verthandi's Ring" & "Hatch": I don't really know, because I found them so convoluted that I didn't finish them. Some of the authors of these stories introduce the reader to a slew of aliens, alien civilizations, and future technologies in a few pages, where maybe a 50 page introduction to a 300 or so page book would be adequate.

"Winning Peace": Not bad, but could have used a longer treatment. A common theme in this volume seems to be the situation where one group of humans (or aliens) subjugate another group of humans, who find some means of revenge in the end.

"Glory": There are so many things going on in this story, that I'm not sure why the author didn't write a full-fledged novel. I would even read it.

"Maelstrom": This is one of the more memorable stories because it's about a group of rag-tag actors on a recently colonized Mars who put on a play which loosely reflects the lives of colonists. It's surprisingly humorous, but categorizing it as a "space opera" is really a stretch.

"Blessed by an Angel": If I hadn't have read Peter Hamilton's incredible "Pandora's Star" (and the much more mediocre sequal "Judas Unchained"), I would have been completely lost. That's another thing that you find in the volume -- some of the backgrounds of these short stories were already covered in full-blown novels. This particular story is ok, but I would think incomprehensible to one who didn't read "Pandora's Star."

"Who's Afraid of Wolf 359"?: I'm sure I read it, but nothing sticks with me.

"The Valley of the Gardens": A touching Romeo and Juliet type love story set on an alien world. This also cries out for a longer treatment.

"Dividing the Sustain": Utterly bizarre. Don't know what quite to think about it. Another thought I have about alot of these stories is that the authors tend to forget that if real/actual/virtual time is substantially longer than one's perceived time on a space-ship, the technology will change completely once the voyage is finished (think about our technology 20 years ago).

"Minla's Flowers": A superb novella about a space traveller who attempts to advance a civilization before its time to avert disaster. I really liked this one and am interested in reading more by the author (Alastair Reynolds).

"Splinters of Glass": Most of it describes a chase scene on flying skateboards through icy pathways on Europa (and a love story to boot). OK, as far as it goes.

"Rememberance": An interesting tale about an alien race that nearly destroys humanity and makes everyone (save one person) forget about it. Humanity now has the power to destroy them. Also could have been better as a full fledged novel, or a decent Star Trek episode.

"The Emperor and the Maula": Maybe because I'm such a huge Robert Silverberg fan, this was my favorite entry. It tells the story of a far future human race, that had finally found peace and cooperation, only to be subjugated by the Ansaar, who conquer the Earth through a terrifying shock and awe campaign, and then basically treat humans like an insignificant nuisance (part of the "Maula" -- creatures below contempt). A brave young woman named Laylah visits the Ansaar's home planet knowing it means her certain execution. But she manages to get in the presence of the Emperor who doesn't quite know what to make of her. Silverberg's traditional skills, such as describing exotic alien planets, and the arrogance of a supreme leader, shine through here. "The Emperor and the Maula" could probably work just as well as a fable without a scifi/space opera setting. In fact, it reminded me somewhat of the story of Purim, (Laylah reminded me an awful lot of Esther).

"The Worm Turns": Strange and surrealistic. Like some of the other stories, one needs to probably understand something about wormholes in order to appreciate it, which I really don't.

"Send them Flowers": Dull and one of the few entries I thought was too long.

"Art of War": An exo-art historian, who has a hostile relationship with his mother (a four star general in the military), tries to find a pattern in how an enemy alien race arranged art in caves which they had stolen from humans. Huh?

"Muse of Fire": I loved "Hyperion," but I often find Dan Simmon's writing to be extremely dense. Here, he shows off his obviously prodigious knowledge of Shakespeare. The story wasn't bad, but he really shouldn't have tried to cram all this stuff (the performance of Shakespearean plays in front of a serious of increasingly God-like aliens) into 61 pages.

Read "The New Space Opera," if you like short science fiction stories. It may also lead you to an author or two in whom you might become interested.