From School Library Journal
Grade 3-6. San Souci has woven his magic once again. This retelling of a folktale about a merman who comes to love a woman of the land is well told and intriguing. According to the source notes, this character can be traced to legends from the 12th century. Nicholas Pipe is an enchanted merman who lives on land, needing only to touch the sea each day. He is a kind neighbor and falls deeply in love with Margaret, Marius the fisherman's daughter, who is forbidden to speak with him since the merfolk caused her brother's death some years before. As the tale unfolds, Nicholas saves the lives of Margaret and her father in a storm, but is captured by the king's soldiers when Marius reports him. Margaret's deep love and truthful words influence her father and together they rescue the dying merman and return him to the sea. In a moving conclusion, Nicholas swims back to Margaret, proposing and offering her a perfect pearl from his sea world. Shannon's stunning acrylic paintings are fitting to this powerful story. The text is framed by rough-hewn wood decorated with a single rose and seashell. The richly colored, yet subdued full-page pictures carry the story from sea to land, from storm to calm, with emotional depth. Nicholas Pipe should take his rightful place on the folktale shelf in every library.?Beth Tegart, Oneida City Schools, NY
Copyright 1997 Reed Business Information, Inc.
Ages 5-9. Margaret, the fisherman's daughter, loves the merman Nicholas Pipe, who is caught between his world beneath the waves and hers on shore. He lives on land and walks upright like a man, but he must touch the sea every day or he will die. Margaret's father forbids her to talk with Nicholas Pipe, blaming his sea people for the drowning of her brother. When there is a storm at sea, the merman saves Margaret and her father from his angry sisters in the wild waves. When the king's horsemen imprison Nicholas in a cage, Margaret saves him with her life-giving salt tears and with the sea water she pours over him. San Souci says in a brief note that the story is based on a twelfth-century tale that ended with the merman dead. The happy ending here depends on the father's turnabout, which is a bit contrived, but the Romeo and Juliet love story has elemental appeal, and Shannon's dark, glowing acrylic paintings express both the romance and the storminess of the lovers, who break boundaries and transform the world.
Hazel Rochman