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The Nigger of the 'Narcissus': A Tale of the Sea is a novella by Joseph Conrad. Because of its quality compared to earlier works, some have described it as marking the start of Conrad's major (middle) period; others have placed it as the best work of his early (first) period.
John G. Peters said of it in 2006:
"The unfortunately titled The Nigger of the "Narcissus" (titled Children of the Sea in the first American edition) is Conrad's best work of his early period. In fact, were it not for the book's title, it undoubtedly would be read more often than it is currently. At one time, it was one of Conrad's most frequently read books. In part because of its brevity, in part because of its adventure qualities, and in part because of its literary qualities, the novel used to attract a good deal of attention."
The author's preface to the novel, regarded as a manifesto of literary impressionism, is considered one of Conrad's significant pieces of non-fiction writing.
The titular character, James Wait, is a West Indian black sailor on board the merchant ship Narcissus sailing from Bombay to London. Wait falls ill with tuberculosis during the voyage, and his plight arouses the humanitarian sympathies of many of the crew, five of whom rescue him from his deck cabin during a storm, placing their own lives and the ship at risk. Captain Alistoun and the old sailor Singleton, on the other hand, remain concerned primarily with their duties as sailors and are indifferent to Wait's condition.
The novel is seen as an allegory about isolation and solidarity, the ship's company serving as a microcosm of a social group. Conrad appears to suggest that humanitarian sympathies are, at their core, feelings of self-interest and that a heightened sensitivity to suffering can be detrimental to managing a society.
In the United States, the novel was first published with the title The Children of the Sea: A Tale of the Forecastle, at the insistence by the publisher, Dodd, Mead and Company, that no one would buy or read a book with the word Nigger in its title. In 2009, in an effort 'to remove this offense to modern sensibilities', WordBridge Publishing reissued the book under the title The N-word of the Narcissus.
Conrad, an emotional man subject to fits of depression, self-doubt, and pessimism, disciplined his romantic temperament with an unsparing moral judgment.
As an artist, he famously aspired, in his preface to The Nigger of the 'Narcissus' (1897), "by the power of the written word to make you hear, to make you feel... before all, to make you see. That — and no more, and it is everything. If I succeed, you shall find there according to your deserts: encouragement, consolation, fear, charm — all you demand — and, perhaps, also that glimpse of truth for which you have forgotten to ask."
Writing in what to the visual arts was the age of Impressionism, Conrad showed himself in many of his works a prose poet of the highest order: thus, for instance, in the evocative Patna and courtroom scenes of Lord Jim; in the "melancholy-mad elephant" and gunboat scenes of Heart of Darkness; in the doubled protagonists of The Secret Sharer; and in the verbal and conceptual resonances of Nostromo and The Nigger of the 'Narcissus'.
---From Wikipedia
--This text refers to the
Kindle Edition
edition.
The Nigger of the 'Narcissus': A Tale of the Sea is a novella by Joseph Conrad. Because of its quality compared to earlier works, some have described it as marking the start of Conrad's major (middle) period; others have placed it as the best work of his early (first) period.
John G. Peters said of it in 2006:
"The unfortunately titled The Nigger of the "Narcissus" (titled Children of the Sea in the first American edition) is Conrad's best work of his early period. In fact, were it not for the book's title, it undoubtedly would be read more often than it is currently. At one time, it was one of Conrad's most frequently read books. In part because of its brevity, in part because of its adventure qualities, and in part because of its literary qualities, the novel used to attract a good deal of attention."
The author's preface to the novel, regarded as a manifesto of literary impressionism, is considered one of Conrad's significant pieces of non-fiction writing.
The titular character, James Wait, is a West Indian black sailor on board the merchant ship Narcissus sailing from Bombay to London. Wait falls ill with tuberculosis during the voyage, and his plight arouses the humanitarian sympathies of many of the crew, five of whom rescue him from his deck cabin during a storm, placing their own lives and the ship at risk. Captain Alistoun and the old sailor Singleton, on the other hand, remain concerned primarily with their duties as sailors and are indifferent to Wait's condition.
The novel is seen as an allegory about isolation and solidarity, the ship's company serving as a microcosm of a social group. Conrad appears to suggest that humanitarian sympathies are, at their core, feelings of self-interest and that a heightened sensitivity to suffering can be detrimental to managing a society.
In the United States, the novel was first published with the title The Children of the Sea: A Tale of the Forecastle, at the insistence by the publisher, Dodd, Mead and Company, that no one would buy or read a book with the word Nigger in its title. In 2009, in an effort 'to remove this offense to modern sensibilities', WordBridge Publishing reissued the book under the title The N-word of the Narcissus.
Conrad, an emotional man subject to fits of depression, self-doubt, and pessimism, disciplined his romantic temperament with an unsparing moral judgment.
As an artist, he famously aspired, in his preface to The Nigger of the 'Narcissus' (1897), "by the power of the written word to make you hear, to make you feel... before all, to make you see. That — and no more, and it is everything. If I succeed, you shall find there according to your deserts: encouragement, consolation, fear, charm — all you demand — and, perhaps, also that glimpse of truth for which you have forgotten to ask."
Writing in what to the visual arts was the age of Impressionism, Conrad showed himself in many of his works a prose poet of the highest order: thus, for instance, in the evocative Patna and courtroom scenes of Lord Jim; in the "melancholy-mad elephant" and gunboat scenes of Heart of Darkness; in the doubled protagonists of The Secret Sharer; and in the verbal and conceptual resonances of Nostromo and The Nigger of the 'Narcissus'.
---From Wikipedia
