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In New York [Live]

Cannonball AdderleyAudio Cassette
4.0 out of 5 stars  See all reviews (4 customer reviews)


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MP3 Download, 7 Songs, 2006 --  
Audio CD, Original recording reissued, Live, 1990 --  
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Music

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Photos

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Biography

Julian Edwin "Cannonball" Adderley was a teacher-turned-saxophonist whose main fame was in the 1950s and 1960s. He spent a period of time in the late 50s playing with Miles Davis and contributed to their seminal albums, Milestones and Kind of Blue.

After playing with Davis he formed his own band, The Cannonball Adderley Quintet which later evolved into a sextet and achieved a crossover audience in… Read more in Amazon's Cannonball Adderley Store

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Product Details

  • Audio Cassette (October 17, 1990)
  • Format: Live
  • Label: Ojc
  • ASIN: B000000Y8D
  • Also Available in: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)

 
1. Introduction -- by Cannonball
2. Gemini
3. Planet Earth
4. Dizzy's Business
5. Syn-Anthesia
6. Scotch and Water
7. Cannon's Theme

 

Customer Reviews

4 Reviews
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Average Customer Review
4.0 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
4.0 out of 5 stars Great To Have Mr. Lateef On Board!, August 19, 2004
By 
Andrew Stevenson "Drew" (Union Springs, New York) - See all my reviews
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This review is from: In New York (Audio CD)
When multi-reed player Yusef Lateef joined Cannonball and Nat he brought an added dimension to the exuberant funk of the Adderley brothers. Just listen to his mysterious composition "Syn-athesia" and you'll hear what I mean. The recipe for the rest of the performances, recorded live in 1962 at the Village Vanguard, is uptempo and everyone was in the mood to play hard! After Cannonball's verbal introduction bassist Sam Jones leads the guys into a rousing Jimmy Heath composition titled "Gemini." Here Yusef gets some particularly wild sounds out of his tenor sax. The heat continues on Lateef's composition "Planet Earth." Another highlight is pianist Joe Zawinul's sprightly tune "Scotch and Water," in which, as Cannonball points out, he tries to capture the exuberance of said drink; he succeed by the way! Another exciting evening of jazz at the Vanguard!
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11 of 12 people found the following review helpful:
4.0 out of 5 stars An Excellent Introduction to Cannonball, December 5, 2000
By A Customer
This review is from: In New York (Audio CD)
Consider this album a first rate accompaniment to the classic Cannonball Adderly album, "Mercy, Mercy, Mercy." From the enlightening opening remarks of Cannonball himself, through the opening song "Gemini," to "Scotch and Water" (another outstanding song by Joe Zawinul - Cannonball's pianist, composer of the song "Mercy, Mercy, Mercy," and creative force of the Weather Report), this live recording from the Village Vanguard in 1962 demonstates why Cannonball Adderly's bluesy and soulful jazz stands out as a masterpiece of and testament to what is really hip - to play on Cannonball's opening words. The musicians with Adderly are the finest sextet to play with Cannonball, the legendary alto saxophonist who made his early fame playing with the Miles Davis Quintet in the late 50's and early 60's; Zawinul, Nat Adderly, Yusef Lateef, Louis Hayes, and Sam Jones create a wonderfully rich, evocative, and compelling sound which provides Cannonball's saxophone a perfect platform. Pick up this album either as a follow-up to the signature Adderly album, "Mercy, Mercy, Mercy" or enjoy it as an exquisite introduction to this jazz great.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars A good date, February 19, 2005
By 
Bomojaz (South Central PA, USA) - See all my reviews
This review is from: In New York (Audio CD)
Cannonball revamped the Quintet in the latter half of 1961, replacing Wynton Kelly on piano with Joe Zawinul and adding Yusef Lateef on tenor, flute and oboe--making the unit a sextet. This was their first outing on record, and they do a fine job. The tunes swing pretty hard to good effect, except for the slow-tempo "Syn-anthesia" which is a drag. A nice outing.
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