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New Theatre Quarterly 67: Volume 17, Part 3 (v. 17)
 
 
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New Theatre Quarterly 67: Volume 17, Part 3 (v. 17) [Paperback]

Clive Barker (Editor), Simon Trussler (Editor)

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Book Description

New Theatre Quarterly October 26, 2001
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.

Editorial Reviews

Book Description

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 67 include: Dramas of the Performative Society: Theatre at the End of its Tether; The Ethics of Indeterminacy: Theatre de Complicite's 'Mnemonic'; Prague Summer: Encounters with a Third Kind of Theatre; The Masks of Greek Tragedy as Point of Departure for Modern Performance; Stumbling in the Dark: Facets of Sensory Perception and Robert Wilson's 'H.G.' Installation; NTQ Checklist: Sarah Kane.

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Inside This Book (learn more)
First Sentence:
The emergence of new performance paradigms in the second half of the twentieth century is only now being recognized as a fresh phase in human history. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
performative society, puppet opera, mask training, marionette theatre, black theatre, women playwrights, puppet theatre, live actors, mask work
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sarah Kane, Laterna Magika, Don Giovanni, National Theatre, Père Ubu, Peter Hall, The Independent, New York, Phaedra's Love, The Guardian, Chris Vervain, Michael Chase, Selected Works, David Wiles, Live Art, The Wonderful Circus, Alfred Jarry, Mozart Open, National Marionette Theatre, Royal Court Theatre Upstairs, Gate Theatre, Robert Wilson, Theatre Record, Cambridge University Press, Contemporary Drama
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