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Track Listings
| 1. Soul To Soul |
| 2. Southern Cross |
| 3. Holes In My Sole |
| 4. Long Ball Hitter |
| 5. Old Satan |
| 6. Night Dawn (Silver Dollar) |
| 7. Carolina |
| 8. Jeanene |
| 9. Untitled |
| 10. The Deer |
| 11. Harms Swift Way |
| 12. Too Old To Die Young |
Editorial Reviews
Multi-platinum artist David Broza is set to release Night Dawn: The Unpublished Poetry of Townes Van Zandt, February 23rd, 2010 via S-Curve Records. The 12-song set was produced by David Broza and G.E. Smith (Hall & Oates, Saturday Night Live) and features 10 previously unreleased lyrics and poems written by the late Townes Van Zandt -- one cover of the last song Van Zandt wrote for David and one instrumental Broza wrote for Van Zandt.
David Broza met Van Zandt when the pair played a "Writers in the Round" show in Houston, TX in 1994. It was the only time the two played together and they did not remain in touch afterwards. On New Years Day, 1997, Van Zandt tragically passed away and shortly after, Broza was alerted that Townes had endowed him a shoebox full of unpublished poetry and lyrics. "I was dumbstruck," Broza recalls. "Why me? I never really talked to Townes. We played together one night. That was it." After Van Zandt's death, his widow, Jeanene Van Zandt, requested Broza to not take the poems, but let her present them to Townes' fans like Bob Dylan, Willie Nelson, Waylon Jennings and others. Eight years later, after never surfacing, Broza asked for them and started a four year process writing music for 10 of the unseen works. Broza then fi nished an 11th, "Harms Swift Way," from a Van Zandt demo. He then composed an original instrumental, "Too Old to Die Young," as a tribute to Van Zandt that closes the album. More than a decade after initially being given to Broza, Van Zandt's unpublished poems and lyrics will now be heard for the first time.
Customer Reviews
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Most Helpful Customer Reviews
4 of 5 people found the following review helpful
By think good
Format:Audio CD|Amazon Verified Purchase
i'm a big TVZ fan and this was a great way to be introduced to David Broza. this project was in the works for some time and it's great that it finally found the finish. And Broza did Townes words justice.
3 of 4 people found the following review helpful
By Joel Wende
Format:Audio CD|Amazon Verified Purchase
I had such high hopes for this but as I was listening to it I could literally feel my stomach dropping track by track. This is a collaboration between David Broza, a brilliant Israeli folk musician, and the late Townes Van Zandt (my favourite country singer). Van Zandt left Broza his last lyrics and 13 years after his death Broza has turned them into this album.
Broza fails to capture the spirit of Van Zandt entirely. Playing Spanish flamenco music to sorrowful, deep lyrics detailing the last few years of the life of Van Zandt is just horrible. Stay away.
Broza fails to capture the spirit of Van Zandt entirely. Playing Spanish flamenco music to sorrowful, deep lyrics detailing the last few years of the life of Van Zandt is just horrible. Stay away.
3 of 4 people found the following review helpful
By michael rooz
Format:Audio CD
This is a very unique collection amongsts Broza's work. It's folkish, it's blues and it's "Broza". There's a new flavour in David Broza's singing on this album and the background vocals are sweet and addictive. On the first listen I thought that there were some elements that were overly salient and aggresive however a few more listens after that and the harmony was much more apparent. This is simply great music and it gets better with every listen.
7 of 10 people found the following review helpful
Format:Audio CD
David Broza collaborates on Townes Van Sandt's final set of lyrics, what could possibly go wrong, right? Well, 'Night Dawn - the Unpublished Poetry of Townes Van Sandt' pretty much answers that question.
Broza is an incredible Israeli guitarist/singer and I've been a fan for two decades.
Van Sandt was an outstanding songwriter - some of his stuff you might know, mostly through other artists, though he did do recordings himself.
Van Sandt left behind a number of unfinished songs when he died. Lyrics, actually. Poems. Through the grace of Van Sandt's widow, Broza was allowed to compose the music for these and perform them. And it's been forever since Broza has put out an English sung album. Mostly they are in Hebrew or Spanish (both of which I love, but......).
The unfortunate thing is, I don't think it is Towne's lyrics that are the problem. I think it is Broza's music, or at least his arrangements.
I have to use "Holes in my Sole" as the example. It being the longest piece on the disk, it is arguably the centerpiece. Broza's guitar work is exemplary. The first minute of music is incredible and then for the next three and a half the music and lyrics go in a blues mode, which I like very much. Then it all falls apart. For the next two plus minutes, it goes into a Johnny Cash like railroad song. WTF? I still play the song, but I hit the skip button at the 4:18 mark or so.
Badly arranged backing vocals ("Night Dawn" - which makes it sound like bad Pips now and again) don't help matters.
There are no denying Broza's guitar skills ("Carolina", "The Deer", "Holes in my Sole", "Too Old to Die Young"), he is incredible, but he has got to do better in the arrangement category.
'Night Dawn' isn't without some rays of hope.... Read more ›
Broza is an incredible Israeli guitarist/singer and I've been a fan for two decades.
Van Sandt was an outstanding songwriter - some of his stuff you might know, mostly through other artists, though he did do recordings himself.
Van Sandt left behind a number of unfinished songs when he died. Lyrics, actually. Poems. Through the grace of Van Sandt's widow, Broza was allowed to compose the music for these and perform them. And it's been forever since Broza has put out an English sung album. Mostly they are in Hebrew or Spanish (both of which I love, but......).
The unfortunate thing is, I don't think it is Towne's lyrics that are the problem. I think it is Broza's music, or at least his arrangements.
I have to use "Holes in my Sole" as the example. It being the longest piece on the disk, it is arguably the centerpiece. Broza's guitar work is exemplary. The first minute of music is incredible and then for the next three and a half the music and lyrics go in a blues mode, which I like very much. Then it all falls apart. For the next two plus minutes, it goes into a Johnny Cash like railroad song. WTF? I still play the song, but I hit the skip button at the 4:18 mark or so.
Badly arranged backing vocals ("Night Dawn" - which makes it sound like bad Pips now and again) don't help matters.
There are no denying Broza's guitar skills ("Carolina", "The Deer", "Holes in my Sole", "Too Old to Die Young"), he is incredible, but he has got to do better in the arrangement category.
'Night Dawn' isn't without some rays of hope.... Read more ›
By IRIDETX
Format:Audio CD|Amazon Verified Purchase
Townes was a hard living, hard loving, and deeply reflective artist. It takes insightful singers to approach his less popular work. Broza and Guy Clark are not the same musicians but they would understand each other very well.
1 of 2 people found the following review helpful
Format:Audio CD
I have been a fan of David Broza for quite some time, including seeing him perform. He's an Israeli folk singer with a husky, sensual voice who's a major star over sees and a cult following stateside. He's done albums in English, Spanish and Hebrew, and "Night Dawn" is his first English Language album in many years. It comes with its own peculiar back story. As it turns out, Broza was a close friend of the late Townes Van Zandt, whose best known songs include the classic "Pancho and Lefty." Prior to his death, Van Zandt had approached Broza about working on an album with Townes' lyrics and David's music, but Van Zandt passed before the project came to fruition. These were the last lyrics/poems Van Zandt had written.
Broza held on to the lyrics, which at one time were being considered for an all-star tribute to Townes where other luminaries would each take a poem and complete a song. That project sputtered and stalled and never came to be, and finally, in 2010, Broza approached Van Zandt's family/estate about completing the album he and Townes had started in 1994. "Night Dawn" is the result, and it's a pretty good effort. There are some nice fits, like "Soul to Soul" and "Night Dawn/Silver Dollar." Broza's guitar style as a flamenco man doesn't always match the sadness in Van Zandt's words, like the divorce of "Southern Cross" and or a downer like "The Deer" (with this couplet "hard times lead, worse times follow...").
For the most part, "Night Dawn" is a good match between kindred spirits. Broza's rich voice infuses the words with the kind of emotional weight of Townes' intent. Like Steve Earle's tribute of Van Zandt covers ("Townes"), Broza shows and obvious deep love for his friend and the music he was entrusted with.... Read more ›
Broza held on to the lyrics, which at one time were being considered for an all-star tribute to Townes where other luminaries would each take a poem and complete a song. That project sputtered and stalled and never came to be, and finally, in 2010, Broza approached Van Zandt's family/estate about completing the album he and Townes had started in 1994. "Night Dawn" is the result, and it's a pretty good effort. There are some nice fits, like "Soul to Soul" and "Night Dawn/Silver Dollar." Broza's guitar style as a flamenco man doesn't always match the sadness in Van Zandt's words, like the divorce of "Southern Cross" and or a downer like "The Deer" (with this couplet "hard times lead, worse times follow...").
For the most part, "Night Dawn" is a good match between kindred spirits. Broza's rich voice infuses the words with the kind of emotional weight of Townes' intent. Like Steve Earle's tribute of Van Zandt covers ("Townes"), Broza shows and obvious deep love for his friend and the music he was entrusted with.... Read more ›
