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The Night Dance: A Retelling of "The Twelve Dancing Princesses" (Once Upon a Time)
 
 
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The Night Dance: A Retelling of "The Twelve Dancing Princesses" (Once Upon a Time) [Mass Market Paperback]

Suzanne Weyn (Author), Mahlon F. Craft (Designer)
4.1 out of 5 stars  See all reviews (10 customer reviews)

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Book Description

Once Upon a Time November 25, 2008
Under the stars, in a secret world...

Rowena, the youngest of twelve sisters, loves to slip out of the castle at night and dance in a magical forest. Soon she convinces her sisters to join her. When Sir Ethan notices that his daughters' slippers look tattered every morning, he is certain they've been sneaking out. So he posts a challenge to all the suitors in the kingdom: The first man to discover where his daughters have been is free to marry the one he chooses.

Meanwhile a handsome young knight named Bedivere is involved in a challenge of his own: to return the powerful sword, Excalibur, to a mysterious lake. While looking for the lake, Bedivere meets the beautiful Rowena and falls for her. Bedivere knows that accepting Sir Ethan's challenge is the only opportunity for him to be with Rowena forever. But this puts both Bedivere and Rowena in a dangerous situation...one in which they risk their lives for a chance at love.


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Editorial Reviews

About the Author

Suzanne Weyn has written more than 100 novels for children and young adults and has had her work featured on the New York Times bestseller list. Her books in the Once upon a Time series include The Crimson Thread and The Night Dance among others.  Another contribution to the Pulse line is her Romantic Comedy, South Beach Sizzle. Suzanne lives in Putnam Valley, NY.s

Excerpt. © Reprinted by permission. All rights reserved.

Prologue

Rowena pressed her slim body into the cool shadowy corner of the high wall in the empty courtyard. Shaded by the towering building behind her, her wavy copper-colored hair seemed to take on a more auburn hue. A determined glint deepened her lively, celery-colored eyes into a stormy blue-green.

Furtively glancing back at the towering manor that was her home, she saw one of her eleven sisters, Eleanore, peer out from a high, narrow window. Even from this distance she could read the look of longing in her sister's expression. Prickly though Eleanore could be, Rowena still sympathized with the trapped restlessness she knew her sister felt. Still, she couldn't take the chance of being seen, and she shrank back farther into the shadows.

Rawkeeeee! Rowena's hand suddenly flew to her heart as she whirled toward an open kitchen window on the first floor of the manor. The panicked squawk of a captive pheasant had made her jump.

Helen, the cook, appeared in the window with a small axe held high over her head and the bird clasped firmly in her other hand. She ended the struggling creature's life swiftly with a strong, well-placed blow to its neck against a chopping board. Then she strode away from the table by the window with the beheaded pheasant in her arms, setting about the business of preparing the bird for roasting.

When Rowena turned her attention back to the upper window, Eleanore was no longer there. In the next minute, Helen reappeared at the kitchen window, but only for a second, to pull the shutters closed.

Rowena waited, barely breathing, for several minutes more. Soon she felt confident that things were finally as she had hoped they'd be at this hour. Her sisters would be busy with their weaving and embroidery. Their father, Sir Ethan of Colchester, was reviewing his monthly accounts, a process that usually took hours. Most likely he wouldn't lift his head from his books until Mary, the head housemaid, summoned him for dinner.

Reaching into the cobalt blue velvet cape she wore against the late spring's still-cool breezes, Rowena withdrew a small iron cleaver that she'd smuggled from the kitchen. Even in this shadowed spot, its blade gleamed. Her father's military past had left him with a love of rules, order, and efficiency. Among his many dictates to the servants was his insistence that they regularly sharpen all the household blades on a whetstone.

A scuffle at her feet caused her eyes to dart downward. She immediately jumped back, startled by a tiny gray field mouse that had scurried in through the narrow opening that rose from the base of the wall in an inverted v-shape. The creature paused for a moment to stare up at her, then zigzagged its way across the courtyard, probably headed for the kitchen.

When her heart had settled, Rowena turned again toward the wall. With eager fingers, she traced the lines of a crack that traveled from the top of the break in the wall halfway up to the top. Several fissures snaked out from the main fracture, further weakening this section of the enclosure.

The day before, when Mary had ordered two of the house boys to remove a brown, dead, potted tree--one of the many potted plants adorning the slate-tiled courtyard--from this corner of the courtyard, Rowena had first noticed the break in the wall. She instantly recognized the opportunity she'd been hoping for.

With the cleaver in her firm grip, she attempted several slow practice passes to be sure that when the moment was right, her aim would be accurate. Then, wrapping her fingers around the cleaver's iron handle, she waited, her back pressed against the wall.

In the next moment, the bell from the monastery outside the nearby town of Glastonbury chimed as it always did at this hour, calling the monks to prayer.

Now! Rowena thought wildly. She smashed the cleaver's blade down into the line of the crack, the deeply satisfying crash masked by the resonating bell.

The cleaver stuck fast into the wall. With two hands, she frantically yanked it out and struck again.

And now!

And now!

Again and again, she savagely wielded the blade into the cracks, straining every lean muscle of her lithe body. With each blow her joy mounted as the crumbling powdery stone tumbled to her feet.

The bell ceased its summoning toll.

Dropping to her knees, Rowena took a quick moment to recover from her violent effort and then pushed the debris away from the opening. She lay flat on her stomach and rolled onto her right shoulder. From this vantage point it was immediately apparent that even if she managed to get her head through the opening, her shoulders would never make it.

Rowena rolled back up into a crouch and then slowly stood, resolving not to give in to disappointment. The monastery bell would chime again tomorrow, and the next day, and the day after that, just as it had rung at the same hour on every day of her life. There would be other chances to chip away at this wall, the cursed barrier that had closed her off from the wide, glorious world for the past twelve years, since the time when her mother had left them.

Copyright © 2005 by Suzanne Weyn


Product Details

  • Mass Market Paperback: 224 pages
  • Publisher: Simon Pulse (November 25, 2008)
  • Language: English
  • ISBN-10: 1416961321
  • ISBN-13: 978-1416961321
  • Product Dimensions: 6.8 x 4.2 x 0.7 inches
  • Shipping Weight: 4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #295,917 in Books (See Top 100 in Books)

 

Customer Reviews

10 Reviews
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4 star:
 (3)
3 star:
 (3)
2 star:    (0)
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Average Customer Review
4.1 out of 5 stars (10 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
3.0 out of 5 stars Odd Mash Up of Arthurian Legend and Fairy Tale, December 7, 2009
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This review is from: The Night Dance: A Retelling of "The Twelve Dancing Princesses" (Once Upon a Time) (Mass Market Paperback)
I've enjoyed each book I've read so far in the "Once Upon A Time" series of reworked fairy tales. I enjoyed "The Night Dance" as well but it wasn't at all what I had hoped for. I have appreciated the new ideas and plot twists in each story and delighted in seeing how each story changed, and (in some cases) improved the fairy tales I knew. The story of "The Twelve Dancing Princesses" doesn't completely work when mixed with characters from Arthurian tales of the Knights of the Round Table. "The Night Dance" feels like two disjointed and separate tales being mashed together. The actual book still read quickly and when I wasn't puzzled by what was happening, I enjoyed the sisters and I loved the part where the suitors had to figure out how the sisters were ruining their slippers every night. I love magical stories but I feel like the "Arthur" magic is different in feel from fairy tale magic. Overall the book was enjoyable for what it was but it would have made more sense for the author to have written two different "Once Upon A Time" books....one based on Arthur and the other on Twelve Dancing Princesses.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Great Story, January 25, 2011
This review is from: The Night Dance: A Retelling of "The Twelve Dancing Princesses" (Once Upon a Time) (Mass Market Paperback)
Of all the Once Upon a Time books, this is probably my favorite. I love the setting, and working it into Arthurian legends was a stroke of genius. Any girl who likes cultural legends would dig this story, but especially King Arthur nerds like me. All the characters are vivid, never flat. It is an excellent read, if a quick one.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Abrupt, June 28, 2010
This review is from: The Night Dance: A Retelling of "The Twelve Dancing Princesses" (Once Upon a Time) (Mass Market Paperback)
The Night Dance is an interesting mesh of King Arthur and the fairy tale, "The Twelve Dancing Princesses". It was quite interesting to see how the Lady of the Lake was a part of the story. However, maybe because of the short length, it felt quite abrupt in the romantic aspect between the knight and Rowena, the protagonist. How does she fall desperately in love with a man she had never seen before? Also, sometimes it felt like the author was mashing the fairy tale to fit her interpretation - especially when it got to the scene with the trees from the fairy tale. The story would have probably been stronger alone, without the fairy tale interruptions.
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