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Night After Night was conceived as a serious dramatic vehicle for George Raft, a major star in gangster pictures (who had been a real New York gangster before coming to Hollywood). But the movie--for the most part an overheated melodrama--would probably have been forgotten long ago were it not for Mae West. Raft and West had been lovers when she was starring on Broadway. He brought her to Hollywood to give her a break in pictures with a small part in this one. But, as Raft said, West "stole everything but the cameras."
Raft is convincingly melancholic as Joe Anton, owner of "the swellest speakeasy in New York". He's sick of the racket, sick of the smell of booze, and sick of his girl, Iris (Wynne Gibson), a whiny, pathetic floozy. Lately his head has been turned by a classier species of dame, one Miss Healy (Constance Cummings), a society debutante who's been pining prettily in his speakeasy every night. Raft hires a high-falutin' tutor, Mrs. Jellyman (battle-axe Alison Skipworth), to improve his deportment and impress Miss Healy. He invites Mrs. Jellyman to dine with him and Miss Healy, when who should show up to wreck his plans but his old flame, Maudie Triplett (West). The movie shifts into high gear when she appears. It's fascinating to see West in a very different role than those she plays in her other films. No goddess with men falling at her feet is she, but an uninhibited good-time girl with a healthy taste for champagne. We have the sense that we're glimpsing Mae West before her all-important image had been finely honed. --Laura Mirsky