New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Book Description
Editorial Reviews
Book Description
New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance.
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Inside This Book
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First Sentence:
The closing decades of the twentieth century and the opening years of the twenty-first have seen a wide range of hybrid and cross-over performance forms, dance/theatre being prominent among them. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
overnight theatre, sludge man, overnight play, performer training, actor training, variety theatre, audience memory, amateur theatre, regional theatres, positive valuation, nativity play Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, United States, Drury Lane, David Watt, Charles Parker, New Theatre Quarterly, Radio Ballads, Clive Barker, Eugenio Barba, Arts Council, Sunday Times, Folk Revival, Arnold Wesker, Acadiana Sludge, Alexander Technique, Ian Watson, Prometheus Unbound, Rick Mitchell, Benjamin Webster, First World War, Humphrey Jennings, National Initiative, Queen Victoria, Sarah Kane, The Count of Monte Cristo New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
The closing decades of the twentieth century and the opening years of the twenty-first have seen a wide range of hybrid and cross-over performance forms, dance/theatre being prominent among them. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
overnight theatre, sludge man, overnight play, performer training, actor training, variety theatre, audience memory, amateur theatre, regional theatres, positive valuation, nativity play Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, United States, Drury Lane, David Watt, Charles Parker, New Theatre Quarterly, Radio Ballads, Clive Barker, Eugenio Barba, Arts Council, Sunday Times, Folk Revival, Arnold Wesker, Acadiana Sludge, Alexander Technique, Ian Watson, Prometheus Unbound, Rick Mitchell, Benjamin Webster, First World War, Humphrey Jennings, National Initiative, Queen Victoria, Sarah Kane, The Count of Monte Cristo New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 98
books:
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- Prometheus Unbound by Percy Bysshe Shelley on 4 pages
- Negotiating Cultures: Eugenio Barba and the Intercultural Debate by Ian Watson on page 33, and page 40
- The Count of Monte Cristo (New Method Supplementary Readers) by Alexandre Dumas on page 25, and page 27
- The Count of Monte Cristo by Alexandre Dumas père on page 25, and page 27
- The Count of Monte Cristo (Penguin Classics) by Alexandre Dumas père on page 25, and page 27
See all 98 books this book cites
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