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Night Child (OSI, Book 1) [Mass Market Paperback]

Jes Battis (Author)
3.6 out of 5 stars  See all reviews (28 customer reviews)

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Book Description

May 27, 2008
That’s a dead vampire, I thought. My boss dragged me out of bed at two in the morning to see a dead vampire? I might be an Occult Special Investigator for Vancouver’s Mystical Crime Lab, but a dead vampire is routine, and no reason to disturb a person’s sleep! Then I took a closer look at the body…

Tess Corday soon realizes that there is not going to be anything ordinary about this case. Not the lab results on the cause of death. Not Mia Polanski, the teenage girl living at the address found in the vamp’s pocket, who may well be in thrall to a demon. And certainly not Lucian Agrado, the necromancer who is liaison to the vampire community. Agrado is supposed to be part of the solution, but Tess suspects he might be part of the problem.

Under pressure from her boss, Tess is trying to go by the book on this one. But when Mia reaches out to her, she risks her career to help the girl. And finds herself in the middle of a paranormal conspiracy that will change her life forever.

Or possibly end it…


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About the Author

Canadian Jes Battis is from Vancouver, but for the academic year 2007-2008, will be living in New York City and teaching at Hunter College. Jes is an academic, with a concentration in English and Pop Culture Studies, who has had two books published, one on Buffy The Vampire Slayer and one on Farscape.

Excerpt. © Reprinted by permission. All rights reserved.

"That's a dead vampire."

Selena Ward, my boss, raised an eyebrow. "Uh-huh."

"You dragged me out of bed, to a disgusting alley on Granville Street—at two in the morning—to see a dead vampire?"

She handed me the clipboard with the MCS entry log. Anyone entering a mystical crime scene has to sign in first, just like a regular crime scene. The only difference is that some of our responding officers aren't human. The scene was divided into three zones with a base of operations, or staging area, near the far end of the alley where extra photographic equipment, evidence bundles, and chemical reagents could be stored in portable kits. The perimeter around the vampire's body was taped off as the primary focal point, with access far more restricted than the outer edges of the scene. It all seems orderly until you have to explain to a high-ranking investigator that she should really get the hell out of your way. I'll admit it—I did get a secret pleasure out of that sometimes. There weren't any doors or fire-escapes at the back of the alley, so the only natural point of entry and exit was the street.

"Take a closer look," Selena said. "Make sure to put on gloves."

Tasha Lieu, our Medical Examiner, gave me a wink as she passed by. "Just released the scene, so it's all yours."

"Thanks, Tash." Selena looked tired.

I was already fishing the gloves out of my purse. "Sorry to call you out so late," I said sheepishly. I'd always assumed that Tasha had some type of normal human life outside of the CORE, unlike the rest of us. She was an intensely private person, and all I really knew about her was that she lived in Marpole and had a Calvin and Hobbes cartoon strip taped on the wall above the autopsy sink.

"No worries, I'm a night owl. See you at the morgue, bright and early tomorrow morning. I should have the post done by the time you get there."

I swallowed. "Yeah, great. See you there." It was just like a trip to the dentist, only the dentist was a vivisected corpse. Not my idea of a sweet morning. Tasha waved and left the scene, stepping carefully over the caution tape.

"Where's Siegel?" Selena's frown had deepened. Shit.

"Parking. The strip is packed, as usual, so I sent him down to the seedier part of Nelson Street. He may have to fend off some goth-chicks, but he'll survive."

West Granville was Vancouver's nightclub district, and its irregular streets were an explosion of noise and neon light. Hipsters danced the night away at Aquarius and The Plaza, while underage kids drank pitchers of cheap Molson at The Roxy. After last call, the strip became a drunken labyrinth of kids eating hot dogs and fries from late-night vendors, taxi cabs dodging each other, and police cars wailing their sirens. Just another night in Terminal City, as Vancouver was often called, since the only thing beyond it to the west was ocean. Like Shangri-La. The end of everything. No wonder demons liked it here so much.

"Funny lady." Derrick Siegel emerged from behind the yellow tape, smiling apologetically. "Right here, Selena. Sorry—I had to—"

"—park the car, yes, I heard." She rolled her eyes. "Just put some gloves on and follow us. Apparently there are four different concert venues spilling out drunken teenagers onto Granville right now, and I'd like to avoid a security leak."

Neither of us looked like we belonged at a crime scene. Derrick was wearing a pajama top and rumpled blue jeans with a jacket hastily thrown over. The jacket was probably Kenneth Cole: Derrick was the only person I knew who would wear designer clothes to a crime scene. He'd learned some tricks over the years, though, and he was wearing old shoes this time. Black runners—the kind that he'd normally never be caught dead in. I was wearing the same. Try scrubbing blood out of a new pair of Charles David boots. I learned that lesson quickly, and now I always brought sneakers.

A black cat was wandering about the scene, delicately avoiding a tripod stand as she surveyed the walls of the alley. This was no random stray, but rather Sophie, one of the trained forensic animals that the CORE employed for sniffing out magical scenes. Cats didn't have quite a broad sense of smell as dogs, but their olfactory nerves were more refined, which allowed them to detect a variety of demonic and nonhuman scents that lingered in the air long after a kill. Unlike dogs, alley cats like Sophie didn't need to be trained with a scent pad—she simply roamed about the alley, did her thing, and let her trainer know if she found anything interesting. Cats don't exactly work on the clock, but they're more valuable to the CORE because their close proximity to magic allows them to sense the residual chemicals left over by strong materia flows. Why do you think they always followed witches around? Cats are strongly attracted to the smell of materia leftovers, or ‘frass,' as they're known. Like mystical catnip.

Sophie, however, didn't appear to be turning up anything tonight. She sniffed the air around the body disinterestedly, then flicked her tail and retreated. A handler returned her gently to the cat-carrier, and she immediately curled up and fell asleep. She was used to being around mystical crime scenes.

Selena had paged me around 1:30 AM, which was actually a pretty decent time, all things considered. I'd gotten calls a lot later than that. As an Occult Special Investigator, it was my job to do the preliminary investigation around any mystical crime scene in the Greater Vancouver Regional District and follow up on leads. Selena gave the orders, and I followed them. Most of the time. I used to be scared shitless of her, but three years of working together had softened our relationship.

Derrick and I were both junior employees for the Mystical Crime Lab unit of CORE, the Central Occult Regulation Enterprise. CORE was a transnational blanket organization that controlled just about everything mystical within North America and Europe. The City of Vancouver's crime lab was one of the best in Canada, with a fully equipped DNA testing site and separate pathology departments that included a standalone morgue. Vancouver may have had the reputation for being a quiet city when it came to violent crime, but as far as mystical disturbances were concerned, it was a hot spot.

Since I was only an OSI-I, the crime lab tended to give me probationary assignments—that is, the back-alley jobs like this one that nobody else would take. Derrick was on probation as well, but as a telepath he had a different union. I think. Office politics get kind of hairy when you're dealing with demons and mages.

We slipped on our Tyvek suits, which were modified to protect us from mystical as well as organic contamination, and then Selena led us to the body. It was a male vampire, lying almost peacefully near the back of the alley. His head was propped up slightly against the corner of a dumpster, and his shirt had been unbuttoned, revealing a smooth white chest that was otherwise unmarked. He was wearing a pair of dress pants and black shoes. Cheap Stuff—the kind you could pick up at an Eaton's sale. The guy looked like he'd just come from an accounting firm. His blonde hair was neatly trimmed, and he was clean shaven.

"Have a look," Selena said.

I knelt down beside the body. The photo techs were milling around me, snapping pictures from every conceivable angle with different filters for contrast in the dark. One photographer was taking reference shots of the alley with a 28mm lens, while the other snapped shots of various artifacts around the alley with a 55mm macro-lens for close-ups, placing evidence placards next to them to establish scale. A third technician was furiously scribbling notes in the photo log, trying to keep up with the others. All of the flashes gave the scene an even more macabre feel.

An occlusion, or perimeter field, had already been set up at the entrance to the alley. In order to work unhindered, we have to seal off the area from bystanders. The occlusion is a kind of mystical envelope that alters light wavelengths around the area. It has something to do with quantum packets, but I never really get the explanation. With mystical crime scenes, you have to preserve all the evidence while simultaneously hiding it from the general public, and that includes the Vancouver RCMP. Not always a simple matter in this city.

Vampires decomposed a lot more slowly than human bodies, so it was impossible to tell how long he'd been lying here. No insect activity, no temperature changes, and no postmortem interval to establish. But I was trained to detect even more subtle alterations. Einstein told us that energy can't be destroyed—only transformed. Every organism has an energy signature, an aura. Even the undead.

I passed my fingertips through the air a few inches above the vampire's chest. I could feel a faint differential in the energy flows—a trickle of something, like spider silk against my face. It made me want to sneeze.

"Feels sketchy. Maybe 48 hours ago, but I can't be certain. You know how tough it is to establish time-of-death with vamps."

"Derrick?" Selena gestured to the body. "You want to give it a try?"

It wasn't really a question. Derrick sighed.

"One of these days," he said, "I'd like to read the dying thoughts of a really happy person. Someone who expired in a bed full of puppies and bunny rabbits."

"I'll see what I can do," Selena said flatly.

Derrick knelt down beside me. He placed his gloved fingertips on the vampire's forehead, and closed his eyes.

I didn't really understand how Derrick's powers worked, since I wasn't a telepath myself. All I knew was that, just like I could sense auras, Derrick could sense faint neurological impressions—like letters presse...


Product Details

  • Reading level: Ages 18 and up
  • Mass Market Paperback: 304 pages
  • Publisher: Ace; 1st edition (May 27, 2008)
  • Language: English
  • ISBN-10: 0441016022
  • ISBN-13: 978-0441016020
  • Product Dimensions: 6.8 x 5 x 0.8 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #896,762 in Books (See Top 100 in Books)

More About the Author

Jes Battis is currently Assistant Professor of English at the University of Regina, teaching classes in fantasy and science fiction, queer studies, children's lit, and medieval material culture. His OSI Series is available from Ace-Penguin.

 

Customer Reviews

28 Reviews
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3 star:
 (4)
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Average Customer Review
3.6 out of 5 stars (28 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

24 of 26 people found the following review helpful:
3.0 out of 5 stars This is a good start to an interesting world, June 4, 2008
This review is from: Night Child (OSI, Book 1) (Mass Market Paperback)
Mageborn Tess Corday is an OSI (Occult Special Investigator) for the Mystical Crime Unit of CORE. She's been training for this position since she was 'thirteen in pigtails wearing an Animaniacs shirt'. At twenty four, she's old and still at a level one, which indicates a few career problems.

Tess and her telepathic partner, Derrick Siegel, are called in to an unusual vampire death. According to her boss, this case is a 'career breaker' for Tess, she doesn't make it she's in trouble. There are only two clues on this vamp's body: an address and a photo.

Both of those clues lead to trouble. The address leads her to the home of Cassandra Polanski and her niece, Mia. Mia comes to Tess and Derrick and the two of them are forced to defend the girl from an attack by a Vailoid demon-for-hire. The photo takes them to Lucian Argrado, necromancer and guide into the vampire realm. Lucian's going to pose a lot of problems for Tess personally.

Once Mia is attacked, their boss tells Tess and Derrick to get off the case and stay away. But, can the two of them leave Mia in danger?

Fantasy is a careful balance between worldbuilding, character, and story. "Night Child" is one of the rare cases where there's too much worldbuilding and not enough of the other two elements. Jes Battis cannot be faulted in the amount of research he did to write this novel, he even took an Advanced Forensics class. The problem is, a lot of this research is incorporated into the narrative, which bogs both the storyline and the characters down, particularly in a first-person narrative where Tess would be thinking more of her job than explaining the forensic details--which she already knows.

My hope is the next book in this series will already have the world established and can focus more on character and storyline. This is definitely a worthwhile world to explore and one that will be of interest particularly considering the level of CSI-fandom.

Rebecca Kyle, June 2008
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13 of 14 people found the following review helpful:
4.0 out of 5 stars Solid First Outing, June 10, 2008
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This review is from: Night Child (OSI, Book 1) (Mass Market Paperback)
Night Child is a solid first outing from author Jes Battis. The action sequences are particularly compelling, and while there is occasional info-dumping, it tends to work well within the context - think CSI, and how every time a new technique is used we get a brief explanation. The protagonist, Tess Corday, is a believably conflicted twenty-four year old with the usual concerns and fears of a young adult, with the odd admixture of self-doubt and cockiness we've all experienced under the skin. Battis is at his best when he segues into dream and flashback scenes, where Tess's internal monologue picks up steam and approaches stream-of-thought-like intensity and randomness.

Some small quibbles - A couple of minor continuity issues (an ambiguous turn of phrase in one case, another where a secondary character suddenly knows how a murder has been committed without actually being told), but nothing show-stopping. Additionally, a few typos here and there - which is to be expected in a first printing, but still jar a little. That said, again, nothing show-stopping.

The story itself falls into the relatively new and energetic dark urban fantasy/vampire noir set, and Night Child is definitely a good fit. The characters are believable and sympathetic, the action is well-paced, the plotting allows the reader to catch breath on occasion, and the finale is both foreshadowed and yet not obvious. Tess, as an OSI-1 working on mystical crime scenes, is a kind of Scully meets Grissom with a bit of kick-butt Buffy thrown in for good measure. Her requisite sidekick is played by the amiable and surprisingly capable Derrick, and a cast of vamps, necros, mages and demons rounds things out quite nicely. The backstory evolves from the discovery of a dead vampire in an alleyway in downtown Vancouver - but there's no stake, no garlic, no silver to be seen. How this vamp died and why lead Tess and Derrick on a merry chase throughout Vancouver and nearby environs, battling their way through supernatural foes and demonic paperwork, trying not only to solve the case, but perhaps to fight some internal demons of their own. Battis definitely shows us the gun in the first act, and yes, it is fired by the third. I finished the book at a run and was left wanting for more - here's hoping that Battis can get book two in the OSI series out soon.
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18 of 22 people found the following review helpful:
1.0 out of 5 stars CSI meets Buffy, July 24, 2008
This review is from: Night Child (OSI, Book 1) (Mass Market Paperback)
This story is basically an attempt to write a CSI episode with all the paranormal characters from Buffy thrown in.
This is a very hard read, friends. At no point in the story was I ever able to connect with the characters. Maybe someone else will be better at putting the reason for this into words. I am an avid reader of all things different and unnatural. I love a good paranormal storyline.
But this book just did not flow for me. I think the dialog between the characters is written in such a way that it is not believable. Sometimes its hard to tell which character said what. You think it's coming from the protagonist but after reading the page you then find out one of the other characters made that statement and you have to backtrack and reread to understand what is going on.
It's written in first person and at one emotional point early in the book this sentence appears. "My eyes turned dark." She wasn't looking in a mirror, folks. It just made no sense. I would only know my eyes turned dark if I was looking in a mirror or someone told me so.
The author also chooses to give overly large explanations of items or powers that are not needed.
I feel apologetic giving a bad review on a first time novelist and hope that the author knows that my poorly written review is not meant to be mean, but just a review on a product.
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