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Night [Paperback]

A. Alvarez (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

July 17, 1996

"Elegantly written. . . . Alvarez . . . lead[s] you to a new understanding of the night. You will no longer look out into the darkness and see only a yawning void."--Kevin Coyne, Los Angeles Times Book Review

As children, most of us are scared of the dark. Although we may put that fear behind us, it remains nonetheless buried deep in places where we prefer not to look. It is a terror-as old as the human race-that survives in spite of the magic of electricity, which disguises but can never erase the differences between night and day.

In this powerfully written book, A. Alvarez examines night in all its aspects. How do we light it? How do we inhabit it and make it safe? In what "languages" do we dream? The search moves from the neon-lit brilliance of Las Vegas to the shadowy underworld patrolled by the police. We visit a sleep laboratory, where scientists try to understand what happens to our bodies and in our brains when sleep claims us. Alvarez shows how "night horrors" inspired and terrified Coleridge, how dreams liberated the minds of Stevenson and the Surrealists, and how his own childhood fears provided a gateway to the secret world of the unconscious. And through a highly original and accessible account of the thoughts of Freud, Jung, and their modern-day counterparts, Alvarez reveals how deeply dreams and the unconscious color and fashion our waking lives.

Like his bestseller The Savage God, Night is a remarkable, eloquent combination of ideas and personal experience; it is a literary feast, a journey of discovery, and a perfect initiation into the mysteries of the dark.

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Editorial Reviews

From Publishers Weekly

Alvarez begins this delightful, serendipitous meditation on night, darkness, sleep, dreams and night life by discussing his own childhood terror of the dark, in a home seething with nighttime quarrels, and his middle-age addiction to sleep. He then visits an English sleep research lab, where he has his sleep monitored; travels to New York City to ride in a police squad car with cops on night patrol; and captures the nocturnal rhythms of London and of a Tuscan farmhouse in the Italian Appennines. In graceful, insightful prose, Alvarez (The Savage God: A Study of Suicide) analyzes imagery of light and dark from Shakespeare to John Cheever; scrutinizes the dream theories of Freud and Jung; examines dreams as a source of inspiration for Coleridge, Ionesco, Don DeLillo, French surrealists and scientists and inventors; and mulls the late-Victorian passion for ghost stories. His observation, "Night contains whatever you care to put into it," serves as an apt keynote for this kaleidoscopic excursion.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Scared of the dark? The author of the best-selling The Savage God (LJ 4/1/72) here examines our response to night, eventually linking it to creativity.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 320 pages
  • Publisher: W. W. Norton & Company (July 17, 1996)
  • Language: English
  • ISBN-10: 0393314340
  • ISBN-13: 978-0393314342
  • Product Dimensions: 8.3 x 5.5 x 0.8 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #571,813 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Haunting essays on Every Aspect of Darkness, December 28, 2000
Amazon Verified Purchase(What's this?)
This review is from: Night (Paperback)
"Night" is a book of essays on the subjects of "darkness, sleep, dreams, the unconscious, sex, violence, crime, fear, ghosts, fire, and light." Alvarez illuminates and connects these subjects, and I can do no better service to a potential reader than to quote from his preface: "This is a book about the many faces of night: the night around us and the night within, the literal and the metaphorical, the dark of the moon and the dark night of the soul."

As his book "The Savage God" is a very personal essay on suicide, so too is this book imbued with Alvarez's fear, knowledge, and recollection of night. If it were fiction, "Night" might be classified as a work 'magical realism'. Since it is non-fiction, the best classification I can come up with is 'dream-state realism'. The publishers of "Night" threw up their metaphorical hands and classified it as 'psychology'.

The photographs and paintings that Alvarez chose to accompany his text are particularly haunting. One in particular: an untitled photograph by Roger Parry shows a dark room with a dull beam of light streaming in through a half-opened door. The photograph was taken from inside the room and a few objects can be dimly seen: a daguerrotype propped upside-down against the dark wainscoting; a length of rope that might be fastened into a noose. Alvarez has this to say about the photograph: "I no longer remember how I populated the darkness, but I remember the fear itself, particularly of the darkness that shrouded the upper floor, where I slept."

In turn, he caused me to remember the upper room in my grandparents' house where I used to sleep. The light-switch was behind the door and next to a closet. I had to go into the dark behind the door to turn on the light, and as I did so, the closet door would seem to swing open---

Read "Night" and see what memories return to haunt you.

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1 of 1 people found the following review helpful:
5.0 out of 5 stars The Anatomy of Night, December 27, 2009
By 
bongo (Denver, CO USA) - See all my reviews
(VINE VOICE)   
This review is from: Night (Paperback)
Like Alvarez's book The Savage God - a Study of Suicide, and Burton's The Anatomy of Melancholy, Night takes one big subject and looks at it from a bunch of different angles. The book takes on - dreams and nightmares, the fear of the dark, night shift work, the history of lighting, night motif's in painting and literature, etc.

Alvarez is a respected literary critic and non-fiction writer and he approaches this subject using techniques from both disciplines.

As a critic he analyzes and reflects on what artists have had to say on the subject. The book starts with the poem, Acquainted with the Night, by Robert Frost and ends with a quote from Krapp's Last Tape, by Samuel Beckett. Many pages have passages from writers such as Stevenson, Freud and Coleridge, with Alvarez using them to examine a subject like the connection between dreams and surrealism.

As a non-fiction writer he actively participates in the subject and then writes first hand. For example, he goes to a sleep laboratory and goes on a 'ride-along' with the police in Manhattan.

I found this a fascinating book. Alvarez the writer is what makes it for me. (I doubt if I'd enjoy a similar book by, say, Harold Bloom or some other academic. Alvarez writes to be actually enjoyed.). He's serious but playful, has a casual sophistication, a curious and skeptical mind, and a direct writing style. I'm a fan of his work in general and I think this is one of his best.

"The thing which in the waking world comes nearest to a dream is night in a big town, where nobody knows one, or the African night. There too is infinite freedom; it is there that things are going on, destinies are made round you, there is freedom on all sides, and it is none of you concern." - Karen Blixen, pg 262.
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Inside This Book (learn more)
First Sentence:
In the last hundred years we have lost touch with night. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
night within the night, dreaming brain, hypnagogic hallucinations, sleep research, night nursery, sleep laboratory
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Allan Hobson, Alphabet City, Kentish Town, Lieutenant Gilmartin, Michael Caine, The Rime of the Ancient Mariner, Atkinson Morley, Henry James, Lieutenant Herer, Melanie Klein, Metropolitan Police, Morton Schatzman, Prince of Darkness, East Side, Sunday Times
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