In the Heat of the Night (Center Point Premier Fiction (Large Print)) [Large Print] [Hardcover]

John Dudley Ball (Author), John Ball (Author)

Book Description

Publication Date: July 2001 | Series: Center Point Premier Fiction (Large Print)

It's the 1960s. A hot August night lies heavy over the Carolinas. The corpse -- legs sprawled, stomach down on the concrete pavement, arms above the head -- brings the patrol car to a halt. The local police pick up a black stranger named Virgil Tibbs, only to discover that their most likely suspect is a homicide detective from California -- and the racially tense community's single hope in solving a brutal murder that turns up no witnesses, no motives, no clues.

--This text refers to an out of print or unavailable edition of this title.

Product Details

• Hardcover: 248 pages
• Publisher: Center Point Large Print (July 2001)
• Language: English
• ISBN-10: 1585471151
• ISBN-13: 978-1585471157
• Product Dimensions: 8.4 x 5.7 x 0.9 inches
• Shipping Weight: 1.2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #2,612,162 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

4.0 out of 5 stars Character-driven examination of Social Issues Disguised as a Mystery, February 18, 2006

By 

Ian Fowler (Denver, CO United States) - See all my reviews
(REAL NAME)   

This review is from: In the Heat of the Night (Paperback)

When Sam Wood, an officer with the Wells police department discovers the body of a famous Italian conductor lying in the road, it spells trouble for the small Carolina town. For the conductor was in town to perform at a musical festival designed to lift the town's sagging economy. The chief of police, Bill Gillespie, is no detective. But salvation inadvertently arrives when Wood arrests a black man with a wallet full of money in the train station. That man, Virgil Tibbs, a detective from Pasadena, quickly becomes Gillespie's out card. But as the tenacious Tibbs begins to hunt down the killer, there are plenty of people in town who prefer that their racial hierarchy remain intact, regardless of the truth.

For those who have seen the film "In the Heat of the Night" (and if you haven't, your loss), reading the original novel by John Ball will be something of a revelation. Not because the film changed the plot. While many details are altered in the plot(the victim in the film was a Northern industrialist, the town's name was Sparta), the film kept the same killer and motive. The revelation for fans of the film is the huge difference in how Ball wrote his characters and how they were portrayed in the film.

Tibbs is uber-competent, much as portrayed in the film. He knows how to investigate murders, and brings a veteran's confidence to the proceedings. However, unlike Sidney Poitier's simmering portrayal, Ball's Tibbs rarely displays impatience with the racial situation in Wells (contrast Poitier's angry delivery of the famous line "They call me MR. TIBBS" with the line as Ball wrote it, which suggests perfect calm). He understands that raging at every white man in sight is not going to change anything. He simply wants to do the job assigned to him, and not get killed for his skin color.

Gillespie in the book is not as competent as Rod Steiger's portrayal in the film. While the film didn't reveal much about the character's past, it did create the impression that Gillespie, while not the brightest bulb, has at least a rudimentary understanding of police work. In the book, Gillespie is a former prison guard who gets the job of police chief precisely because he will uphold the ingrained racial system of Wells. Throughout the book, much like the film, he is hostile to Tibbs, but gradually coming to respect him.

Finally, there's Sam Wood. In the film, Sam is basically a plot device. First he arrests Virgil, then he gets to be a murder suspect. In the book, Sam is fully fleshed-out character. He's earnest, dependable, and in the end, quite respectable. Initially expressing his fair share of racist attitudes, Wood develops legitimate respect for Tibbs' abilities as a detective, particularly as he realizes that Gillespie is no role model, and that Tibbs is more than simply the color of his skin.

While Ball is interested in examining race relations, he seems far more interested in telling a murder mystery. Plot-twists and blind alleys abound, as Tibbs and Gillespie zero-in on various suspects, only to have them fizzle-out. Nonetheless, he does an excellent job of following his characters as they struggle with the irrational prejudices that have shaped their lives, and the arrival of a man that makes lies of those prejudices. While the final solution of the mystery isn't particularly gratifying, the ride is, especially the character development and examination of social issues.

10 of 11 people found the following review helpful:

5.0 out of 5 stars better on race than its more serious rivals, February 6, 2001

By 

Orrin C. Judd "brothersjudddotcom" (Hanover, NH USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: In the Heat of the Night (Mystery Scene Books) (Virgil Tibbs Mystery Novel) (Paperback)

Winner of the Edgar Award for Best First Mystery and subsequently made into an Academy Award winning movie and successful TV series, In the Heat of the Night is only a decent mystery, but it's a great book about race. Though the book is different in many respects from the better known film, at its core it is still about the dilemmas faced by a proud black detective who is forced to help with a murder investigation in the Deep South, and by the white police officers who are forced to confront the disparity between their prejudices and the reality of this competent, likable fellow officer.

Though the main clash of characters occurs between Virgil Tibbs and Chief Gillespie--particularly in the movie where Poitier and Steiger were the stars--in many ways the key character in the novel is Sam Wood, the conscientious patrolman, later a suspect in the crime, who is young enough, open-minded enough, and resentful enough of Gillespie to give Tibbs a fair shake. More than anything, Sam is enamored with his own role as a law enforcement officer. He's clearly looking for a role model and it's fascinating to watch him struggle with the idea that Virgil, though black, may be the ideal person to emulate.

The racial and moral questions that animate the story help to overcome some rather stilted dialogue and a too frequent recourse to ending scenes with a shocking cliffhanger revelation from Virgil--for instance : "You see, sir, I know it for a fact that you've got the wrong man." Then again this was Ball's maiden effort, and some lapses into formula are to be expected. The book deserves to be read and remembered for its groundbreaking presentation of an unreservedly heroic black and its salutary message : that men should be judged by the content of their character rather than the color of their skin. The online magazine Salon ran a column several years ago suggesting that the film version of In the Heat of the Night might be one of the most profound movies ever made about race in America. The book too can stand its own ground alongside other, more "literary," texts like Invisible Man and Native Son; and it's message of hope and the possibility of progress has proven it more prophetic than its more revered rivals.

GRADE : A-

2 of 2 people found the following review helpful:

3.0 out of 5 stars After seeing the movie I was expecting much more, November 19, 2006

By 

DWD "DWD's Reviews" (Indianapolis, IN) - See all my reviews
(TOP 1000 REVIEWER)    (VINE VOICE)   

This review is from: In the Heat of the Night (Paperback)

If you've seen Sidney Poitier and Rod Steiger tear into one another in the movie version of this book you may be expecting a few more fireworks than this book delivers. Heck, even if all you know of the story is the TV show with Carrol O'Connor and Howard Rollins than you have already seen more fireworks than this book delivers. And why is that? Because in the book, Virgil Tibbs is a proud man but he often fails to show the fire that Poitier and Rollins brought to the character.

Throw in a near-total lack of action (there are two small fight scenes, but they are almost incidental to the plot) with about 50 pages worth of driving around a small Southern town in the middle of the night and you can quickly figure out why the movie version remains popular, with more than 50 reviews on Amazon.com at the time of this writing, while the book has just a handful.

What this book most reminded me of was an Agatha Christie mystery. Sure, there's a lot of racial tension, but the book version of Virgil Tibbs is willing to take whole lot more of the racial runaround than the Sidney Poitier version, so that just becomes more of a nuisance than anything else. Similarities to an Agatha Christie novel include: rich guy gets killed, visiting detective gets on the case, a big "wrap-it-all-up" scene in the living room of one of the characters in which the visiting detective explains everything to everyone.

I give this one a grade of C-.