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New Tattoo


Price: $12.99 & FREE Shipping on orders over $35. Details
Only 2 left in stock (more on the way).
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Audio CD, June 13, 2006
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$12.99 & FREE Shipping on orders over $35. Details Only 2 left in stock (more on the way). Ships from and sold by Amazon.com. Gift-wrap available.

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Product Details

  • Audio CD (June 13, 2006)
  • Original Release Date: 2006
  • Number of Discs: 1
  • Label: Pinecastle
  • ASIN: B000FIHJHE
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #79,402 in Music (See Top 100 in Music)

1. Carla's Got A New Tattoo
2. Love's Like Rain
3. Misery & Happiness
4. Hurting Sure
5. In Bristol Town
6. 6 Red Birds (In A Joshua Tree)
7. Working In The New Mine
8. Back To Your Arms
9. With A Memory Like Mine
10. Tomorrow Morning
11. Drown

Editorial Reviews

Product Description

Amazon.com

As the lead singer of New Grass Revival, über tenor John Cowan always brought an urgency and bold authority to the experimental form his bandmates forged out of bluegrass. So it's no surprise that his versatility carried over to his next ventures, blue-eyed soul and prog-rock, or to his current eponymously named acoustic ensemble, where he's joined by Jeff Autry (guitar), Wayne Benson (mandolin), Shad Cobb (fiddle), and Noam Pikelny (banjo). Their kick-off tune, "Carla's Got a New Tattoo," in which a locomotive rhythm propels Bob Lucas's cheeky lyrics about the cool of body art, recalls the legendary New Grass at their zenith. But the band quickly switches gears to the dark blues of "Misery and Happiness," in which Cowan, powering down his force-of-nature voice to make room for ghostly harmony by Patty Griffin, stunningly evokes the searing pain of redemptive love gone cold. The highlights here are many, and a lot of them bear the stamp of Cowan's friend Darrell Scott, beginning with the spiritual "6 Red Birds (In a Joshua Tree)," which Cowan and Scott wrote together, and segueing to "With a Memory Like Mine," an exquisite song of the crazy-making grief of war (written by Scott and his father, Wayne). But the collaboration that will long stick in the mind is "Drown," a harrowing story song of child molestation. Cowan and Scott (who contributes plaintive piano accompaniment) wrote it together, but it's Cowan's own story of violation, and it's one of the bravest songs of the year. All in all, this is a sterling collection of unusually fine material, delivered in Cowan's trademark ice-and-electricity vocals. --Alanna Nash

Customer Reviews

4.8 out of 5 stars
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See all 15 customer reviews
This is a CD you will want to share and listen to frequently.
Nancy
I had the honor of getting this CD at Merlefest in April and am recommending it to anyone that is/was a New Grass Revival fan.
E. Tayloe
This album packs a punch, covering the emotional gamut from fun to haunting, all the while being very sincere.
George L. Ross

Most Helpful Customer Reviews

6 of 6 people found the following review helpful By Nancy on June 23, 2006
Format: Audio CD
This is a stunningly beautiful CD, full of love and pain seamlessly interwoven until they culminate in the heart-wrenching "Drown" which I guarantee will bring tears to your eyes and leave its imprint on your memory.

John Cowan has an incredible tenor voice: powerful, sweet and clear, and there are 4 lovely songs that particularly show it off: "Hurting Sure", "Misery and Happiness", "Back To Your Arms", and "Tomorrow Morning".

The virtuoso musicianship of the band members (Jeff Autry on guitar, Noam Pikelney on banjo, Wayne Benson on mandolin, and Luke Bulla and Shad Cobb on fiddles)is featured on every song except "Drown"--fine newgrass musicians who move way beyond bluegrass to bring a very contemporary feel to the CD. "Carla's Got a New Tatoo" will make you giggle and "Working In The New Mine" will leave you breathless. I think the producer, Jay Joyce, has thrown in just enough intriguing ear-catching twists to enhance but not overpower the music.

"Drown" features only John's cowriter Darrell Scott on keyboards and Bryn Bright on cello. This creates a huge shift in consciousness suitable for such an emotional masterpiece and important piece of work.

This is a CD you will want to share and listen to frequently. Anyone who likes John Cowan or liked New Grass Revival will DEFINITELY want it, anyone who has been through or knows anyone who has been through childhood sexual abuse will DEFINITELY be touched and inspired by "Drown", and anyone who likes beautiful acoustic music will DEFINITELY like this CD.
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4 of 4 people found the following review helpful By It's Me, on September 7, 2006
Format: Audio CD
I like the return to a little more acoustic sound than on the previous John Cowan CD "Always Take Me Back." That one had some superb novelties, like the Yes and King Crimson covers, but it lacked cohesion, and the original songs were not as good as on John's debut. This one is closer to the New Grass Revival vibe with strong songs throughout and some expert instrumental passages, too. John's cover of The Blue Nile (Tomorrow Morning) is a wonderful choice, and it sheds light on the underrated songwriting of Paul Buchanan. With Sam Bush's recent album "Laps In Seven" also sounding great, these are good times for New Grass Revival fans.
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4 of 4 people found the following review helpful By Pat Lee on June 25, 2006
Format: Audio CD
Bought it 2 weeks ago on release date and have been listening to it every day since. Still not tired of it. The music is a large heaping dollop of bluegrass (excuse me New Grass)a dash of country with a pinch of southern rock, a bit of gospel, and a little mountain music tossed in, served up with a serious jolt of reality (referencing last cut "Drown").This group is in unison with one another and this Cd reflects their individual awsome talents especially John Cowans incredible vocals. That man can belt a tune in any category from rock to country and everything in between.
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2 of 2 people found the following review helpful By Betsy B. Lawson on August 31, 2006
Format: Audio CD
First and foremost, John Cowan's resonating tenor voice would send shock waves through a polar ice cap. The hair on my arms stood up the entire concert. The way the album is mastered, it's one long continuous medley that's over far too quickly. The arrangements are laid out in an order that flows like a river. John mixes styles on this recording that range from blues to southern rock to Celtic soul in a most indelible piece of work. Cow band rocks on this, especially fiddler Shad Cob and mandolinist Wayne Benson. Didn't think it was possible for JC to improve, but he continues to outpace himself. One for the collector's list and posterity. Tattoo transfer was a really cool bonus!
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2 of 2 people found the following review helpful By George L. Ross on February 20, 2012
Format: MP3 Music
I can't believe I'm the first to review this album from John Cowan. An amazing album from one of "Newgrass's" best voices. This album packs a punch, covering the emotional gamut from fun to haunting, all the while being very sincere. (The last song 'Drown' is almost too much of a punch...very tough to listen to if you have kids.) I consider this one of the best albums of the new millennium.
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1 of 1 people found the following review helpful By J. Ross on November 23, 2006
Format: Audio CD
Playing Time - 46:47

Who They Are: Genre-bending innovators and adventurists

What They Do: Progressive newgrass full of vocal and instrumental pyrotechnics

Little Known Facts: Some of Cowan's early rock and blues bands included Everyday People, The Sky Kings, Duckbutter and Grooveyard.

The Songs: "Carla's Got A New Tattoo" opens the set with barn-burning instrumental work and inspired vocal spunk. The soulful "Misery & Happiness," a lamentation on the bittersweet experience of finding love and losing it, features gorgeous harmony vocals from Patty Griffin. "Working In The New Mine" harkens back to old school bluegrass, with a driving tempo, stellar picking, charged modulation, and acrobatic vocal harmonies. A melodic "Back To Your Arms" and Mark Simos' "Hurting Sure" are modern country masterpieces that would sound right at home on country radio. "In Bristol Town" is a ballad with some old-time Appalachian character. The 6-minute closing track, "Drown," is the most emotional and controversial. It's a disturbing and detailed disclosure about child molestation. Based on personal experience as a seven-year-old survivor, John felt it was a tragic story that needed to be told. Cowan collaborated with Darrell Scott on "Drown" and "Red Birds (In A Joshua Tree)." Darrel and his father (Wayne) penned "With A Memory Like Mine," a sad song of a son returning frm war in a flag-draped casket.

The Musicians: Besides Cow on lead vocals and bass, the band's current lineup is Jeff Autry (guitar, bouzouki), Wayne Benson, (mandolin), Shad Cobb (fiddle), Noam Pikelny (banjo), and Luke Bulla (fiddle, mandolin). All but Pikelny contribute harmony vocals.
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